1,355,617 research outputs found
George Churchman letter to Sarah Rodman, Philadelphia, September 22, 1793
No full textGeorge Churchman wrote to Sarah Rodman before she died in 1793, apparently of a fever. He met Sarah Rodman in Newport at the Yearly Meeting of Friends of the preceding year. 6.25" x 7.8" (16 by 19.8 cm
Rosalyn Churchman ProPrac
No full textRosalyn Churchman | Artist Statement
My work is an examination of the process of decontextualizing everyday objects and manipulating perception through juxtaposition and the use of freeform line. I find that by juxtaposing order and chaos I am able to create energetic and visually engaging compositions.
I have synthesized the techniques of Julie Mehretu’s layered line and Jackson Pollock’s abstract paintings to develop a style of my own. The static nature of ordered line juxtaposed with loose line creates dynamic and dramatic movement throughout the piece. I think of each of these drawings as a maelstrom of line, pattern, and ink clouds that come together to create ambiguous and abstracted compositions.
I am interested in incorporating recognizable images of the human figure within more abstract compositions to evoke a universal feeling of distress. These pieces use parts of the human figure as reference points within an abstract and dynamic scene. This juxtaposing allows me to blur the line between figuration and abstraction. In these drawings, I incorporate colored pencil and watercolor with pen and ink. I find that along with pattern and line, the addition of color enhances the piece and aids to the overall complexity of the drawing. The appearance of bold black lines and patterns beside bright blocks of color gives an aggressive and graphic quality to these drawings.
In my current drawing series, Gears, I render human faces and figures, but incorporate mechanical aspects. I am exploring this method of juxtaposing the artificial with the human as a new means of depicting ironic and unnatural subjects.
I would like to transfer my ideas of juxtaposing order and chaos to my graphic design work. I enjoy typography and the manipulation of letter forms through font variations, color, and pattern to develop eye-catching and aesthetic visual hierarchy. I am also drawn to page design and enjoy organizing imagery and type into effective and visually interesting compositions. Paula Scher’s use of color, shape, pattern, and type to create engaging compositions inspires me to do the same in my own designs. Like Luba Lukova, I would also like to scan in my drawings and then manipulate them on the computer. I am interested in how my method of contrasting order with chaos and the recognizable with the unrecognizable can play out in my future designs.https://digitalcommons.murraystate.edu/art399/1041/thumbnail.jp
DMG Journal Vol.10 No.3
No full textContents
MORALITY AND PLANNING
Guest Editor: C. West Churchman
164 PREFACE C. West Churchman, School of Business Administration, University of California Berkeley
165 MORALITY AND PLANNINGC. West Churchman
182 RUMINATIONS ON MORALITY AND PLANNING Kathleen A. Archibald, Syntropy Associates, San Francisco
186 COMMENTS ON MORALITY AND PLANNING Thomas A. Cowan, Busch Center University of Pennsylvania
188 IS A SOCIALLY MORAL PUBLIC POLICY POSSIBLE? Richard 0. Mason, Graduate School of Management, University of California, Los Angeles
191 A PLANNER\u27S REJOINDER ON MORALITY AND PLANNING Richard L. Meier, College of Environmental Design, University of California, Berkeley
194 ENDC. West Churchman
195 BOOK REVIEWShttps://dl.designresearchsociety.org/dmg-journal/1010/thumbnail.jp
Melanie C. Churchman (1882-1969), purchased by Arthur F. Churchman on January 15, 1970
No full textDocuments regarding the purchase of a single headstone for Melanie C. Churchman (1882-1969), by Arthur F. Churchman. Material used was Wausau Red granite, and the lettering was to be duplicated from the marker of Percy W. Churchman (1897-1964). Both rubbings are included. The marker was placed at Oakview Cemetery, Lot 307, Section K, in Royal Oak, Michigan
Melanchthon the Churchman
No full textIn presenting Melanchthon as churchman we try to erect a little monument to him as a man of and for the church. To assist us in bringing some order into a large mass of fact and interpretation which has been accumulating over four centuries, we have thought it good to distribute our tribute over several areas
Churchman
No full textChurchmanhe was a terribly strong man, the best wrestler for miles around, a splendid tradesman, a staunch Churchman and as kind and good a man as possible when sober;PRINTER ITEM W.J. KIRWIN OCT 29 1964Not usedNot usedWithdrawnChecked by Jordyn Hughes on Mon 18 Jul 201
Churchman, R J, SX6838
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/377129Surname: CHURCHMAN
Given Name(s) or Initials: R J
Military Service Number or Last Known Location: SX6838
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 4340190950
Item: [2016.0049.09434] "Churchman, R J, SX6838
Tractarian practices in Protestant churches: three letters, reprinted from the "Christian guardian," and now addressed to the Right Hon. and Right Rev. the Lord Bishop of London, and the Protestant churchmen of the diocese.
No full textSigned: A churchman of the reformation.Pamphlet.Mode of access: Internet
This Sex Which is Not One
No full textLeidy Churchman's art spans various media to confront and playfully counterfeit the white-straight-male paradigm that begat modernism in the 20th century. Their desire to counterfeit - to pass off one thing as another or erase their separation entirely - dovetails with Churchman's goals as a transgender artist. "My painting is informed by transitions," they explain, "the humor of uncertainty, and relationships of supposed opposites." In This Sex Which is Not One, Churchman reconfigures one of Matisse's fruit-filled tables into a slyly eroticized breakfast-in-bed scene. An androgynous figure, possibly clad only in socks, stands atop a narrow bed with a single pillow. This, coupled with the suggestively light repast (comprised only of bread, butter and jam), hints that this is a breakfast meant to be enjoyed singly. The implicit reference to self-gratification is made more explicit by the work's title. This Sex Which is Not One refers to Luce Irigaray's landmark 1979 essay, arguing for a new definition of female sexuality as "not one" but plural, biologically suited to self-fulfillment, and of equivalent if not greater status than male sexuality. By invoking this foundational text of queer theory, Churchman announces themselves a modernist who is not one - but who very much enjoys the fruits of their labor. Leidy Churchman earned their BA from Hampshire College in Amherst, Massachusetts, in 1998 and their MFA from Columbia University in 2010. - Meredith M. Moor
An account of the Gospel labours, and Christian experiences of a faithful minister of Christ, John Churchman, late of Nottingham in Pennsylvania, deceased. To which is added a short memorial of the life and death of a fellow labourer in the church, our valuable friend Joseph White, late of Bucks County. : [Two lines from Daniel]
No full textvii, [1], 256 p. ; 20 cm. (8vo)Running title: The life and travels of John Churchman."A testimony from the Falls Monthly Meeting in Bucks County, concerning our friend Joseph Smith."--p. 250-256
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