1,357,248 research outputs found
Deborah Cheetham \u27It’s not over till the Black Lady Sings\u27.
No full textThis year’s annual Nulungu lecture at the University of Notre Dame Australia’s Broome Campus will be delivered by Deborah Cheetham, Indigenous Soprano, actor and author of the internationally acclaimed play, White Baptist Abba Fan. She is a graduate of the NSW Conservatorium of Music and Julliard School of Music.
Since her international debut in 1997 Ms Cheetham has performed in the theatres and concert halls of United States, Europe, the United Kingdom, New Zealand and throughout Australia. At the Sydney Olympics in 2000, Ms Cheetham performed her original composition, Dali Mana Gamarada.
During the 2001 Centenary of Federation celebrations Ms Cheetham performed in several major events including the January 1st Concert in Sydney’s Centennial Park when she appeared as a soloist and speaker. She performed with Argentine tenor, Jose Cura at the opening ceremony of the Rugby World Cup in 2003. This was broadcast to a worldwide audience of more than one billion. In 2005, Deborah added to her list of international credit engagements in Paris, including performances at the Australian Embassy and the La Cigale in the Marais
In 2006 Deborah was a recipient of the Australia Council, Aboriginal and Torres Strait Islander Arts fellowship. The fellowship enabled Deborah to write, direct and produce a 21st century Australian opera, Pecan Summer. The work created opportunities and demonstrated the talents of Indigenous singers and musicians, actors, writers and technicians.
On 22nd February this year Deborah performed the national anthem at the memorial service for the victims of the Black Saturday bushfires. Of the service Deborah said , ‘Joined by a massed choir of over 500 voices I was honoured to pay my respect to the victims and survivors of these terrible fires by singing Advance Australia Fair.’
Deborah will be delivering the Nulungu Lecture at the Broome Campus of The University of Notre Dame, 88 Guy Street, Broome, on Thursday 20 August at 5.00pm. The Nulungu Reconciliation Lecture is to be an annual event on the Broome Campus where key speakers will be invited to address issues of Reconciliation that shape contemporary Aboriginal and Australian thought and experience. The title of Deborah’s lecture is It’s not over till the Black Lady Sings
Cheetham, A A, NX3776
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/376859Surname: CHEETHAM
Given Name(s) or Initials: A A
Military Service Number or Last Known Location: NX3776
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 5966190618
Item: [2016.0049.09164] "Cheetham, A A, NX3776
Jones, Edgar Cheetham, WX7453
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/396033Surname: JONES. Given Name(s) or Initials: EDGAR CHEETHAM. Military Service Number or Last Known Location: WX7453. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 22098.231275
Item: [2016.0049.28326] "Jones, Edgar Cheetham, WX7453
Modeling and Rescue of RP2 Retinitis Pigmentosa Using iPSC-Derived Retinal Organoids
No full textCheetham and colleagues show that 3D retinal organoids lacking the RP2 protein develop rod photoreceptor degeneration that can be prevented with AAV gene augmentation for RP2
Remembering Postmodernism : Trends in Recent Canadian Art
No full textIn an examination of the mnemonic dimensions of Canadian postmodernism, Cheetham focuses on the relation of postmodernism to the historical past and memory in defining a subject in works of art; the author also considers the social and political uses of memory, giving special attention to the dimensions of play and gender. Hutcheon's essay maps the territory of Canadian postmodernism and argues for a politicized understanding of postmodernist theory and practice. Biographical notes on the authors and 35 artists. Index of names. Bibl. 3 p
Just what is it that makes English artwriting so different, so appealing?
No full textA review of Artwriting, Nation, and Cosmopolitanism in Britain: The ‘Englishness’ of English Art Theory since the Eighteenth Century. Mark A. Cheetham examines three centuries of English artwriting in which he traces an enduring preoccupation with nation, nationalism, and Englishness. Emphasizing the theoretical nature of all artwriting, Cheetham seeks to recover the theoretical underpinnings of an English authorial tradition that frequently defined itself in opposition to Continental aesthetic theory
Reversible pressure-induced amorphization of a zeolitic imidazolate framework (ZIF-4).
No full textWe report the reversible pressure-induced amorphization of a zeolitic imidazolate framework (ZIF-4, [Zn(Im)(2)]). This occurs irrespective of pore occupancy and takes place via a novel high pressure phase (ZIF-4-I) when solvent molecules are present in the pores. A significant reduction in bulk modulus upon framework evacuation is also observed for both ZIF-4 and ZIF-4-I
Landscape into Eco Art: Articulations of Nature Since the ‘60s by Mark A. Cheetham
No full textReview of Mark A. Cheetham\u27s Landscape into Eco Art: Articulations of Nature Since the \u2760
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