212 research outputs found
Indian women, health, and productivity
No full textThe relationship between women's health and their (physical and economic) productivity is complex and multi-dimensional. It is characterized by"flows"in both directions and a host of intervening factors. Two simple statements summarize the major directional flows: (a) women's health affects their productivity; and (b) productivity affects women's health. In the latter case, women's own productivity, that of their households, and even that of larger units such as the local, regional or national economy may be implicated. Women's health is intricately linked with family health, and their productivity with family productivity and related characteristics. This paper documents the nature of these relationships, using available data on Indian women which relate to a variety of health indices, and construing"productivity"in the broadest possible way, including labor force participation, work output, income and so on. The overall purpose is to discuss women's health with the context of the need to improve both women's productivity and welfare. Women's health status, its determinants and consequences, are explored, leading ultimately to the identification of interventions required to improve it and thereby to improve women's productivity.Health Monitoring&Evaluation,Adolescent Health,Population&Development,Demographics,Early Child and Children's Health
Stay the Night: Meera Margaret Singh at the Gladstone Hotel Stay the Night : Meera Margaret Singh à l’hôtel Gladstone
No full textThis essay examines Meera Margaret Singh’s exhibition Nightingale in the time and place of the liminal space we call “hotel.” In intertexual dialogue with Wayne Koestenbaum’s Hotel Theory, the author not only reviews Singh’s intimate photographs of her mother, she reads the images with and against the architecture in which they are exhibited. The Gladstone as exhibition space redoubles Singh’s emphasis on the tense connectivity of apparent binaries: youth and age, public and private, artist and model, object and spectator, living and dying. The quotidian activities of hotel living—guests’ arrivals, departures, and returns—become inextricable pieces of Singh’s site-specific installation. The author theorizes what Freud calls the “foretaste of mourning” in this work, grappling with what will be but is not yet the death of the mother. Singh’s Nightingale proposes that we do not “work through” mourning: mourning is a perpetual way of being in the present.Cet article examine l’exposition photographique de Meera Margaret Singh dans l’espace liminal qu’est l’hôtel. En dialogue intertextuel avec l’œuvre de Wayne Koestenbaum, Hotel Theory, l’auteur examine les portraits intimes de la mère de la photographe, tout en les lisant en fonction de l’architecture de leur emplacement. L’hôtel Gladstone en tant que lieu d’exposition redouble donc l’accent que met la photographe sur les liens tendus des systèmes binaires apparents: la jeunesse et l’âge ; le public et le privé ; l’artiste et le modèle ; l’objet et le spectateur; vivre et mourir. Les activités quotidiennes de la vie en hôtel – l’arrivée, le départ, et le retour d’invités – deviennent des éléments inextricables de l’œuvre in situ. L’auteur théorise le concept de Freud sur l’avant-goût du deuil, explorant ce qui deviendra mais ne l’est pas encore : la mort de la mère. Cette exposition propose que nous ne « faisons » pas le deuil : le deuil est une façon perpétuelle d’exister au présent
Stay the Night: Meera Margaret Singh at the Gladstone Hotel (avec un résumé en français)
No full textThis essay examines Meera Margaret Singh’s exhibition Nightingale in the time and place of the liminal space we call “hotel.” In intertexual dialogue with Wayne Koestenbaum’s Hotel Theory, the author not only reviews Singh’s intimate photographs of her mother, she reads the images with and against the architecture in which they are exhibited. The Gladstone as exhibition space redoubles Singh’s emphasis on the tense connectivity of apparent binaries: youth and age, public and private, artist and model, object and spectator, living and dying. The quotidian activities of hotel living—guests’ arrivals, departures, and returns—become inextricable pieces of Singh’s site-specific installation. The author theorizes what Freud calls the “foretaste of mourning” in this work, grappling with what will be but is not yet the death of the mother. Singh’s Nightingale proposes that we do not “work through” mourning: mourning is a perpetual way of being in the present.[Stay the Night : Meera Margaret Singh à l’hôtel Gladstone]
Cet article examine l’exposition photographique de Meera Margaret Singh dans l’espace liminal qu’est l’hôtel. En dialogue intertextuel avec l’œuvre de Wayne Koestenbaum, Hotel Theory, l’auteur examine les portraits intimes de la mère de la photographe, tout en les lisant en fonction de l’architecture de leur emplacement. L’hôtel Gladstone en tant que lieu d’exposition redouble donc l’accent que met la photographe sur les liens tendus des systèmes binaires apparents: la jeunesse et l’âge ; le public et le privé ; l’artiste et le modèle ; l’objet et le spectateur; vivre et mourir. Les activités quotidiennes de la vie en hôtel – l’arrivée, le départ, et le retour d’invités – deviennent des éléments inextricables de l’œuvre in situ. L’auteur théorise le concept de Freud sur l’avant-goût du deuil, explorant ce qui deviendra mais ne l’est pas encore : la mort de la mère. Cette exposition propose que nous ne « faisons » pas le deuil : le deuil est une façon perpétuelle d’exister au présent
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