84,599 research outputs found
楚辭 = Chu ci
No full textAnnotation of Chu Ci (Verses of Chu or Songs of Chu), which is an ancient anthology of Chinese poetry traditionally attributed mainly to Qu Yuan (c.340 BC-c.278 BC) and Song Yu (c.298 BC-c.222 BC) from the Warring States period (475 BC-221 BC)Fu "Qu Yuan lie zhuan" deng封面鐫"楚辭新註", "乾隆戊午年", "居易堂藏板"框20.8 x 14.9公分, 9行20字, 白口, 四周雙邊, 單黑魚尾. 版心上鐫"楚辭", 中鐫卷次及篇名附"屈原列傳"
楚辭 = Chu ci
No full textAnnotation of Chu Ci (Verses of Chu or Songs of Chu), which is an ancient anthology of Chinese poetry traditionally attributed mainly to Qu Yuan (c.340 BC-c.278 BC) and Song Yu (c.298 BC-c.222 BC) from the Warring States period (475 BC-221 BC)Fu "Qu Yuan lie zhuan" deng封面鐫"楚辭新註", "乾隆戊午年", "居易堂藏板"框20.8 x 14.9公分, 9行20字, 白口, 四周雙邊, 單黑魚尾. 版心上鐫"楚辭", 中鐫卷次及篇名附"屈原列傳"
Traces and shards of self-injury: Strange accounting with “Author X”
No full textIn this strange account autoethnography, three or four authors explore their lived experiences with self-injury. Strange accounting is both a post-modern style of text, and a method for keeping identities concealed when risks and secrets are in play. Author X, a post-modern place-keeper for an anonymous author who may or may not have contributed to this manuscript, introduces a new dimension and layer of concealment. With Author X in-play and under erasure, the reader will never be sure if there were three or four authors on this manuscript. Through strange accounting, a post-structuralist/postmodernist frame will be applied to understanding the self-injury experience. We frame self-injury as a social practice and, for some, an everyday norm, while remaining acutely aware of the stigma surrounding the topic of self-injury. Each of us, coupled with Author X, provide the others cover to trace stories of self-injury through the literature, our flesh, and our lives
Centro comercial cultural y de ocio en Estambul
No full textElisa Chu González ; director de proyecto: José Ignacio FerrandoCurso 2009-2010ArquitecturaEscuela Politécnica Superio
A 2 h periodic variation in the low-mass X-ray binary Ser X-1
No full textSpectroscopy of the low-mass X-ray binary Ser X-1 using the Gran Telescopio Canarias have revealed a ?2 h periodic variability that is present in the three strongest emission lines. We tentatively interpret this variability as due to orbital motion, making it the first indication of the orbital period of Ser X-1. Together with the fact that the emission lines are remarkably narrow, but still resolved, we show that a main-sequence K dwarf together with a canonical 1.4 M? neutron star gives a good description of the system. In this scenario, the most likely place for the emission lines to arise is the accretion disc, instead of a localized region in the binary (such as the irradiated surface or the stream-impact point), and their narrowness is due instead to the low inclination (?10°) of Ser X-1
Chu ci bian zheng
No full text[V.1-2]. 楚辭 : 八卷 / 朱子註 -- [v.3]. 楚辭後語 : 六卷 -- 楚辭辯證 : [二卷]In 1 case.框24x16.5公分, 9行16字, 小字雙行同, 粗黑口, 四周單邊, 對花魚尾, 版心中鐫"楚辭"及卷次, 下鐫葉次.Within single border (24.0 x 16.5 cm); text in 9 verticle lines.題名據目錄.《楚辭辯證》分上, 下卷.Kuang 24 x 16.5 gong fen, 9 hang 16 zi, xiao zi shuang hang tong, cu hei kou, si zhou dan bian, dui hua yu wei, ban xin zhong juan "Chu ci" ji juan ci, xia juan ye ci.Ti ming ju mu lu."Chu ci bian zheng" fen shang, xia juan.[V.1-2]. Chu ci : ba juan / Zhuzi zhu -- [v.3]. Chu ci hou yu : liu juan -- Chu ci bian zheng : [er juan
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