1,150 research outputs found
Utah State Fair development: Utah Chapter of the American Institute of Architects: sheet 2
Plan of the Utah State Fair grounds, drawn as part of the 1944-1945 Utah State Fair development; project by the Utah Chapter of the American Institute of Architects; Possibly drawn by George Cannon Young. Includes a table of cost estimates as of March 194
Journal of the Transvaal, Natal and Orange Free State Provincial Institutes of South African Architects and the Chapter of South African Quantity Surveyors
JournalsSouth African Architectural RecordInstitutes of South African Architects and the Chapter of South African Quantity Surveyor
Journal of the Transvaal, Natal and Orange Free State Provincial Institutes of South African Architects and the Chapter of South African Quantity Surveyors
JournalsAfrican Architect; the Journal of the Association of Transvaal ArchitectsInstitutes of South African Architects and the Chapter of South African Quantity Surveyor
Space is the machine, part one: theoretical preliminaries
‘Theoretical Preliminaries’ deals with the most basic of all questions which architectural theory tries to answer: what is architecture, and what are theories, that they can be needed in architecture? In the first chapter, ‘What architecture adds to building’, the key concepts of the book are set out on the way to a definition of architecture. The argument is that in addition to functioning as bodily protection, buildings operate socially in two ways: they constitute the social organisation of everyday life as the spatial configurations of space in which we live and move, and represent social organisation as physical configurations of forms and elements that we see. Both social dimensions of building are therefore configurational in nature, and it is the habit of the human mind to handle configuration unconsciously and intuitively, in much the same way as we handle the grammatical and semantic structures of a language intuitively. Our minds are very effective in handling configuration in this way, but because we do work this way, we find it very difficult to analyse and talk rationally about the configurational aspects of things. Configuration is in general ‘non-discursive’, meaning that we do not know how to talk about it and do not in general talk about it even when we are most actively using it. In vernacular buildings, the configurational, or non-discursive, aspects of space and form are handled exactly like the grammar of language, that is, as an implication of the manipulation of the surface elements, or words and groups of words in the language case, building elements and geometrical coordinations in building. In the vernacular the act of building reproduces cultural given spatial and formal patterns. This is why it seldom seems ‘wrong’. Architecture, in contrast, is the taking into conscious, reflective thought of these non-discursive and configurational aspects of space and form, leading to the exercise of choice within a wide field of possibility, rather than the reduplication of the patterns specific to a culture. Architecture is, in essence, the application of speculative and abstract thought to the non-discursive aspects of building, and because it is so, it is also its application to the social and cultural contents of building.
Chapter 2, ‘The need for an analytic theory of architecture’, then takes this argument into architectural theory. Architectural theories are essentially attempts to subject the non-discursive aspects of space and form to rational analysis, and to establish principles to guide design in the field of choice, principles which are now needed as cultural guidance is no longer automatic as it is in a vernacular tradition. Architectural theories are both analytic in that they always depend on conjectures about what human beings are like, but they are also normative, and say how the world should be rather more strongly than they say how it is. This means that architecture can be innovative and experimental through the agency of theories, but it can also be wrong. Because theories can be wrong, architects need to be able to evaluate how good their theories are in practice, since the repetition of theoretical error - as in much of the modernist housing programme - will inevitably lead to the curtailment of architectural freedom. The consequence of this is the need for a truly analytic theory of architecture, that is, one which permits the investigation of the non-discursive without bias towards one or other specific non-discursive style.
Chapter 3, ‘Non-discursive technique’, outlines the prime requirement for permitting architects to begin this theoretical learning: the need for neutral techniques for the description and analysis of the non-discursive aspects of space and form, that is, techniques that are not simply expressions of partisanship for a particular type of configuration, as most architectural theories have been in the past. The chapter notes a critical difference between regularities and theories. Regularities are repeated phenomena, either in the form of apparent typing or apparent consistencies in the time order in which events occur. Regularities are patterns in surface phenomena. Theories are attempts to model the underlying processes that produce regularities. Every science theorises on the basis of its regularities. Social sciences tend to be weak not because they lack theories but because they lack regularities which theories can seek to explain and which therefore offer the prime test of theories. The first task in the quest for an analytic theory of architecture is therefore to seek regularities. The first purpose of ‘non-discursive technique’ is to pursue this task
Chapter Generative Design Intuition from the Fine-Tuned Models of Named Architects’ Style
This paper suggests the potential application of generative artificial intelligence-based image generation technology in the field of architecture, for early phase shape planning, using the styles of renowned architects. The study employed the following approaches: 1) Intensive image generation based on the styles of 20 architects to test the AI's recognition ability and image quality. 2) Additional training was conducted for architects with low recognition rates to construct an enhanced learning model in the quality of image generation. 3) In addition to generating architectural visualization images using existing architects' design styles, alternative styles were proposed through design combinations, aiming to concretize ambiguous idea communication in the early stages of design and enhance its efficiency. The study sheds light on the future prospects of applying this generative AI model in the field of architectur
Single-sex schools and science engagement
This paper considers whether single-sex schooling affects gendered patterns in the uptake of science courses in year 11 and the development of science-related career paths. In particular, the author is interested in exploring gender differences surrounding the life and physical sciences. The author explores these issues using data from the Longitudinal Surveys of Australian Youth. Differences in the uptake of life and physical science subjects by males and females occur across all schools. In girls-only schools girls are more likely to undertake physical science subjects than their female counterparts in co-educational schools, but there is no difference when it comes to planning a physical science career. On the other hand, boys in boys-only schools are no more likely to take up life science subjects than their male counterparts in co-educational schools, but they are more likely to plan life science careers
The lack of design quality focus in construction: a case for examining suitable design processes
A large number of projects in UK construction now involve contractor-led design and are thus very different from the traditional approach which formed the basis of the original Royal Institute of British Architects (RIBA) Outline Plan of Work. Such integrated and contractor-led approaches support the reform agenda of the late 1990s that was introduced to tackle process inefficiency. However, within the design professions there has been concern that this resulted in buildings that were designed-down to a cost rather than designed-up to a value. An attempt to address this resulted in the formation of the Commission for Architecture and Built Environment (CABE) in 1999 and the launch, in 2003, of the Design Quality Indicator (DQI) which measures how well a building satisfies stakeholders. This paper presents the early phases of doctoral research which will examine the impact of integrated design management approaches upon Design Quality
Study of responsibilities, guarantees and insurance in the construction industry with a view to harmonisation at Community level. III/8326/89-EN, 2 February 1990
Explorative Growth for Art and Architecture
This chapter describes how architects and artists develop their work through looking at nature and finding role models for proto-architectural applications. Artistic research methodologies are being used to transfer growth strategies in nature into concepts for a new living architecture. The chapter also describes the example of the artistic research project GrAB - Growing As Building, which was conducted between 2013 and 2016 at the University of Applied Arts in Vienna with an interdisciplinary and international team of architects, artists, engineers and scientists. The project was funded through the Austrian Science Fund, a funding institution for fundamental scientific research in Austria. The programme of developing and enhancing the arts is part of the FWF services and represents a unique opportunity to develop research in an artistic context. GrAB emerged from another artistic research project funded by the FWF: Biornametics – Architecture Defined by Natural Patterns explored a new methodology to interconnect scientific evidence with creative design in the field of architecture. GrAB took this exploration further and specifically looked at growing structures with focus themes on explorative growth, material systems, technological transfers and closed-loop systems. The investigations were multifaceted and broad at the beginning and were narrowed down to biological role model research which could be conducted in a biolab established at an art school (Figure 9.1). The slime mould was investigated as part of the theme of explorative structures. Looking at the slime mould through an artistic lens, informed by renowned biologists yielded new insights into the interpretation of its behaviour and proto-applications for architecture and the arts.Green Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.System Engineerin
Architects’ Methodology in Adaptive Reuse of Heritage Buildings
Adaptive reuse (AR) of heritage buildings is common practice in The Netherlands and is becoming more and more common at the International level. While AR projects are generally considered positive actions towards preserving the qualities of heritage buildings, not all projects have similar (positive) impact. To propose a methodology for dealing with the AR of heritage buildings aiming for positive impact, the AR process has been studied. After a comprehensive systematic literature review, a theoretical model representing the steps of the AR process has been sketched (fig.1). This model depicts the ideal steps of architects in dealing with heritage buildings. To check whether these steps are actually followed, two effective AR projects, winners of the NRP golden phoenix prize, were studied namely ‘LocHal’ in Tilburg (fig.2) and ‘Energiehuis’ in Dordrecht (fig.3). During the research, the cases were visited, the published literature on the cases was reviewed, and architects and other stakeholders involved were interviewed. The interviews were based on the steps of the theoretical model but the model was not shown to the architects till the end of the interview. Finally feedback was asked from the architects if the model represented their actual steps and where they diverged. The analysis of the collected data confirmed that architects followed the steps reported in figure 1. However, the process was reported to be not linear, as suggested in the model, but to include several loops between some of the steps, mainly between steps 1, 2 , 3, 4, 5, and 6 (fig.4). Next to refining of the AR model, investigation of the case studies led to the identification of tools and methods used by architects, which have possibly positively influenced the effectiveness (positive impact) of the final result. Both case studies distinguished themselves, according to the NRP jury reports, because of their high ‘social value creation’. Involving end-users, other producers, and original users in different steps of the AR process has been identified as the main method used by the architects contributing to this positive impact.The organization of this international colloquium was made possible through the generous fi nancial support of the DIOS Incentive Fund (UHasselt), the Doctoral School of Behavioral Sciences and Humanities (UHasselt), and the Research Foundation Flanders (FWO), as well as the invaluable practical assistance provided by the Faculty of Architecture and Arts of UHasselt and the Flanders Architecture Institute. Our heartfelt appreciation goes out to all our esteemed colleagues whose dedicated efforts contributed to the seamless execution of this event. This colloquium is organized as an extension of the exhibition As Found: Experiments in Preservation by the Flanders Architecture Institute. Curated by Sofi e De Caigny, Hulya Ertas and Bie Plevoets, the exhibition is on show at De Singel, Antwerp, from 6 September 2023 to 17 March 2024. The exhibition is accompanied by a catalogue, available in English (ISBN: 9789492567321) and Dutch (ISBN: 9789492567338).Heritage & Architectur
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