3,711 research outputs found
De la recherche clinique en psychopathologie. Quelques considérations autour d'un protocole de recherche
No full textCastro Dana. De la recherche clinique en psychopathologie. Quelques considérations autour d'un protocole de recherche. In: Bulletin de psychologie, tome 49 n°423, 1996. pp. 311-317
Quadrella Dana 1851
No full textGenus Quadrella Dana, 1851 Quadrella Dana, 1851: 128 (type species Quadrella coronata Dana, 1852, by monotypy; gender feminine)Published as part of PETER CASTRO, PETER K. L. NG & SHANE T. AHYONG, 2004, Phylogeny and systematics of the Trapeziidae Miers, 1886 (Crustacea: Brachyura), with the description of a new family, pp. 1-70 in Zootaxa 643 on page 55, DOI: 10.5281/zenodo.15885
Pisinae Dana 1851
No full textSubfamily Pisinae Dana, 1851 Genus Hyastenus White, 1847Published as part of Castro, Peter, 2011, Catalog of the anomuran and brachyuran crabs (Crustacea: Decapoda: Anomura, Brachyura) of the Hawaiian Islands 2947, pp. 1-154 in Zootaxa 2947 (1) on page 50, DOI: 10.11646/zootaxa.2947.1.1, http://zenodo.org/record/528304
Nucia speciosa Dana 1852
No full textNucia speciosa Dana, 1852 Nucia speciosa Dana, 1852b: 397, 1577, pl. 25, fig. 5 [type locality: “ Sandwich Is.; ” type material presumed lost]. Additional Hawaiian Is. records: Nucia speciosa Dana, 1852 — Rathbun 1906: 889 [Moloka‘i, Laysan, H.I.]. — Edmondson 1923a: 24 [O‘ahu]; 1925: 30 [Johnston Atoll]; 1946: 270, fig. 166 a [H.I.]. — Coles, Reath, Longenecker, Bolick & Eldredge 2004: 139 [Hawai‘i]. — Godwin & Bolick 2006: 38, 48 [Moloka‘i]. — Ng et al. 2008: 97, color photograph [H.I.]. Taxonomy. Dana (1852b) Geographical distribution. Across Indo-West Pacific region. Habitat. Shallow subtidal to bathyal, 41–293 m.Published as part of Castro, Peter, 2011, Catalog of the anomuran and brachyuran crabs (Crustacea: Decapoda: Anomura, Brachyura) of the Hawaiian Islands 2947, pp. 1-154 in Zootaxa 2947 (1) on page 47, DOI: 10.11646/zootaxa.2947.1.1, http://zenodo.org/record/528304
Tetralia Dana 1851
No full textGenus Tetralia Dana, 1851 Tetralia Dana, 1851: 224 (type species Cancer glaberrimus Herbst, 1790, by monotypy; gender feminine)Published as part of PETER CASTRO, PETER K. L. NG & SHANE T. AHYONG, 2004, Phylogeny and systematics of the Trapeziidae Miers, 1886 (Crustacea: Brachyura), with the description of a new family, pp. 1-70 in Zootaxa 643 on page 24, DOI: 10.5281/zenodo.15885
Tetralia Dana 1851
No full textGenus Tetralia Dana, 1851 Tetralia Dana, 1851: 224 (type species Cancer glaberrimus Herbst, 1790, by monotypy; gender feminine)Published as part of PETER CASTRO, PETER K. L. NG & SHANE T. AHYONG, 2004, Phylogeny and systematics of the Trapeziidae Miers, 1886 (Crustacea: Brachyura), with the description of a new family, pp. 1-70 in Zootaxa 643 on page 24, DOI: 10.5281/zenodo.15885
Lahaina ovata Dana 1851
No full textLahaina ovata Dana, 1851 Lahaina ovata Dana, 1851a: 269 [type locality: Maui; type material presumed lost]. Additional Hawaiian Is. records: Lahaina ovata Dana, 1851 — Dana 1852b: 93, 1577, pl. 2, fig. 1 [Maui]. Halimus tenuicornis (Pocock, 1890) — Rathbun 1906: 881 [Kaua‘i, Moloka‘i, Au‘au Channel, French Frigate Shoals, Laysan, “Modu Manu” (=Moku Manu, or Nihoa)]. Halimus ovatus (Dana, 1851) — Rathbun 1906: 881 [Dana’s record]. Hyastenus tenuicornis Pocock, 1890 — Edmondson 1951: 209, fig. 14 [O‘ahu]. — Coles, DeFelice & Eldredge 2002a: 272, 334 [O‘ahu]; 2002b: 143 [O‘ahu]. — Coles, Reath, Longenecker, Bolick & Eldredge 2004: 139 [Kaua‘i, Moloka‘i, Maui, Hawai‘i]. — Coles et al. 2009: 73, 78 [O‘ahu]. Hyastenus ovatus (Dana, 1851) — Griffin 1974: 15 [H.I.]. Lahaina ovata Dana, 1851 — Griffin & Tranter 1986: 163 [O‘ahu, “ Hawaii ”]. Taxonomy. Griffin & Tranter (1986) Geographical distribution. Across Indo-West Pacific region. Habitat. Subtidal, 18–161 m.Published as part of Castro, Peter, 2011, Catalog of the anomuran and brachyuran crabs (Crustacea: Decapoda: Anomura, Brachyura) of the Hawaiian Islands 2947, pp. 1-154 in Zootaxa 2947 (1) on page 50, DOI: 10.11646/zootaxa.2947.1.1, http://zenodo.org/record/528304
Albunea speciosa Dana 1852
No full textAlbunea speciosa Dana, 1852 Albunaea [sic] speciosa Dana, 1852b: 405, pl. 25, fig. 6 [type locality: “ Sandwich Is.;” neotype: USNM 260868]. Additional Hawaiian Is. records: Albunaea speciosa Dana, 1852 — Edmondson 1946: 266 [H.I.]. — Serène 1973b: 262, pl. 2 [O‘ahu]. — Boyko 1999: 147, figs. 3, 4 [O‘ahu, H.I.]; 2002: 230, figs. 75, 76 [O‘ahu, H.I.]; 2010: 52, [O‘ahu]. Taxonomy. Boyko (1999, 2002) Geographical distribution. Across Indo-West Pacific region. Habitat. Buries in sand; shallow subtidal, 3–34 m.Published as part of Castro, Peter, 2011, Catalog of the anomuran and brachyuran crabs (Crustacea: Decapoda: Anomura, Brachyura) of the Hawaiian Islands 2947, pp. 1-154 in Zootaxa 2947 (1) on page 18, DOI: 10.11646/zootaxa.2947.1.1, http://zenodo.org/record/528304
Interview with Dana Sachs
No full textDana Sachs, graduate of UNCW's MFA program and part-time faculty member of the university's English department, is the author of the memoir The House on Dream Street and the novel If You Lived Here. In this interview, she discusses topics such as her connection to Vietnam and its culture, her experience in the MFA program, and her process of writing and research
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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