1,722,341 research outputs found
Analysis of the foreign investment M&As in China
Full text linkThesis(Master) --KDI School:Master of Business Administration,2004masterpublishedby Chen Fei
CUHK electronic theses & dissertations collection
No full textChen Fei."October 2004."Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.Includes bibliographical references.Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.Mode of access: World Wide Web.Abstracts in English and Chinese
GARField: Addressing the Visual Sim-to-Real Gap in Garment Manipulation with Mesh-Attached Radiance Fields
No full textWhile humans intuitively manipulate garments and other textile items swiftly and accurately, it is a significant challenge for robots. A factor crucial to human performance is the ability to imagine, a priori, the intended result of the manipulation intents and hence develop predictions on the garment pose. That ability allows us to plan from highly obstructed states, adapt our plans as we collect more information and react swiftly to unforeseen circumstances. Conversely, robots struggle to establish such intuitions and form tight links between plans and observations. We can partly attribute this to the high cost of obtaining densely labelled data for textile manipulation, both in quality and quantity. The problem of data collection is a long-standing issue in data-based approaches to garment manipulation. As of today, generating high-quality and labelled garment manipulation data is mainly attempted through advanced data capture procedures that create simplified state estimations from real-world observations. However, this work proposes a novel approach to the problem by generating real-world observations from object states. To achieve this, we present GARField (Garment Attached Radiance Field), the first differentiable rendering architecture, to our knowledge, for data generation from simulated states stored as triangle meshes
Direct measurement of the angular power spectrum of cosmic microwave background temperature anisotropies in the WMAP Data
No full text
3-D spatiotemporal subband decompositions for hierarchical compatible video coding by mathematical morphology
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
