3,691 research outputs found
Ken Friedenreich Interview
No full textThis interview is an oral history conducted by Linfield College student Camille Weber with Ken Friedenreich. The interview took place at the Jereld R. Nicholson Library at Linfield College on October 16, 2015.
Ken Friedenreich is an author who has written about Oregon wine and its history. The interview includes how he got interested in wine, what it\u27s like to write about wine for a living, the effects that prohibition had on Oregon, and advice for people new to wine
Event Invitation: An Evening with Dr. Ken Robinson
No full textInvitation:
Guest speaker, Dr. Ken Robinson, author of “Out of Our Minds: Learning to be Creative, ” will speak on the importance of arts, the development of creativity, education, and the economy. And, introducing the inaugural DaVinci Scholars Awards program
Oral history interview with Ken Hada
No full textKen Hada, author and professor, talks about his upbringing as a minister's son and shares how he became interested in writing and in poetry. He recalls submitting his first two poems for publication and having them accepted. Hada explains his creative process, the challenge of self-identifying as a writer, and co-founding the Scissortail Creative Writing Festival in Ada, Oklahoma. He also discusses a few of his projects, including writing vignettes to go along with his brother's paintings of the Arkansas River and his book Bring an Extry Mule.The Deep Roots: Oklahoma Authors Collection is a series of interviews with authors who discuss their lives, work, and creative processes
Ken Knight
No full textPhotograph - Ken Knight at Nancy Appleby's home, Christmas 1986. Athabasca, Albert
Career Spotlight: Ken Abdo, Esq.
No full textAn interview with Ken Abdo. He is a partner at the law firm of Fox Rothschild LLP. Spanning forty years, he has extensive experience serving as legal counsel to artists, creators, and businesses in the music and entertainment industries. He is a prolific author and lecturer on music and entertainment law matters. Harnessing his earlier years of experience as a musician, entertainer, and adjunct professor of entertainment law, Ken’s career has been a storied ride working with developing, established, legacy, and estates of music artists. He now represents both buyers and sellers of music artist recording and publishing catalogs. His commitment to advocacy has vaulted him to national and international leadership positions with The Recording Academy, the American Bar Association, The International Association of Entertainment Lawyers, and other organizations
Interview with "The Sun and the Shadow" author, Ken Kelzer
No full textKen Kelzer is a licensed clinical social worker in private practice in Novato, California. He is the author of the recently released autobiographical book The Sun and the Shadow: My Experiment with Lucid Dreamingpublished by A.R.E. Press and available from Lucidity Association
Ward, Ken. (Mrs Kitchen's Cats: Ken Ward's World) // Review
No full textSource type: Electronic(1)http://proquest.umi.com/pqdweb?did=458634071&Fmt=7&clientId=65345&RQT=309&VName=PQ
Queering Counterpublics and Intimate Citizenship: On the Queer Legacy of Ken Plummer’s Scholarship
No full textKen Plummer, a pioneer of LGBTIA+ studies in the UK and Europe, died on 4 November
2022. His work has been influential and inspiring and making possible a critical engagement
with non-heterosexual ways of life in a climate shaped by social and institutional
homophobia, lesbophobia, and biphobia. This paper evaluates the legacy of Ken’s work for
critical scholarship in gender and sexuality studies, and specifically for queer studies. Ken’s
relationship to queer studies was highly ambivalent, evidenced in his consistent criticism of
queer theory, originating from his firm commitment to symbolic interactionism and his
primary interest in material, fleshy embodiment, rather than the theoretical abstraction he
associated with queer theory. The chapter argues that this ambivalence notwithstanding,
Ken’s work carries much potential for a critically engaged queer scholarship. Through a
queer reading of Ken’s concepts of counter-publics and intimate citizenship, I show that his
radical emphasis on the body sparks a truly ‘queer’ potential for considering sexualities in the
public sphere. Comparing Michael Warner’s and Ken Plummer’s theorisation of counterpublicity, I argue that despite his distrust in queer poststructuralist abstraction and because of
his assertive endorsement of fleshy embodiment at the heart of social theorising, his work
paradoxically invites a stimulus for queering citizenship and public sphere theories (including
his own). Rather than simply claiming Ken as a ‘queer theorist’, the chapter engages in
theoretical boundary work (following a method proposed by Clare Hemmings) in exploring
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the epistemological effects of reading Ken through a queer lens, demonstrating the queer
legacy of his way of theorising
Ken Friedenreich Interview 06
No full textKen Friedenreich is photographed during an oral history interview at the Jereld R. Nicholson Library at Linfield College. Friedenreich was interviewed by Rachael Cristine Woody and Camille Weber from the Linfield College Archives. Also in attendance was James Doc Wilson.
Ken Friedenreich is an author who has written about Oregon wine and its history.
(left to right): Rich Schmidt (partially obscured), Rachael Woody, Ken Friedenreich, James Doc Wilson (back to camera)https://digitalcommons.linfield.edu/owha_oregon_ohphotos/1014/thumbnail.jp
Ken Liu and Nick Admussen: the full conversation
No full textVideo of full conversation.Ken Liu - Award winning Science fiction author and translator Ken Liu sat down with East Asia Program's Nick Admussen to discuss the state of translation and science fiction originating from China. His talk titled, "Betrayal With Integrity: Conformance and Estrangement in Translating Chinse Science Fiction" is a one-hour lecture that discusses the origin of Chinese science fiction through translation of Western works. It proceeds to explore his own translation of the Hugo-winning novel, The Three-Body Problem trilogy, by Liu Cixin and its reception by readers in the West. Ken prepares the audience with some background on translation theory and the modern conception of translation as a performance in cultural negotiation and applies these academic concepts to genre literature in particular. He concludes the talk by extending the theoretical framework of "translation" to his debut novel, "The Grace of Kings", which melds Western and Chinse epic traditions by transposing a foundational narrative from one culture into another.Cornell East Asia Program1_4y1twcc
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