37,664 research outputs found

    Chan, Kai

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    Kai Chan : In Search of Paradise

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    Quinton weaves quotes from conversations with the artist into her perceptions of his work, which lie somewhere between the tangible and the ineffable. For her, Chan’s use of materials, toothpicks clustered along thread nailed to the wall, creates an unstable plane that renders the familiar inexpressible and reinvents common practices and tasks, like collecting or weaving. Carpenter, like Quinton, finds Chan’s work to be deceptively simple. In his notes, Chan avers to the transformation of the energy of daily life into creativity, based on a notion of paradise that is uncertain but necessary. Biographical notes. 12 bibl. ref

    Hu lian wang luo shang de beng ta xing wei

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    Cheung, Wing Kai = 互連網絡上的崩塌行為 / 張永佳.Thesis M.Phil. Chinese University of Hong Kong 2015.Includes bibliographical references (leaves 96-99).Abstracts also in Chinese.Title from PDF title page (viewed on 14, September, 2016).Cheung, Wing Kai = Hu lian wang luo shang de beng ta xing wei / Zhang Yongjia

    Dialogue with the Giants of Microsurgery: Professor Fu-Chan Wei and Professor Joon Pio Hong

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    The International Microsurgery Club (IMC) was created by Dr. Tommy Chang (Taiwan), with the webinar series filling the coronavirus disease 2019 (COVID-19)-induced knowledge gap and providing a platform for microsurgery masters to share knowledge.1 As of April 2023, IMC had more than 19,200 members worldwide.2 An IMC poll identified Professors Fu-Chan Wei and Joon-Pio Hong as the most influential teachers in microsurgery. This article summarizes the lessons from the “Dialogue with the Most Influential Teachers in Microsurgery” webinar on April 9, 2023, divided into technical, nontechnical, and life lesson sections

    [Da po nie pan jing 大 般 涅 槃 經 trad. de Dan wu chan 曇 無 懺].

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    Da po nie pan jing 大 般 涅 盤 經. Tan wu chan 曇 無 懺Numérisation effectuée à partir d'un document original.[J. 5, 4 (2),] déb. et fin manquent. T . 374, vol. 12, p. 393 a 26. 11-c 10. 12. Écr. kai call. du style des Wei du Nord. Encre foncée. 43 col. mutilées au déb. et à la fin, 17 car. par col. Marges tracées, sup. 3,9 cm, inf. 4,5 cm. Réglures 1,5 cm

    Kai Tai Chan : a different path

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    Analyses the work of choreographer and director Kai Tai Chan whose different pathway through dance and theatre opens up discourses about the nature of non-ballet concert dance in Australia. Orthodox paradigms of training and performance making are interrogated and a greater understanding of the relative nature of those practices is established by analysing the competing ideologies, philosophical frameworks and aesthetic understandings of these practitioners
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