1,684 research outputs found
Mel Bochner : Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, New York 1966
No full textAdrian Piper : A Synthesis of Intuitions, 1965-2016
No full text" Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological, and spiritual potential of Conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalogue presents more than 290 artworks that encompass the full range of Piper’s mediums: works on paper, video, multimedia installation, performance, painting, sound, and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being—her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. " -- Publisher's website
In and Out of Amsterdam: Travels in Conceptual Art, 1960-1976
No full textBook Review of In and Out of Amsterdam: Travels in Conceptual Art, 1960-1976, by Christophe Cherix. ISBN 9780870707537. Reviewed by Cheryl Ann Lajos
Jasper Johns: Regrets
No full textThis is a review article of an exhibition of paintings by American artist Jasper Johns held at the Museum of Modern Art (MoMA) in New York, March- September 2014, and of the accompanying catalogue, Jasper Johns: Regrets by
Christophe Cherix and Ann Temkin. The review appreciates Cherix and Temkin's focus on experimentation as the vital force of Johns's art and the curators' detailed descriptions of the unique interplay of materials typical of the artist's work. The review dwells on the show's uniqueness in its capacity to illuminate the intimate connection between experiment and collaboration
Tradução de uma disputa : Christophe versus Pétion em La tragédie du roi Christophe, de Aimé Césaire
No full textEsta contribuição propõe a tradução comentada da primeira cena da peça de teatro La Tragédie du roi Christophe (A tragédia do rei Christophe), de Aimé Césaire. O texto foi publicado pelo autor martinicano em 1963 e encenado a partir de 1964. A história aborda o embate histórico entre os dois líderes revolucionários haitianos, Alexandre Pétion (1770-1818) e Henry Christophe (1767-1820), após o estabelecimento da independência do Haiti, em 1804. O ex-escravizado Henry Christophe I, autoproclamado rei do Haiti em 1811, protagoniza, na peça, os impasses políticos decorrentes do processo de descolonização para a constituição de um novo estado haitiano livre e democrático. Optamos por traduzir a cena que anuncia e ilustra, na abertura do primeiro Ato, o caráter trágico que permeia o desenrolar dos eventos.This contribution proposes the commented translation of the first scene of the play La Tragédie du roi Christophe (The tragedy of King Christophe), by Aimé Césaire. The text was published by the Martinican author in 1963 and staged from 1964 onwards. The story addresses the historical clash between the two Haitian revolutionary leaders, Alexandre Pétion (1770-1818) and Henry Christophe (1767-1820), after the establishment of Haitian independence in 1804. The ex-enslaved Henry Christophe I, self-proclaimed King of Haiti in 1811, stars, in the play, political impasses resulting from the decolonization process, for the constitution of a new free and democratic Haitian state. We chose to translate the scene that announces and illustrates, in the opening of the first Act, the tragic character that permeates the unfolding of events
Bibliography
No full textWritings by Robert Morris 1960 “Blank Form.” Reprinted in Cherix, Christophe. Robert Morris, estampes et multiples, 1952-1998: catalogue raisonné. Genève/Chatou: Cabinet des Estampes/Centre national de l’estampe et de l’art imprimé, 1999, p. 127. 1960-1963 “Letters to John Cage.” October, no. 81 (Summer 1997), pp. 70-79. 1961 “A Method for Sorting Cows.” Art and Literature, no. 2 (Winter 1967), pp. 180-181; reprinted in Robert Morris. Exhibition catalogue. London: Tate Gallery, 1971, p. 8. 19..
Morisset/PyNeb_devel: 1.1.9
No full textcommit ab6cdb8a4af2ff75b82fc1422004934945c82530
Author: morisset [email protected]
Date: Sat Jul 6 11:25:45 2019 -0700
1.1.9
V 1.1.9
commit f7e6a418d2affb8db163c8c6c2428173b5f4aacf
Author: morisset [email protected]
Date: Fri Jun 7 07:15:42 2019 -0700
Create _chianti_tools_9.py
commit 81213b885e2b359a62e3d6e73515e39dc7056561
Author: Christophe Morisset [email protected]
Date: Wed Jun 5 16:19:33 2019 -0700
Adding Chianti 9
commit 5a9a7dfc9a4d922a216ac11f39b76c2d63097d3b
Author: Christophe Morisset [email protected]
Date: Wed Jun 5 16:19:05 2019 -0700
1.1.9b4
commit 152f9192847cd7f3194e0a778caca66f966392c1
Author: morisset [email protected]
Date: Wed May 22 14:13:30 2019 -0700
T_min ans max were not used
commit 22aeec4db4efc7bcc377b54a92292e157335825d
Author: morisset [email protected]
Date: Sun May 19 10:18:52 2019 -0700
1.1.9b3
commit 4dc721eecdd2511fcde69f835fc6181f7be1b74d
Author: morisset [email protected]
Date: Sun May 19 10:18:34 2019 -0700
manage wl<Lyalpha master
commit 44192233b57ef46cc479e6bfc2a9020cbfc3d5f6
Author: morisset [email protected]
Date: Fri May 17 13:07:55 2019 -0700
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commit 95e07d78fb38cc6267f38e11d3051738814a4dfd
Author: morisset [email protected]
Date: Fri May 17 13:07:47 2019 -0700
light wl array
commit 9a159290e931fbdbbff8b13968d7540f8b0cef18
Author: morisset [email protected]
Date: Fri May 17 13:07:27 2019 -0700
add continuum to init
commit da0e0b6ac19bc6808bc7366217ad4a0885e1ca0e
Author: morisset [email protected]
Date: Thu Mar 21 11:48:08 2019 -0300
1.1.9b1
before branch to Regresor developemen
Christophe Colomb, le caoutchouc et les tétines
No full textChristoph Kolumbus, Kautschuk und die Gummisauger.
Der Verfasser schildert kurz die Geschichte des Kautschuks und erwänt die apotheker welche daran beteiligt sind. Er legt anschliessend die Geschichte der Gummisauger und der Milchflaschen dar, deren eine der meistgängisten die « Robert'sche Milchflasche » gewesen ist.Christopher Columbus, rubber, and rubber nipples.
The author quickly traces the history of rubber, making note of the pharmacists who therein played a role. He exhibits the history of rubber nipples and that of infant bottles, of which one of the most widely used was the « Robert Bottle. »Labeÿ Robert. Christophe Colomb, le caoutchouc et les tétines. In: Revue d'histoire de la pharmacie, 82ᵉ année, n°300, 1994. pp. 55-63
Morris(’s) Prints
No full textIt may seem peculiar on my part to begin my presentation with a drawing that, even as it provides a key to Morris’ oeuvre, also stands as a reminder of a painful moment in the history of the institution I work for, the Museum of Modern Art in New York. Litanies, a sheet covered with writing from 1961, is an important drawing by Robert Morris. It was part of our collection until it mysteriously disappeared during the long tour of the exhibition The Drawings of Robert Morris, organized by Thoma..
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