6,454 research outputs found
An Interview with Tony David Sampson: Author of Virality: Contagion Theory in the Age of Networks
Tony D. Sampson is Reader in Digital Culture and Communication in the School of Arts and Digital Industries (ADI) at the University of East London, where he directs the EmotionUX lab, supervising research on the cognitive, emotional, and affective aspects of user experience. In 2013, he co-founded Club Critical Theory, an organization dedicated to the application of critical theory in everyday life in Southend-on-Sea, Essex. Tony is the author of Virality: Contagion Theory in the Age of Networks and The Assemblage Brain: Sense Making in Neuroculture, both from the University of Minnesota Press. He blogs at viralcontagion.wordpress.com.
The editors of this special NANO issue are delighted to have the opportunity to talk with Tony about how his work touches on issues of imitation and contagion—a loaded term unpacked within his 2012 book
Tony Tulathimutte: 48th Annual ODU Literary Festival
Tony Tulathimutte is the author of Private Citizens and Rejection. A graduate of Stanford University and the Iowa Writers’ Workshop, he’s received a Whiting Award and an O. Henry Award, was longlisted for the National Book Award, and has written for The Paris Review, N+1, The New York Times, Playboy, The Nation, and others. He also runs CRIT, a writing class in Brooklyn
Surface kinetic study of ion induced chemical vapor deposition of copper
Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Materials Science and Engineering, 1996.Includes bibliographical references (leaves 158-162).by Tony Ping-chen Chiang.Ph.D
European LD Reference from 1000 Genomes
LD blocks based on 503 European individuals from the 1000 Genomes Project (split by chromosome), with about 1.5 million SNPs based on HapMap3 and MEGA chip
European LD Reference from UK Biobank
LD blocks based on 20,000 European individuals from the UK Biobank (split by chromosome), with about 1.5 million SNPs based on HapMap3 and MEGA chip
Tokyo Burning Interview with Tony Barnstone
Interview with Tony Barnstone about adapting his poetry to music. Tokyo\u27s Burning is a CD that tells history from the inside, telling stories of the Pacific theater of WWII not from the God\u27s eye view but from the points of view of American and Japanese civilians and soldiers who lived and suffered through Pearl Harbor and Iwo Jima, the firebombing of Tokyo and the atom bomb drop on Hiroshima. Songs in the CD are based upon 15 years of research into the Pacific theater of WWII by Tony Barnstone—poet, author, and professor at Whittier College in Los Angeles. Tony worked with oral histories, histories, diaries, letters, and memoirs, and did his own interviews with vets and their families to write a book of poems titled Tongue of War: From Pearl Harbor to Nagasaki (BkMk Press, 2009). Though many of the songs deal with atrocity—sex slavery, torture, internment camps, even cannibalism—the CD itself is meant to take a neutral stance, allowing each character to speak his or her view, without judgment, assuming that the readers will find their own moral paths through these competing voices and viewpoints. As one character says, Seems everyone has a point of view, but no one has perspective. L.A.-based songwriters John Clinebell and Ariana Hall, who work together under the name Genuine Brandish, were commissioned by Tony to work with him to translate his book into 15 songs (with the essential help of producer Andrew Bush). What if history had a human face? What if the people who lived history could speak to it? This CD is an attempt to amplify the smaller voices, the human voices, of those who lived through the war and help them to sing history to us
Tony Ardizzone, 3rd Annual ODU Literary Festival
From the training grounds of Chicago and Bowling Green, Tony Ardizzone serves as running guard for the creative writing program at ODU. Author of a novel ( In the Name of the Father ) and a collection of short stories ( Idling ), he is also the editor of Intro, an annual journal of the best writing from college workshops around the country. In a nearly completed accompanying volume to In the Name of the Father, Ardizzone traces the route by which the character Vito Scaparelli reaches Vietnam. Ardizzone has published 15 short stories in distinguished fiction quarterlies. He believes that the writing of fiction is the crafting of interiorized drama
Improving urban planning: the case of New South Wales. by Tony Sorensen
tag=1 data=Improving urban planning: the case of New South Wales. by Tony Sorensen
tag=2 data=Sorensen, Tony
tag=3 data=Policy,
tag=4 data=8
tag=5 data=2
tag=6 data=Winter 1992
tag=7 data=31-36.
tag=8 data=PLANNING
tag=10 data=The NSW Department of Planning is proposing changes to the Environmental Planning and Assessment Act. The author reviews the proposals and highlights the difficulties of making urban planning efficient and equitable.
tag=11 data=1992/4/10
tag=12 data=92/0672
tag=13 data=CABThe NSW Department of Planning is proposing changes to the Environmental Planning and Assessment Act. The author reviews the proposals and highlights the difficulties of making urban planning efficient and equitable
Tony Ardizzone, 12th Annual ODU Literary Festival
Tony Ardizzone, former Director of Creative Writing at Old Dominion University from 1979-1987, now teaches at Indiana University. He is the author of two novels, In the Name of the Father, 1978, and Heart of the Order, 1986, which was awarded the 1985 Virginia Prize for Fiction and named by The National Sports Review as one of the ten best sports books of 1986. He has also published a collection of short stories, The Evening News, 1986, which won the Flannery O\u27Connor Award. His stories have been cited twice in Best American Short Stories and been given Prairie Schooner\u27s Lawrence Foundation Award and the Black Warrior Review Fiction Prize. He is a member of the Board of Directors of the Associated Writing Programs
Tony Woodman et Jonathan Powell (Ed.), Author and Audience in Latin Literature
Tordeur Pol. Tony Woodman et Jonathan Powell (Ed.), Author and Audience in Latin Literature. In: L'antiquité classique, Tome 63, 1994. pp. 382-383
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