17,719 research outputs found
Dr. David Clarke, ca. 1990
No full textb&w photographVery good conditionDr. David Clarke professor of astronomy (seated) and physics, demonstrates information from his computer screen to two sudents (standing) in an office.Written on back: 'Dr. David Clarke'; '75%'; 'David Clarke bio
Diary of Chloe Clarke Willson
No full textThe Chloe Clarke Willson diary is in two sections. The first section, her journey aboard the ship Lausanne, covers the time from late September, 1839 to early February, 1840. The second section begins in April, 1841 and details her experiences as a Methodist missionary teacher in the Puget Sound, Oregon City, Oregon, and at the Oregon Institute (later Willamette University) in Salem, Oregon. The diary also served as a prayer journal.
People: Willson, Chloe Aurelia Clark, 1818-1874; Willson, William Holden, 1805-1856; Lee, Jason, 1803-1845; Leslie, David, 1797-1869; Waller, Alvan F., b. 1808; Whitman, Marcus, 1802-184
‘Dreams rise in the darkness: the white magic of cinema’
No full textClarke, D. B. (2010) ‘Dreams rise in the darkness: the white magic of cinema’ Film-Philosophy 14 (2), 21–4
Oreocharis benthamii C. B. Clarke 1883
No full textOreocharis benthamii C.B. Clarke (1883: 63, as: “ benthami ”). Basionym:— Didymocarpus oreocharis Hance (1866: 230). Distribution:— China (Guangdong, Guangxi, Hong Kong, Hunan, Jiangxi). Notes:— Type species of Oreocharis. Referred to Oreocharis sect. Oreocharis by Pan (1987), Wang et al. (1990) and Li & Wang (2004).Published as part of Möller, Michael, Middleton, David, Nishii, Kanae, Wei, Yi-Gang, Sontag, Susanne & Weber, Anton, 2011, A new delineation for Oreocharis incorporating an additional ten genera of Chinese Gesneriaceae, pp. 1-36 in Phytotaxa 23 on page 18, DOI: 10.11646/phytotaxa.23.1.1, http://zenodo.org/record/489401
The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]
No full textExtended (7000-word) composer interview and CD review of "Woefully Arrayed: Sacred & Secular Choral & Polychoral Music of Jonathan David Little", by London-based international music critic, Colin Clarke.
[INTERVIEW:] "The disc of sacred and secular choral and polychoral music by Jonathan David Little, Woefully Arrayed … is nothing short of remarkable. Stunningly recorded, the pure sonic joy is visceral. On a personal level, I haven’t experienced such revelation in choral terms since the Tallis Scholars’ first recording of the Allegri Miserere. As an interviewee, it turns out, Little is every inch as fascinating as his music. The following in-depth interview may be seen as an indispensable complement to the listening experience itself."
[CD REVIEW:] "Jonathan David Little is a composer whose music is vital, urgent and yet somehow timeless at the same time. … Woefully Arrayed has a mesmeric element to it … [and] is a masterpiece of time-stretching. As lines float and interact throughout the soundspace, there is a distinct impression of atemporality, of altering the way the listener experiences time. … sound is superb, full and reverberant … magnificently handled … A superb disc, one that simply gets better on each and every listening. There is a radiance to Little’s writing that seems shot through with spiritual light and which speaks on a very deep level to the listener."
PROJECT OVERVIEW: International Polychoral Music Composition, Recording and Dissemination Project (2015-17)
“The lost potential of the acoustics of performing spaces begins to be rediscovered in these works.”
A complex and ambitious, large-scale, two-year “polychoral” music creation and recording project was commissioned by the Australia Council – involving communicating how “re-discovered” ancient Renaissance and Baroque techniques of acoustically-innovative performer placement may be revived within new, original, contemporary contexts. One aim was to generate interest in largely long-forgotten, but still hugely useful and aurally impressive composition methods. Following a period of research and experimentation, several new, accessible choral works were created – most featuring intricate, a cappella, polychoral-inspired techniques. Therefore different sections of the choir, or different “sub-choirs” and/or vocal soloists, are sometimes placed in various arrangements around and above the audience (occasionally also involving movement). Due to the incorporation of such techniques, a striking extra dimension is added both to recordings and live performances – where the aural “spatial” interest creates a quasi-theatrical effect.
OPEN-ACCESS ONLINE CD BOOKLET (including contextual essay, spatial configuration diagrams, lyrics, pictures and notes): http://www.navonarecords.com/catalog/nv6113/booklet---woefully-arrayed---jonathan-little.htm
Supplemental Material, sj-jpg-2-ear-10.1177_0145561320984581 - Intraosseous Cavernous Hemangioma of the Middle Turbinate: A Case Report
No full textSupplemental Material, sj-jpg-2-ear-10.1177_0145561320984581 for Intraosseous Cavernous Hemangioma of the Middle Turbinate: A Case Report by Yousef Bolous, Martin Bullock, David B. Clarke and Emad Massoud in Ear, Nose & Throat Journal</p
‘The evil genius of Jean Baudrillard’
No full textClarke D. B., Doel, M. A., Merrin, W., and Smith, R. G. (2009) ‘The evil genius of Jean Baudrillard’, in Clarke D. B., Doel, M. A., Merrin, W., and Smith, R. G. (eds) Jean Baudrillard: Fatal Theories Routledge, London, 1–1
An Interview with Tony David Sampson: Author of Virality: Contagion Theory in the Age of Networks
No full textTony D. Sampson is Reader in Digital Culture and Communication in the School of Arts and Digital Industries (ADI) at the University of East London, where he directs the EmotionUX lab, supervising research on the cognitive, emotional, and affective aspects of user experience. In 2013, he co-founded Club Critical Theory, an organization dedicated to the application of critical theory in everyday life in Southend-on-Sea, Essex. Tony is the author of Virality: Contagion Theory in the Age of Networks and The Assemblage Brain: Sense Making in Neuroculture, both from the University of Minnesota Press. He blogs at viralcontagion.wordpress.com.
The editors of this special NANO issue are delighted to have the opportunity to talk with Tony about how his work touches on issues of imitation and contagion—a loaded term unpacked within his 2012 book
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