221 research outputs found

    Fortunato Chelleri u. a.: Klavierkompositionen

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    FORTUNATO CHELLERI U. A.: KLAVIERKOMPOSITIONEN Fortunato Chelleri u. a.: Klavierkompositionen ( - ) Cover ( - ) Blank page (1) Sonata (2) Siciliana (4) Menuet (5) L'Attaque du Moulin (6) [Ohne Titel] (7) Le Galop de Rosinante (8) Sanche Panche (9) Le Couche de Don Quixote (10) Blank page (11) Allemande (12) Menuet (13) Menuet (14) Blank page (16) Carillon (18) Blank page (20) Sonata (28) Gigue (30) Menuet (31) [Ohne Titel] (32) Blank page (33) Allegro (34) Passacaille (35) Blank page (37) Menuet (50) Menuet (51) Menuet (52) Blank page (53) Cover ( - ) Color chart ( - ) Beilage: Übertragung von Carillon (S. 18-19) (20. Jh.) (1r

    Trio / Violino o Flauto Traverso // e Basso // Kellerj

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    Titre uniforme : Chelleri, Fortunato (1690?-1757). Compositeur. [Sonates en trio. Violon ou flûte, viole de gambe, bc. Sol majeur]Titre propre pris à la p. de t. de la partie de cembalo (p. 5). - Parties : violino o flauto traverso (p. 10-12), viole de gambe (p. 1-3), cembalo (p. 5-7). - Parties de 3 mains de copiste différentes. - Mention "finis" à la fin, suivie du paraphe du copiste (non identifié)Présentation musicale : [Parties]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssSonates en trio (violon, viole de gambe, basse continue) -- +* 1700......- 1799......+:18e siècle:Sonates en trio (flûte, viole de gambe, basse continue

    Fortunato Chelleri’s Cantate e arie con stromenti (1727): A souvenir of London / Cantate e arie con stromenti (1727) Fortunata Chellerija: spomin na London

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    The Italian composer and instrumentalist Fortunato Chelleri paid three visits to London between 1725 and 1728. Although he failed to have any of his operas performed there, he distinguished himself as a harpsichordist and cellist and left a permanent record of his visits in the form of a published collection of cantatas and arias (1727) that demonstrates his considerable merit as a composer. The article also examines the extraordinary success enjoyed by the Italian cantata in Britain during the same period.Italijanski skladatelj in inštrumentalist Fortunato Chelleri je med letoma 1725 in 1728 trikrat obiskal London. Čeprav mu ni uspelo, da bi tam izvajali katero izmed njegovih oper, so ga opazili kot izjemnega čembalista in čelista. Kot trajni spomin na svoje obiske je zapustil tiskano zbirko kantat in arij (1727), ki ga uvršča med omembe vredne skladatelje. Članek govori tudi o sočasnem izjemnem uspehu italijanske kantate v Britaniji

    Chelleri [Kelleri, Keller, Cheler], Fortunato

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    La Giuditta (1.Akt)

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    LA GIUDITTA (1.AKT) La Giuditta (1.Akt) ( - ) Cover ( - ) La Giuditta (1. Akt) (1r) Cover ( - ) Color chart ( -

    Magnificat

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    MAGNIFICAT Magnificat (1r) Chorstimmen (1r) Canto (1a) (1r) Canto (1b) (1r) Canto (2a) (1r) Canto (2b) (1r) Alto (a Solo) (1r) Alto (b) (1r) Alto (c) (1r) Alto (d) (1r) Tenore (a Solo) (1r) Tenore (b) (1r) Tenore (c) (1r) Tenore (d) (1r) Basso (a Solo) (1r) Basso (b) (1r) Basso (c) (1r) Basso (d) (1r) Orchesterstimmen (1r) Violino (1a) (1r) Violino (1b) (1r) Violino (1c) (1r) Violino (2a) (1r) Violino (2b) (1r) Violino (2c) (1r) Violetta (a) (1r) Violetta (b) (1r) Violetta (c) (1r) Violoncello (a) (1r) Violoncello (b) (1r) Violone (a) (1r) Violone (b) (1r) Violone (c) (1r) Oboe (1) (1r) Oboe (2) (1r) Organo (1r) Solostimmen ( - ) Arie 1, Tenore: Quia respexit ( - ) Arie 2, Alto: Quia fecit ( - ) Duett, Canto: Fecit potentiam ( - ) Duett, Tenore: Fecit potentiam ( - ) Terzett, Alto: Deposuit potentes ( - ) Terzett, Tenore: Deposuit potentes ( - ) Terzett, Basso: Desposuit potentes ( - ) Arie 3, Soprano: Suscepit Israel ( - ) Arie 4, Basso: Sicut locutus est ( - ) Quartett, Canto 1: Gloria patri ( - ) Quartett, Canto 2: Gloria patri ( - ) Quartett, Alto: Gloria patri ( - ) Quartett, Tenore: Gloria patri ( - ) Blank page ( - ) Grey chart ( -

    Dio sul Sinai - Mus.2414-D-1

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