1,886,321 research outputs found
The historical imagination of Christopher Dawson
No full textChristopher Dawson (1889-1970) was one of his generation's most
important historians and religious thinkers, and was a significant
influence on many contemporaries including T.S. Eliot, C.S. Lewis,
and Russell Kirk. This dissertation is a study of his most
fundamental ideas concerning history and culture.
Chapter one examines Dawson’s sociological view of history.
Convinced that history was more than a scientific enterprise, he
believed that the true historian is one who reaches beyond the
material world to understand the essence of history’s dynamics. In
this way, the world can be conceptualized as a united whole,
separated by regional differences as a result of environment, race,
material, psychological, and religious factors. Dawson believed
that the political histories of the past several centuries failed to
grasp the undercurrents of historical change, and that the best way
to understand the past is to appreciate culture as an expression of
primeval religious traditions.
Chapter two treats Dawson’s understanding of progress. Dawson
was convinced that progress had become the “working-religion” of our
age. This secular faith, founded on scientific rationalism, first
pledged to fix the material failures of Western culture, but
unwittingly eroded its faith in God, and eventually, its moral
fiber. Dawson believed that true progress was progress of the soul
in its ordering toward the Creator.
Chapter three is a study of Dawson’s Christian, and more
specifically, his Catholic beliefs. Informed by religion, his
historical and cultural visions are not dogmatic, nor are they
polemical. He conceived of history as the unfolding of a divine
economy in the temporal world. Although Dawson is a proponent of
Roman Catholicism, his scholarship is an objective treatment of
history shaped by an undisguised, Christian worldview.
Additionally, the appendix is an introduction to Dawson’s life
and the circumstances surrounding his conversion to Roman
Catholicism. Particular attention is paid to the development of his
moral and historical imagination — both of which became intertwined to
form the basis of all of his scholarship
Saint Christopher in medieval Spanish literature
No full textThe thesis explores the legend of Saint Christopher as presented in four fourteenth- and fifteenth-сеntury manuscripts, the oldest extant Castillan accounts. Chapter One outlines the legend's origins in fourth-century Eastern Mediterranean culture, and its trajectory as far as its appearance in Jacobus de Voragine's Legenda aurea, commenting on the changes made to content and emphasis as the account evolved. The focus narrows in Chapter Two, where the transmission from Latin to Castillan is considered in detail, and comparisons drawn between the four vernacular accounts. Chapter Three and Four deal with thematic aspects of the legend as they appear in Spanish, including an exploration of die nature of Christopher in his dual portrayal as saint and monster, and the notions of fear, power and voice as they are depicted in the texts. The four medieval Spanish accounts are edited and presented here (three of them for the first time) in an appendix, complete with critical apparatus
Matt Christopher Papers - Accession 1309
No full textThe collection includes letters written by the children’s book author, Matt Christopher, to his son, Marty Christopher. Many of the letters also contain newspaper articles of interest to Matt Christopher, which deal with local sports teams, his writing career, his participation in an exhibition baseball game against the New York Giants in 1938, and other of general interest. Most of the letters are personal in nature, however, a majority of the letters delve into Matt Christopher’s writing career, personal interests, the author’s health, as well as his family life.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/2649/thumbnail.jp
A song from Bedlam (with apologies to Christopher Smart)
No full textAn interetextual exploration of gender, wilfullness and ageing in relation to Christopher Smart's classic poem, Jubilate Agno
Matt Christopher Papers - Accession 1221
No full textMatt Christopher (1917-1997) was a prolific author of children’s books having written over 100 books as well as over 300 short stories, articles, poems, and screenplays. Most of his writings dealt with sports themes, but he also wrote fantasy and mystery themed stories as well. The Matt Christopher Papers consist of both published and unpublished manuscripts, articles, and short stories. Also included are personal and business correspondence, biographical information, scrapbooks, photographs, and memorabilia.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1976/thumbnail.jp
Dr. Christopher von Rueden – Faculty Author Interview
No full textDr. Christopher von Rueden, an anthropologist and Assistant Professor in the Jepson School of Leadership Studies, discusses a recent article entitled, “Men’s status and reproductive success in 33 non-industrial societies: Effects of subsistence, marriage system, and reproductive strategy,” which he co-authored with Dr. Adrian Jaeggi, an anthropologist at Emory University. Their findings were recently published in the journal, Proceedings of the National Academy of Sciences
Review of "The Hanoverian Succession in Great Britain and its Empire" by Christopher N. Fritsch.
No full textBrent S. Sirota and Allan I. Macinnes, eds. The Hanoverian Succession in Great Britain and its Empire. Woodbridge, Suffolk, United Kingdom: The Boydell Press, 2019. x + 222 pp. $115. Review by Christopher N. Fritsch
ESP Across Cultures
No full textThis present volume constitutes the third online edition of ESP Across Cultures.
The decision to change from a paper-based to an online edition has undoubtedly
been beneficial in terms of enjoying greater visibility within the international academic
community. One thing that has not changed over the years, however, since
the inception of the journal in 2004, has been the policy of double-blind peer reviewing,
which means that only a selected number of the papers submitted end up as
being published.
There are seven papers in the current issue, each one analysing a particular aspect
of English for Specific Purposes from a cross-cultural perspective.
The first paper, by Hmoud S. Alotaibi, focuses on research article introductions
in Arabic, analysing the extent to which scholars writing in Arabic in the sphere of
education adhere to the CARS (Create A Research Space) model delineated by John
Swales which was elaborated in particular with regard to the academic conventions
widely adopted in the English-speaking world. Instead of restricting the investigation
to the introductory section as past studies in this field did, the author examines
all of the subheadings and he concludes that all introductions include Move 2 in a
subheading entitled the Problem of the Study, a result that contradicts previous
findings where the paucity of Move 2 was common in non-English RAs, and especially
in Arabic ones.
Patrizia Anesa analyses the websites of the main arbitration centres operating in
Asia from a textual perspective to define how they are discursively constructed and
can be used as promotional tools, thereby helping us to evaluate the importance assumed
by internationalization processes or by local cultural elements in promoting a
particular centre as a seat for international arbitration. She concludes that while
some scholars argue that we are witnessing the ‘Asianization’ of arbitration, with
the increasing bargaining power of Asian parties, on the other hand a phenomenon
of ‘Universal Arbitration’ is also emerging, i.e. a form of convergence of how disputes
are resolved so that parties of any nationality can operate in the same way
with ever fewer language barriers.
In their paper, Mahmood Reza Atai and Fatemeh Asadnia examine the communicative
and promotional function of university homepages by looking at the ‘university
overview’, ‘university mission statement’, and ‘university introduction at a
glance’ genres, using a corpus of 210 texts selected from homepages of the top 500
universities ranked by the Academic Ranking of World Universities. The findings
demonstrated that the three genres shared communicative purposes, functional
units, certain moves and steps, socio-academic contexts, and discourse community
members that led to the formation of a genre set.
Gaetano Falco explores ways of using comics in an MA course on translation of
economic texts as a means of stimulating the interest of language students with no
economics skills in order to introduce economics-related lexis and improve thematic
competence in general. He observes that empirical research has shown that films
and comics can indeed be useful resources to teach economic translation to students
with no skills in economics. However, the author warns that the use of comics for
educational purposes may have its drawbacks, e.g. when students deal with complex
sign systems which embody complex economic concepts, where often the humorous
element is lost.
In her paper, Irina Khoutyz describes the differences in how scholars present
their findings in research articles (RA) in international journals in English and in
Beyza Björkman
Christian Burgers
Jan Chovanec
Anda-Elena Cretiu
Erika Dalan
John Douthwaite
Hanem El-Farahaty
Said Faiq
Silvia Ferreri
Inmaculada Fortanet-Gómez
Pedro Fuertes-Olivera
Giuliana Garzone
Christoph Hafner
Ruba Khamam
Anna Loiacono
Geraldine Ludbrook
John McRae
Susan Petrilli
Silvia Pireddu
Tarja Salmi-Tolonen
Jeffrey Segrave
Charlotte Taylor
Margherita Ulrych
John Kenneth White
Jessica Williams
I hope you will enjoy the current issue of this journal and will make the most of
the free access to all past issues.
Christopher Williams
(Chief Editor)
6 FOREWORD
local journals in Russian. She then looks into the reasons for these differences, seeking
explanations from the sociocultural contexts in which these RAs were written,
as well as providing advice to local authors as to how to make their RAs more competitive
at the international level. The differences include the apparent lack of
structure of Russian RAs with respect to English RAs; the tendency in Russian authors
not to specify the purpose in writing a paper; and the tendency of Russian authors
to present the methodology used in less detail compared with English RAs.
Luisella Leonzini investigates the use of verbal and visual metaphors in economic-
media discourse within the context of the euro crisis by studying the correlation
between linguistic and pictorial metaphors and text-image intersemiotic relations.
The research is based on a cross-analysis of English and Italian editorial
articles published between 2009 and 2012. In both corpora, metaphorical realizations
frame the economic crisis which hit the single currency and the eurozone in
2009 as a partial collapse and hint at a possible return to stability in the form of a
recovery. The aim of this paper is to analyse the collapse/caduta and
recovery/ripresa metaphors across languages in the press.
Ian Robinson reports on using corpus linguistics to aid students in writing a creative
text. He looks at the available literature to help understand what is meant by
‘creativity’. A worksheet was prepared using a corpus linguistic analysis of modern,
English versions of the stories of the Brothers Grimm. This worksheet was constructed
with the use of a specialized corpus, and a stop-list was created which contained
single words as well as word clusters found in the tales. Students were then
asked to select some of these words and phrases to help them write stories which
were then analysed, and a follow-up questionnaire was used to elicit the students’
perceptions concerning creativity. The author concludes that creativity is essential
in EFL and that it is something to be fostered in students
Coccolith
No full text'Coccolith' is an experimental film drama shot in the Ramsgate tunnels in Kent, UK. The site has long been a focus for local folklore, and central to a range of historical experiences in the maritime port city. Comprised of a railway tunnel constructed in 1863, a scenic railway tunnel built in 1936, and a network of air raid shelters dug in the late 1930s, this network of passageways extends over five kilometers under the city. The tunnels have a rich place in local mythology, offering filmmakers the building blocks of narrative. But what relationship does storytelling have to our immediate experience of a space that is empty and dilapidated, apparently stripped of its capacity to narrate?
The film seeks to investigate how audiovisual practices might represent the experience of the tunnel architecture in a manner that challenges conventional forms of realism. For a ruin offers a challenge to the realist recreation of history that is inherent in its structure: it embodies not its original form, but instead the deterioration of that form; not a historical moment, but instead our inexorable distance from that moment. Exploring issues of sexuality and identity post-Brexit, the film departs from typical storytelling conventions, depicting an imaginary realm in which devised performances evoke the unique history and feel of this eerie environment.
'Coccolith' is currently being submitted to film festivals internationally. It is one of several outputs from a larger audiovisual practice-as-research project exploring the creative representation of derelict or ruined space and architecture. An article discussing the film’s fusing of filmic and sonic approaches to practice-as-research is forthcoming in the journal 'Media Practice & Education', a book chapter on the directing of performance in the film will be published next year, and the film’s sound compositions are shortly to be released.
The film’s website provides further detail and contextualization:
https://www.coccolithfilm.co.uk/
_________________________________________________________________
DIRECTOR'S STATEMENT
'Coccolith' takes its name from the microscopic calcite shells shed by ocean algae. They're tiny: to cover the face of a £1 coin, you’d need 400 million of them. When coccoliths accumulate on the sea bed over millions of years, they form chalk, the rock into which the Ramsgate Tunnels were dug. Chalk is visible in virtually every frame of our film, so the coccoliths are there too, if only our eyes were capable of seeing them.
Coccoliths not only constitute our film’s location, they also inspired our characters, who resemble shells of beings who once lived, shadows without an object. When Liam enters the tunnels, he discovers an array of lost souls. Are they unwitting spectres in a ghost story? Or are they caught in a series of sci-fi wormholes, passageways of compressed time?
The film is puzzling, and audiences looking for a conventional storyline or plot points will likely be frustrated. Characters come and go; most of them have no names; we are left to guess at their motivations and desires. Instead, I wanted to focus on shifting moods, on changing states, on the performers' immediate experience of these wonderful, scary, eerie tunnels. 'Coccolith' challenges the audience to respond to raw emotions which they may not understand.
The tunnels are the subject of countless local legends, and while I was not seeking to recreate these, history and folklore do creep into the drama obliquely. Chalk is, after all, an unmistakable national symbol. The White Cliffs of Dover, fifteen miles down the coast from Ramsgate, evoke British pride, strength, and resilience in the face of foreign adversity. But does chalk – with coccoliths as its secret constituent – have a darker side? Who might be excluded from its pristine beauty? Which of us, like Disco Woman, must yell defiantly into the dark?
In 2016, the gloomy year in which we entered the tunnels and started shooting, I did a lot of re-watching. I revisited 'A Matter of Life and Death' by Powell and Pressburger, for instance, as I attempted to construct a mood that fit with the space of a wartime installation. Having pondered returning angels, I turned my attention to the dead cinema-goers in Tsai Ming-Liang’s 'Goodbye, Dragon Inn'. I was staying in Taipei in the months before we shot, and appreciated the ghostlike mannerism of his performers, wandering around that dilapidated movie theatre, as if on autopilot. They seemed sad, as if they had lost something.
The tunnels offer us a chance to search, whether or not we find what we are looking for. So proceed into the dark, with a torch to light the way - or failing that, a disco ball.
Christopher Brown, 201
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