1,905,972 research outputs found
Jingyi-Chen/cloud_parcel_mode: cloud parcel model
No full textThis is the first release of the cloud parcel model developed by Jingyi Chen. The development of this model was supported by Stony Brook University and Brookhaven National Laboratory in 2012-2014 (adiabatic version) and 2015-2017 (entrainment-mixing with entrained aerosols).
The publications associated with this code is below:
Chen, J., Y. Liu, M. Zhang, and Y. Peng (2016), New understanding and quantification of the regime dependence of aerosol-cloud interaction for studying aerosol indirect effects, Geophysical Research Letter, 43, 1780–1787, doi:10.1002/2016GL067683.
Chen, J., Y. Liu, M. Zhang, and Y. Peng (2018), Height dependency of aerosol-cloud interaction regimes, Journal of Geophysical Research: Atmospheres, doi: 10.1002/2017JD027431.
Chen, J., Y. Liu and M. Zhang (2020), Effects of Lateral Entrainment-Mixing with Entrained Aerosols on Cloud Microphysics, Geophysical Research Letter, doi: 10.1029/2020GL087667
Replication Data for: Chen & Bryan (JSJ)
No full textThese data are for Chen & Bryan.
"Chen_Bryan_Nominee_Evaluations Recoded (2).dta" is from Experiment 1.
"Full Data Recoded.dta" is from Experiment 2
Replication Data for: Sorensen & Chen PRQ 2021
No full textThis is the data associated with Sorensen & Chen 2021 for Political Research Quarterly
Chen Chen, 42nd Annual ODU Literary Festival
No full textChen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities (BOA Editions, 2017), which was long-listed for the National Book Award and won the Thom Gunn Award, among other honors. Bloodaxe Books published a UK edition in June. He is also the author of four chapbooks, most recently You MUST Use the Word Smoothie (Sundress Publications, 2019) and Gesundheit! (in collaboration with Sam Herschel Wein and forthcoming from Glass Poetry Press, fall 2019). His work appears in many publications, including Poem-a-Day, The Massachusetts Review, The Best American Poetry, and The Best American Nonrequired Reading. He has received a Pushcart Prize and fellowships from Kundiman and the National Endowment for the Arts. He holds an MFA from Syracuse University and a PhD from Texas Tech University. He teaches at Brandeis University as the Jacob Ziskind Poet-in-Residence and co-runs the journal, Underblong. He lives in Waltham, Massachusetts, with his partner, Jeff Gilbert, and their pug, Mr. Rupert Gile
The Chen-Ouillon-Sornette seismo-electrical model
No full textThe data is simulated from the Chen-Ouillon-Sornette seismo-electrical model under diverse electrical parameters.
The zip-files include the simulated slip time series and slip-induced electrical signals.
Each text-file in the zip-file has two columns. The first column is the slip time series, and the second is the slip-induced electrical signals.
The parameter settings are written in the ReadMe.txt
Artimpaza brevilineata Tian & Chen, 2012 in Tian, Chen & Li 2012
No full textArtimpaza brevilineata Tian & Chen, 2012 in Tian, Chen & Li, 2012: 43, figs. 1–9. (Figs. 28a, b) Type locality: China, Yunnan, Pu’er City, Yutang. Gender: female. Date collected: 2011.V.25 (2010.V.25, in the original description, is incorrect). Collector: Li-Chao TIAN & Gui-Qiang HUANG. Paratypes: 1 female, China, Yunnan, Lincang City, 1980.VI.1, Fen LIU leg. Remarks: In the original description, the type locality is “ Yunnan, Jinghong” while it is “ Yunnan, Yutang” according to the label. “Yutang” is actually in Pu’er, not Jinghong. The first author described the type locality by mistake. In the original description, the collector was only listed as Li-Chao TIAN, which was a mistake.Published as part of Li, Zhu & Chen, Li, 2020, Primary types of longhorned beetles (Coleoptera, Cerambycidae, Vesperidae and Disteniidae) of Southwest University (SWU), pp. 25-46 in Zootaxa 4718 (1) on page 33, DOI: 10.11646/zootaxa.4718.1.2, http://zenodo.org/record/360220
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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