9,502 research outputs found
[Certificate of Appointment to Postmaster for John Patterson Osterhout]
No full textCertificate of appointment to Postmaster by President Chester Alan Arthur for John Patterson Osterhout. The certificate was signed by the President and the Postmaster General, Walter Q. Gresham. It certified John to work as Postmaster in Belton, Texas
Myth, metaphor and science
No full textThis book is not available through ChesterRep.This book explores the way in which language is used in fiction, poetry and science. It examines the role of metaphor in structuring our thought, and questions any simplistic notion of creativity. There is an enquiry into the significance of myth for the modern writer. Why do our earliest narratives return to haunt us at the end of history? The final essays ask what it means to attempt scientific descriptions of reality in words. Can language here ever be anything more than a clumsy approximation of mathematics? The book ends with a paper written jontly by the particle physicist Goronwy Tudor Jones and Alan Wall, exploring the meaning of complementarity in modern physics, by describing in detail the double-slit experiment
[Letter] 1883 September 7, Washington (D.C.) [to] John Hoey, Long Branch (N.J.) / Chester Alan Arthur.
No full textHandwritten copy of a telegram. Written on a letterhead "Telegram; Executive Mansion, Washington, D.C." See also Arthur\u27s biography and the research collections of his papers (http://bioguide.congress.gov/scripts/biodisplay.pl?index=A000303) as well as his official White House biography (http://www.whitehouse.gov/history/presidents/ca21.html).Arthur thanks Hoey for his telegram in regards to Hugh, and expresses that he is "glad to know from your message & the papers, that he is not so seriously injured as was feared." He sends his warm regards and wishes for a steady recovery, closing by thanking Hoey for his kind invitation which he will accept if he is able. The letter was written during Arthur\u27s term as the 21st President of the United States; he served as Garfield\u27s Vice President and assumed the presidency himself upon Garfield\u27s death in September 1881, serving until March 1885
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Grub street
No full textThis book chapter is not available through ChesterRep.This book chapter was submitted to the RAE2008 for the University of Chester - English Language & Literature
In Alan Turing’s Name: Pardoning the Dead, Forgetting the Living
No full textThis special panel discussion brought together authorities on Alan Turing and the statutory pardon legislation intended to honour him. Leading academics, in conversation with those who have unsuccessfully petitioned to have offences disregarded, were joined by the Turing Bill’s author
Retracing Footsteps - The Changing Landscape Yr Wyddfa / Snowdon
No full textThe exhibition draws on Bos’ extensive archival and ethnographic research, which feeds into a long-term research project exploring the cultural and historical geographies of Yr Wyddfa/Snowdon. Quayle also undertook preliminary research at Tate Britain in the Prints and Drawings Study Room as part of related research which investigates J.M.W. Turner's 1799 Welsh Tour in the context of a contemporary understanding of the sublime, which follows formative research of Turner's print publications and artist travel as part of his undergraduate dissertation.Retracing Footsteps - The Changing Landscape of Yr Wyddfa / Snowdon is the working title of a long-term, interdisciplinary research project by artist Cian Quayle (Art and Design) and cultural geographer Daniel Bos (Geography and the Environment) at the University of Chester. The first iteration of their collaborative research, which also involved the participation of two BA Photography graduates Jane Evans and Emma Petruzzelli, was exhibited at CASC in Castlefield Gallery New Art Spaces: Chester. The exhibition also formed part of Chester Contemporary [Fringe] (September 22 - December 1, 2023). The project emerged as a result of Bos' study of 19th c. Snowdon summit hotels, visitor books, in which tourists recorded their experience of ascending the mountain. The visitor books are housed at the National Library of Wales, Aberystwyth, and Bangor University. Yr Wyddfa / Snowdon is an iconic mountain, a signifier of Welsh identity and a place rooted in history, myth, folklore and legend. The mountain attracts over 600,000 visitors a year and the project sets out to respond to the mountain and surrounding landscape as it is walked, and experienced today, at the same time as considering the threat and impacts on the ecology, environment and local communities. From May 2023 the team undertook fieldwork based on a series of ascents to photograph and video record their experience and encounter of the mountain. An edit and selection of photographs was made towards the end of summer 2023. The exhibition, which manifest initial practice and research completed up to this point was conceived and curated by Quayle, and Bos selected a collection of extracts from the visitors books, which were juxtaposed with a final selection of images, which the project team edited and selected from a larger body of work. The visitor book extracts were typeset in Albertus by Darren Prior, and an exhibition brochure was designed by Dr Alan Summers.University of Cheste
Bernard Williams
No full textAn edited multi-author volume assessing the moral philosophy of the late British philosopher Bernard Williams. Contributors: Adrian Moore, John Skorupski, Alan Thomas, Robert B Louden, Michael Stocker, A. A. Long, Edward Crai
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
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