103,001 research outputs found
When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu)
No full textThis dissertation investigates the construction of Chuci (a collection of poems purportedly written by the legendary figure Qu Yuan and his followers) as a southern anthology and literary tradition from Han (202 BCE- 220 CE) to Song (960-1279). It demonstrates that, rather than inherent in the text per se, the traits conventionally recognized as marks of the anthology’s southernness were cultural and political constructs with an agenda to articulate a southern identity for both state and literati. To that end, the dissertations examines the anthologizing practices, together with a close reading of commentaries, prefaces, letters, and imitations. The dissertation is divided into five chapters. Chapter One examines the Han compilation and valorization of Chuci in relation with Qu Yuan’s Chu identity. The trajectory of conception of Chuci through Six Dynasties (222-589) and Tang (618-907) are arranged thematically in three chapters. Each chapter probes one of the literary images of Chu—a symbol for displacement, a culture of lewd rites, and a fallen state—and its impact on the Chuci exegesis and assessment. The entire narrative ends in Chapter Five at the Song when previous proliferation of meaning and debates on the anthology’s value were transformed into a new country-wide recognition of its canonical status, with Southern Song literati identification of Chu as a tragic predecessor. In particular, by defining Chuci as a style exclusively bound to the southland, Southern Song literati claimed their exclusive ownership of the cultural heritage of the anthology and further implicitly claimed for the Song court’s cultural authority in the face of military threat from the northern nomads
When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu)
No full textThis dissertation investigates the construction of Chuci (a collection of poems purportedly written by the legendary figure Qu Yuan and his followers) as a southern anthology and literary tradition from Han (202 BCE- 220 CE) to Song (960-1279). It demonstrates that, rather than inherent in the text per se, the traits conventionally recognized as marks of the anthology’s southernness were cultural and political constructs with an agenda to articulate a southern identity for both state and literati. To that end, the dissertations examines the anthologizing practices, together with a close reading of commentaries, prefaces, letters, and imitations. The dissertation is divided into five chapters. Chapter One examines the Han compilation and valorization of Chuci in relation with Qu Yuan’s Chu identity. The trajectory of conception of Chuci through Six Dynasties (222-589) and Tang (618-907) are arranged thematically in three chapters. Each chapter probes one of the literary images of Chu—a symbol for displacement, a culture of lewd rites, and a fallen state—and its impact on the Chuci exegesis and assessment. The entire narrative ends in Chapter Five at the Song when previous proliferation of meaning and debates on the anthology’s value were transformed into a new country-wide recognition of its canonical status, with Southern Song literati identification of Chu as a tragic predecessor. In particular, by defining Chuci as a style exclusively bound to the southland, Southern Song literati claimed their exclusive ownership of the cultural heritage of the anthology and further implicitly claimed for the Song court’s cultural authority in the face of military threat from the northern nomads
Tong su yan yi
No full textV.1-13. 《新鐫批評出像通俗奇俠禪眞逸史》乾集. 卷一. 第一至五回 -- 坎集. 卷二. 第六至十回 -- 艮集. 卷三. 第十一至十五回 -- 震集. 卷四. 第十六至二十回 -- 巽集. 卷五. 第二十一至二十五回 -- 離集. 卷六. 第二十六至三十回 -- 坤集. 卷七. 第三十一至三十五回 -- 兌集. 卷八. 第三十六至四十回.v.14-20. 《新鐫批評出像通俗演義禪眞後史》甲集. 卷一. 第一至六回 -- 乙集. 卷二. 第七至十二回 -- 丙集. 卷三. 第十三至十八回 -- 丁集. 卷四. 第十九至二十四回 -- 戊集. 卷五. 第二十五至三十二回 -- [己集. 卷六]. 第三十三至三十六回 -- 庚集. 卷七. 第三十七至四十二回 -- 辛集. 卷八. 第四十三至五十三回.Detailed table of contents in vernacular field only.Detailed table of contents in vernacular field only.淸溪道人編次 ; 心心僊侶...[et al.]評訂. 新鐫批評出像通俗演義禪眞後史 : 共八卷五十三回 / 淸溪道人編次 ; 冲和居士評校.綫裝, 2函.框14x10.3公分, 10行24字, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫"禪眞逸史", 中鐫回次, 下鐫葉次. 《後史》行間有批點.見《香港中文大學圖書館古藉善本書錄》(2001, p. 156)《逸史》内封頁題"禪真逸史, 清心道人編次, 本衙梓行" ; 《後史》内封頁題"通俗演義, 禪真後史, 本衙藏板"《後史》前有崇禎己巳[1629]翠娛閣主人序.Library's copy: 原書《後史》第三十一至三十二回葉次亂序, 並缺第三十一回首數葉.Xian zhuang, 2 han.Kuang 14 x 10.3 gong fen, 10 hang 24 zi, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan "Chan zhen yi shi", zhong juan hui ci, xia juan ye ci. "Hou shi" hang jian you pi dian.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 156)"Yi shi" nei feng ye ti "Chan zhen yi shi, Qingxindaoren bian ci, ben ya zi xing" ; "Hou shi" nei feng ye ti "Tong su yan yi, Chan zhen hou shi, ben ya cang ban""Hou shi" qian you Chongzhen ji si [1629] Cuiyugezhuren xu.Fiction.Qingxidaoren bian ci ; Xinxinxianlu ...[et al.] ping ding. Xin juan pi ping chu xiang tong su yan yi chan zhen hou shi : gong ba juan wu shi san hui / Qingxidaoren bian ci ; Chonghejushi ping jiao.Library's copy: yuan shu "Hou shi" di san shi yi zhi san shi er hui ye ci luan xu, bing que di san shi yi hui shou shu ye
On the Capacity Region of the Cognitive Interference Channel with Unidirectional Destination Cooperation
No full text
Four new species of Amynthas earthworms (Oligochaeta: Megascolecidae) from the Central Mountain Range of southern Taiwan
No full textTsai, Chu-Fa, Shen, Huei-Ping, Tsai, Su-Chen (2010): Four new species of Amynthas earthworms (Oligochaeta: Megascolecidae) from the Central Mountain Range of southern Taiwan. Journal of Natural History 44 (21-22): 1251-1267, DOI: 10.1080/00222931003624788, URL: http://dx.doi.org/10.1080/0022293100362478
Wang chi le ti yin su.
No full textAllan Thornhill著 ; 張道藩譯.Fiction.Translation of: Forgotten factor.Allan Thornhill chu ; Zhang Daofan yi
The political role of the people's liberation army 1949-1973
No full textThis thesis is to study the political role of the People's Liberation Army from the approach of structure and function. The framework of the thesis consists of three major parts, first, the influence of Chinese traditional political culture on, and the formation of, the political role of the PL A; second, the influence of domestic political struggles and external military conflicts on the development of the political role of the PLA; and the third, the analysis of the transition of the PLA's political role from the structure and personnel arrangements of the CCPCC Within the above-mentioned three scopes, this thesis make a thorough discussion on the following: (1) The relationship between the structure of the PRC and the formation of the PLA's political role; (2) How has ideology influenced the army's political role; (3) What is Mao's viewpoint and his influence on the development of the army's political role; (4) What is the link between the army and the party, and how has this developed; (6) What accounts for the expansion of the PLA's political functions; (7) What is the influence of political factional struggles on the PLA's political role; (8) Is it political institution or military institution that controls the recruitment of the military elite; (9) What are the disparities between the military elite in handling international conflicts and what are their political considerations; (10) What is the Party's position in the army; (11) How have the Party’s important meetings and personnel arrangements influenced the rise and fall of the PLA's political role
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