1,600 research outputs found
Charlie May Simon materials
No full textThis collection contains materials relating to Arkansas author Charlie May Simon
Yunte Huang: Charlie Chan: The Untold story of the Honourable Detective and his rendezvous with American history
No full textThis is a book review of a monograph by Yunte Huang on the literary/cinematic figure of Charlie Chan, the Chinese-American detective. The trope of Charlie Chan is a controversial one, but Huang takes into account the ambivalent and ambiguous character of the trope, while reflecting on Huang's own positionality as a Chinese-American. Huang also contextualises Charlie Chan himself; speaking of the author Earl Derr Biggers (who created Chan); as well as of Chang Apana, the real-life inspiration for the figure
Yunte Huang: Charlie Chan: The Untold story of the Honourable Detective and his rendezvous with American history
No full textThis is a book review of a monograph by Yunte Huang on the literary/cinematic figure of Charlie Chan, the Chinese-American detective. The trope of Charlie Chan is a controversial one, but Huang takes into account the ambivalent and ambiguous character of the trope, while reflecting on Huang's own positionality as a Chinese-American. Huang also contextualises Charlie Chan himself; speaking of the author Earl Derr Biggers (who created Chan); as well as of Chang Apana, the real-life inspiration for the figure
Review of Yunte Huang, Charlie Chan: The Untold story of the Honorable Detective and his rendezvous with American history
No full textThis is a book review of a monograph by Yunte Huang on the literary/cinematic figure of Charlie Chan, the Chinese-American detective. The trope of Charlie Chan is a controversial one, but Huang takes into account the ambivalent and ambiguous character of the trope, while reflecting on Huang's own positionality as a Chinese-American. Huang also contextualises Charlie Chan himself; speaking of the author Earl Derr Biggers (who created Chan); as well as of Chang Apana, the real-life inspiration for the figure.  
"I don’t really like tedious, monotonous work": working-class young women, service sector employment and social mobility in contemporary Russia
No full textThis article contributes a global perspective to the emerging literature on girlhood in western contexts by examining the changing shape of transitions to adulthood amongst working-class young women in St. Petersburg, Russia. As in many western countries, new forms of service sector employment and an increasingly accessible higher education system appear to offer young women new prospects for social mobility. In contrast to the increasingly impoverished and denigrated traditional pathways into work, the young women in the study derive significant value from these new opportunities, constructing narratives of self-actualisation and approximating notions of respectable femininity. Nevertheless, actual social mobility is elusive, as familiar patterns of classed and gendered stratification limit their prospects. Despite its specificity, the case thus further illustrates the limited nature of the transformations available to young women through the new forms of education and work characteristic of global neoliberal contexts
Charlie Chan a hires kinai detektiv legizgalmasabb kalandja - Főszerepben: Warner Oland, Heather Angel - Fox
No full textIdősebb férfi, Charlie Chan éles fénnyel, alulról megvilágított arca, felemelt keze látható a képen. Háta mögé vetül fekete árnyéka.Neme
Charlie Lovett Book Talk and Signing
No full textThe Z. Smith Reynolds Library Lecture Series presents a talk and book signing by Charlie Lovett, author of the bestselling novel The Bookman's Tale. Charlie is the son of Wake Forest Professor Emeritus Robert Lovett, and the Z. Smith Reynolds Library rare books collection and special collections reading room were an inspiration for his novel
Constructions of ”China” through typography : An analysis on exotypes and the film poster Charlie Chan i Kina (1935)
No full textDenna uppsats undersöker ett typsnitt för romerska bokstäver avsett att associeras till ”Kina” som en exotisk och lockande miljö, utifrån svensk visuell kulturhistoria. Typsnittet undersöks genom analyser av svenska filmaffischer av Eric Rohman (1891-1949) ur Charlie Chan-serien mellan 1934-1940, med fokus på filmaffischen Charlie Chan i Kina (1935). Genom bildanalyser och diskussioner utifrån de teoretiska ingångarna postkoloniala studier, kritiska vithetsstudier och visuella kulturstudier kommer undersökningen fram till att typsnittet, genom att efterhärma kinesisk kalligrafi, associerar filmaffischens text och då affischen i sin helhet till ”Kina” som en exotisk, traditionell och främmande miljö. Jag har även undersökt hur ”Kina” och ”kinesen” har konstruerats i svensk visuell kulturhistoria, och hur typsnitt som det i filmaffischen Charlie Chan i Kina kan förstås utifrån den. En slutsats är att typsnittet agerar ut en lagom ”kinesiskhet”, på så sätt att det är ”kinesiskt” och associerar till ett föreställt ”Kina”, samtidigt som det fortfarande är tillgängligt och läsbart för en vit svensk publik.This essay examines a typeface used for Roman letters meant to connote ”China” as an exotic and foreign place, within Swedish visual culture history. I examine this typeface using Swedish film posters by Eric Rohman (1891-1949) from the Charlie Chan-series from the years 1934-1940, focusing on the poster Charlie Chan i Kina (1935). The purpose is to examine constructions of ”the Chinese” and ”China” in these posters, and how this specific typeface has been used in these depictions as well as been constructed in relation to these ideas. Through a semiotic model for image analysis and the appliance of postcolonial studies, critical race theory and visual culture studies, I arrive at several conclusions. By imitating Chinese calligraphic visual elements, the typeface in Charlie Chan i Kina has the ability to connote ”China” as an exotic, traditional and foreign place, for a white Swedish audience. The analysis discusses the semiotic functions of the typeface in relation to contexts of the film poster, Swedish visual culture history and discourses concerning race in Sweden
Constructions of ”China” through typography : An analysis on exotypes and the film poster Charlie Chan i Kina (1935)
No full textDenna uppsats undersöker ett typsnitt för romerska bokstäver avsett att associeras till ”Kina” som en exotisk och lockande miljö, utifrån svensk visuell kulturhistoria. Typsnittet undersöks genom analyser av svenska filmaffischer av Eric Rohman (1891-1949) ur Charlie Chan-serien mellan 1934-1940, med fokus på filmaffischen Charlie Chan i Kina (1935). Genom bildanalyser och diskussioner utifrån de teoretiska ingångarna postkoloniala studier, kritiska vithetsstudier och visuella kulturstudier kommer undersökningen fram till att typsnittet, genom att efterhärma kinesisk kalligrafi, associerar filmaffischens text och då affischen i sin helhet till ”Kina” som en exotisk, traditionell och främmande miljö. Jag har även undersökt hur ”Kina” och ”kinesen” har konstruerats i svensk visuell kulturhistoria, och hur typsnitt som det i filmaffischen Charlie Chan i Kina kan förstås utifrån den. En slutsats är att typsnittet agerar ut en lagom ”kinesiskhet”, på så sätt att det är ”kinesiskt” och associerar till ett föreställt ”Kina”, samtidigt som det fortfarande är tillgängligt och läsbart för en vit svensk publik.This essay examines a typeface used for Roman letters meant to connote ”China” as an exotic and foreign place, within Swedish visual culture history. I examine this typeface using Swedish film posters by Eric Rohman (1891-1949) from the Charlie Chan-series from the years 1934-1940, focusing on the poster Charlie Chan i Kina (1935). The purpose is to examine constructions of ”the Chinese” and ”China” in these posters, and how this specific typeface has been used in these depictions as well as been constructed in relation to these ideas. Through a semiotic model for image analysis and the appliance of postcolonial studies, critical race theory and visual culture studies, I arrive at several conclusions. By imitating Chinese calligraphic visual elements, the typeface in Charlie Chan i Kina has the ability to connote ”China” as an exotic, traditional and foreign place, for a white Swedish audience. The analysis discusses the semiotic functions of the typeface in relation to contexts of the film poster, Swedish visual culture history and discourses concerning race in Sweden
Actor Sidney Toler, who played Charlie Chan in many movies, spent many summers i
No full textActor Sidney Toler, who played Charlie Chan in many movies, spent many summers in Cape Elizabeth. Mrs. Paul Howell, who now owns his former house along with her husband, knows little about Toler. Article includes a brief biography
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