55,665 research outputs found
Plan of Johnston fort at Cape Fear with the project of one covert way with places of arms : Survey'd and designed / by Capn Collet in 9bre 1767.
No full textFinished, colored plan with table of references identifying the functions of individual buildings.; Captain John A. Collet was the first commandant of the fort.; Further information is given in Collet's "Remarques sur le Fort de Johnson, au cap Fear avec son plan" in the Shelburne Papers, vol 45, f. 40
Sir John Murray
No full textCollet Léon W. Sir John Murray. In: Le Globe. Revue genevoise de géographie, tome 55, 1916. pp. 75-81
Collet-Sicard syndrome mimicking neuralgic amyotrophy
No full textA man with shoulder pain, wasting, and weakness had ipsilateral cranial nerve abnormalities. Electrodiagnostic studies supported a diagnosis of neuralgic amyotrophy, but we later demonstrated a spinal accessory mononeuropathy with ipsilateral hypoglossal weakness (Collet-Sicard syndrome). Magnetic resonance imaging demonstrated an inaccessible occipital condyle mass, and disseminated adenocarcinoma was subsequently diagnosed. Although cranial mononeuropathies can occur in neuralgic amyotrophy, this case illustrates the importance of identifying a focal lesion, and highlights the localizing value of electrodiagnosis. © 1997 John Wiley & Sons, Inc. Muscle Nerve 20:1173–1177, 1997Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/34626/1/13_ftp.pd
John Collet (ca. 1725-1780): A Commercial Comic Artist
No full textThis thesis focuses on the comic work of the English painter John Collet (ca. 1725-1780), who flourished between 1760 and 1780, producing mostly mild social satires and humorous genre subjects. In his own lifetime, Collet was a celebrated painter, who was frequently described as the ‘second Hogarth.’ His works were known to a wide audience; he regularly participated in London’s public exhibitions, and more than eighty comic prints were made after his oil paintings and watercolour designs. Despite his popularity and prolific output, however, Collet has been largely neglected by modern scholars. When he is acknowledged, it is generally in the context of broader studies on graphic satire, consequently confusing his true profession as a painter and eliding his contribution to London’s nascent exhibition culture. This study aims to rescue Collet from obscurity through in-depth analysis of his mostly unfamiliar works, while also offering some explanation for his exclusion from the British art historical canon. His work will be located within both the arena of public exhibitions and the print market, and thus, for the first time, equal attention will be paid to the extant paintings, as well as the reproductive prints. The thesis will be organised into a succession of close readings of Collet’s work, with each chapter focusing on a few representative examples of a significant strand of imagery. These images will be examined from art-historical and socio-historical perspectives, thereby demonstrating the artist’s engagement with both established pictorial traditions, and ephemeral and topical social preoccupations
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The road from London to Chichester in com, Suffex : containing 63 mile 2 furlongs vizt. : from ye standard in Cornhill London to Guilford in com Surry ...
No full textRelief shown pictorially.; Road strip map in six sections, with numbered distances along road.; Orientation of north shown in each section..; Derived from John Ogilby's Britannia.; 39 in lower right corner.; Decorative cartouche around title statement
Citizen piece by Portland author John Preston on censorship.
No full textCitizen piece by Portland author John Preston on censorship
A compleat map of North-Carolina from an actual survey /
No full textShows rural householders' names.LC Maps of North America, 1750-1789, no. 1500Relief shown by hachures. Depths shown by soundings."Publish'd according to Act of Parliament, May the 1st, 1770, by S. Hooper, No. 25 Ludgate Hill, London.""To His most Excellent Majesty George the IIId ... this map is most humbly dedicated by ... John Collet."Includes royal coat of arms
Feature article on AIDS by Portland author John Preston.
No full textFeature article on AIDS by Portland author John Preston
Polynesia [cartographic material] /
No full textMap of Polynesia, with eastern Australia as Terra Australis, showing the Pacific islands, population, religions, number of missionaries and native assistants.; Imprint on map: London: Published by John Snow, 35 Paternsoter Row.; Prime meridian: Greenwich.; Plate from: A narrative of missionary enterprises in the South Sea Islands / John Williams. London : Published for the author, by J. Snow, 1837.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.map-rm3970
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