1,721,034 research outputs found
(2011) Cheung, Ruby, ‘East Asian Film Festivals: Film Markets’, in Film Festival Yearbook 3: Film Festivals and East Asia, ed. by Dina Iordanova and Ruby Cheung (St Andrews: St Andrews Film Studies), pp. 40-61.
No full text(2010) Cheung, Ruby, ‘Funding Models of Themed Film Festivals’, in Film Festival Yearbook 2: Film Festivals and Imagined Communities, ed. by Dina Iordanova with Ruby Cheung (St Andrews: St Andrews Film Studies), pp. 74-103.
No full text(2009) Cheung, Ruby, ‘Always on the Move: Identity in Wong Kar-wai’s Days of Being Wild’, in Cinemas, Identities and Beyond, ed. by Ruby Cheung with D. H. Fleming (Newcastle upon Tyne: Cambridge Scholars Publishing), pp. 227-240.
No full text(2011) Cheung, Ruby, ‘ “We believe in ‘film as art’ ” An Interview with Li Cheuk-to, Artistic Director of the Hong Kong International Film Festival (HKIFF)’, in Film Festival Yearbook 3: Film Festivals and East Asia, ed. by Dina Iordanova and Ruby Cheung (St Andrews: St Andrews Film Studies), pp. 196-207.
No full text(2009) Cheung, Ruby and D. H. Fleming, ‘Introduction: Cinemas and Identities’, in Cinemas, Identities and Beyond, ed. by Ruby Cheung with D. H. Fleming (Newcastle upon Tyne: Cambridge Scholars Publishing), pp. 1-14.
No full textNew Hong Kong Cinema: transitions to becoming Chinese in 21st-century East Asia
No full textThe trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the 'Cinema of Transitions' to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which 'transitions' are negotiated
Hong Kong’s New Indie Cinema
No full textThis book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ‘independent film’ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong’s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city’s film industry
Wong Kar-wai/Wong Kar-wai
No full textWong Kar-wai By Peter Brunette Illinois: University of Illinois Press, 2005 149 pp.; 35, clothWong Kar-wai By Stephen Teo London: British Film Institute, 2005 191 pp.; 80, clot
Andrew Lau and Alan Mak's "Infernal Affairs — The Trilogy" by Gina Marchetti
No full textAndrew Lau and Alan Mak's "Infernal Affairs - The Trilogy" by Gina MarchettiHong Kong: Hong Kong University Press, 2007. ISBN: 978-962-209-801-5 (pbk). 59illustrations, xii+210pp. £15.95 (pbk).A review by Ruby Cheung, University of St Andrews, U
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