764 research outputs found
Clive Small on the real-life "Underbelly"
No full textOver the course of his career, Clive Small, one of NSW\u27s most successful detectives, saw it all. His book, "Smack Express: How organised crime got hooked on drugs" is an insight into drug trafficking and organised crime on Australia\u27s east coast. Written with journalist Tom Gilling, it features an extraordinary range of colourful characters and situations. Take "Aunty", the female drug lord who has been successfully importing kilos of cocaine into Australia for decades. Or the bloke who thought that throwing someone into the boot of a car and driving it to South Australia wasn\u27t kidnapping, because "he never asked to get out of the boot".
Clive Small is a former Assistant Commissioner of Police in NSW, and a former ICAC chief investigator. He resigned from ICAC in 2007 to pursue a defamation case against broadcaster Alan Jones. His investigations included the death of Griffith anti-drugs campaigner Donald McKay, the assassination of Cabramatta MP John Newman and the backpacker murders of Ivan Milat.
Tom Gilling is a former journalist and author. He has written a number of novels and co-authored "The Bagman: Final Confessions of Jack Herbert", about a corrupt Queensland policeman whose evidence in the 1980s Fitzgerald Inquiry had a huge impact on Queensland
Photograph - Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, after receiving award for their book ‘The Canecutters’
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/283960Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, after receiving award for their book ‘The Canecutters’286830
Item: [2003.0003.00938] "Photograph - Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, after receiving award for their book ‘The Canecutters’
Photograph - Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, who won award for their book ‘The Canecutters’
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/283981Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, who won award for their book ‘The Canecutters’ 27 Feb 1987286851
Item: [2003.0003.00959] "Photograph - Burrows, Geoff, Accounting and Business Law, and Clive Morton, co-author, who won award for their book ‘The Canecutters’
Review of “St. Clive:” An Eastern Orthodox Author Looks Back at C. S. Lewis
No full textReview of C. J. S. Hayward, “St. Clive:” An Eastern Orthodox Author Looks Back at C. S. Lewis (Wheaton, Illinois: C. J. S. Hayward Publications, 2000-19). 381 pages. $49.99. ISBN 9781794669956
CLIVE STAPLES LEWIS’S FANTASTIC STORY
No full textRad predstavlja priču Lav, Vještica i ormar iz ciklusa Kronike iz Narnije britanskog pisca irskog podrijetla Clivea Staplesa Lewisa (1898.-1963.) s ciljem utvrđivanja osebujnosti Lewisove varijante fantastične priče. Polazi se od odabrane literature gdje se bez iznimke problematizira kršćanski podtekst, koji je Lewis uključio u sve priče narnijskoga ciklusa, te elementi više književnih vrsta pored fantastične priče, kao što su bajka, mit, priča o životinjama i romansa.The paper presents story The Lion, the Witch and the wardrobe from series Chronicles of Narnia, written by British author of the Irish origins Clive Staples Lewis (1898.-1963.) with the aim to establish the singuliarities of Lewis’s fantasy story. There are considered selected literature and sources that without exception speak about Christian subtext, which Clive Staples Lewis incorporated in all of narnian stories, as well as about the elements of various genres alongside fantasy, such as fairy tale, myth, animal stories and romance. In the story The Lion, the Witch and the Wardrobe Clive Staples Lewis used the structure of the fantasy story, marked in the tradition of English children’s literature with Lewis Carroll’s fantasy stories Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice found there. As esteemed scholar and expert for English medieval and renaissance literature Lewis included in his story elements of romance and Christian subtext, influenced by his religious believes that he intended to pass to the young readers as a form of their reading pre-baptism
Initial teacher education and the New Zealand curriculum.
No full textNew Zealand teacher educators are faced with the challenge of how to prepare their student teachers to become beginning teachers who are able to base their teaching upon the national curriculum. To meet this challenge, designers of initial teacher education (ITE) programmes need to consider the interface between ITE curriculum and the legislated curriculum for schools. This paper looks at some of the historical influences upon the curriculum in both initial teacher education and schools by examining wider contextual influences. We point out that in ITE there has been an ongoing search for the most appropriate knowledge base for teaching, a search that is made problematic due to differing views of knowledge, teaching and learning We argue that in spite of these differences, there is benefit in an ITE curriculum that has a close relationship with the school curriculum in terms of what is learned and the teaching and learning approaches. New Zealand has a revised national curriculum for schools (Ministry of Education, 2007) that schools are expected to implement from 2010. In preparing student teachers to become beginning teachers, ITE providers are in a phase of designing learning experiences that link ITE curriculum and school curriculum. This process is problematic, for there are various internal and external pressures that lead to a crowded ITE curriculum and challenge ITE autonomy and innovation in curriculum decision-making
Response by Clive Barnett. Book review forum discussion: The Priority of Injustice: Locating Democracy in Critical Theory, by Michael Samers, Joshua Barkan, Kirsi Pauliina Kallio, Jennifer L. Fluri and Clive Barnett
No full textThis is the author accepted manuscript. The final version is available from Routledge via the DOI in this recordThis is the response by Clive Barnett within the book review forum discussion "The Priority of Injustice: Locating Democracy in Critical Theory", by Michael Samers, Joshua Barkan, Kirsi Pauliina Kallio, Jennifer L. Fluri and Clive Barnett which constitutes the whole article cited in this record. The response is on pp. 50-53 of the articl
Pulp literature: a re-evaluation
No full textThe purpose of this dissertation is to redress the literary academy?s view of Pulp Literature as an inconsequential form, which does not merit serious contemplation, or artistic recognition. Although it is true that recent literary criticism has attempted to elevate the importance of Pulp by positing it as the natural postmodern 'other' to 'high' literature, the thesis demonstrates how this dichotomy has proven to be counter-productive to its aim. That is, although this theoretical approach does invite legitimate investigation of the form, many academics simply use this technique to reinforce their claims for the superiority of so-called 'canonic' texts. Therefore, rather than continuing along this downward path, this thesis focuses more on the subversive machinations of Pulp Literature as a social, economic, political, and theoretical force with its own strategies and agendas, opening with an investigation of the history of Pulp Literature as a cultural form.
I argue that, from its very conception with the invention of the printing press in the fifteenth century, Pulp has always offered a radical alternative to the mainstream by providing a voice for the marginalised and the oppressed in the societies of the world. The thesis traces this political role as the aesthetic evolves into the new forms and technologies of a contemporary culture, where many academics still refuse to acknowledge Pulp as an important agent for the transmission of ideological views, and an impetus to instigate social change. The concluding arguments move away from the quantitative, to the more theoretically evaluative section of the thesis. This consists of a discussion of the conceptual boundaries surrounding the aesthetic of Pulp, broaching such subjects as literary evaluation, canonicity, and canon formation. This debate ultimately revolves around the question, 'if literary theorists cannot 'objectively' determine what literary 'quality' is, then how can we hope to define Pulp?'
In an attempt to answer this question, the thesis juxtaposes the criteria of a number of literary theorists from this field of inquiry, namely, Thomas R. Whissen, Clive Bloom, Thomas J. Roberts, Harold Bloom, Andrew Calcutt and Richard Shephard, to formulate an aesthetic that is not only markedly different to their's, but more significantly, one which situates Pulp Literature at the head of the literary academic table
Battle narrative in Virgil and Ovid
No full textIncludes bibliograpical references.The intent of this thesis is to examine the stylistics of Latin epic narrative as used to narrate and describe extended battle sequences, and to explore the way in which Latin authors working during the Augustan Era engaged with Homeric techniques of oral narrative while composing written epic. A total of six extended battle sequences from the Aeneid of Virgil and the Metamorphoses of Ovid are examined and analysed with regard to their use of word order, simile, catalogue, and other such stylistic features. The overall aim is to consider Ovid’s literary debt to his immediate epic predecessor Virgil, together with the debt of both poets to Ancient Greek epic narrative, in such a way as to explore the various techniques of generic allusivity practised by both poets on a stylistic level. The first chapter provides a brief overview of Homeric technique, defines the distinction between primary and secondary epic, and serves as an introduction to Virgilian and Ovidian concerns. The second chapter contains analysis of Virgil’s Aeneid. Battle sequences from Book 2, Book 9, and Book 10 are examined and discussed from a stylistic perspective, and the extent to which Virgil has drawn on and reformulated Homeric epic technique is established. Book 2 is examined for the manner in which it engages with and reconstructs Homeric ideals of heroism. Book 9, constituting as it does the first instance within the second half of the Aeneid of Homeric battle narrative, is analysed as a transitional episode, and its motifs of literary and cultural inheritance discussed. Book 10 provides an extended example of Homeric battle narrative. The third chapter engages with Ovid’s Metamorphoses. Extracts of notably epic tone from Book 5, Book 8, Book 12 are discussed in such a way as to highlight their literary allusivity, and in particular their contrast with the Virgilian model of adapting epic technique. Book 5 is examined as an introductory example of extended Ovidian battle narrative. The analysis of Book 8 demonstrates how epic narrative may be enriched by the intrusion of alternate poetic genres. Book 12 is contrasted with Book 2 of the Aeneid, and the manner in which it, too, engages with Homeric ideals of heroism, is discussed. The thesis concludes that while both poets utilised and expanded upon specific stylistic elements of Greek epic narrative, they did so in a notably different fashion. Ovid contrasts sharply with his predecessor Virgil and often incorporates elements of alternate genres in order to establish his own allusive technique
A commentary on book 6 of Achilles Tatius Leucippe and Clitophon
No full textAchilles Tatius' novel, Leucippe and Clitophon (2nd c. CE), is a product of the literary experimentation in prose fiction during the Greek intellectual renaissance under the Roman Empire known as the Second Sophistic. For all appearances, the story follows the usual narrative course of the ancient Greek erotic adventure novels: boy meets girl, love occurs at first sight, and Fate attempts to keep them apart, triggering an odyssey of bizarre escapades and daring exploits that reaches its inevitable happy conclusion with their reunion and marriage. Achilles Tatius, however, takes each of these tropes far beyond their usual scope, displaying a ludic (and at times ludicrous) panache for defying the genre. This thesis provides the first extensive literary and philological commentary devoted exclusively to the Sixth Book of the novel. I examine both Achilles' unconventional approach to genre and storytelling, and his play on prevailing theories of psychology, physiology, and philosophy to enrich and enliven his narrative
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