8,844 research outputs found
Oral History Interview - Barbara Carson
No full textBarbara Carson began teaching at Rollins in 1973, where over the course of twenty-eight years, she distinguished herself as one of the faculty’s pre-eminent professors and valuable contributors to the community.
A native to Florida, Carson received her primary education in Cocoa, Florida. She studied at Brevard Junior College for a year and then at Florida State University, where she earned her Bachelor of Arts degree in 1964. Four years later, Carson graduated from John Hopkins University with a Ph.D. in English. After teaching for two years and completing a fellowship from the National Endowment for the Humanities, Carson accepted a teaching position at University of Massachusetts Amherst and then at Valencia Community College before joining the Rollins faculty in 1973.
While at Rollins, Carson taught courses in freshman composition, as well as in British and American Literature. She also served as chair of the English department, participated in the GLCA and ACS teaching workshops, and took an active role in the development of the Academic Honor Code. For her outstanding contributions to the college, she was selected twice for the Hugh F. McKean Award, named Author Davis Fellow by her peers, received the Hamilton Holt School’s Distinguished Teacher Award, and in 1994, named to the Theodore Bruce and Barbara Lawrence Alfond Chair of English.
Carson retired from the College in 2007, but as one student stated, “Like the giant oak tables in Orlando Hall, will be a permanent fixture at Rollins.
Translations of the Self: A.E. Housman and Anne Carson, Between Scholarship and Creativity
No full textIn my PhD thesis I have explored some aspects of the interface between classical scholarship and creativity, through the work and careers of two scholar-poets, Anne Carson (1950 - ) and A.E. Housman (1859-1936). I have shown how, within their social and cultural contexts, they attempted to craft their careers by using both genres of their work to help them construct carefully-crafted public profiles, and how these self-translations within their careers relate to received versions of their work by different readerships. By connecting explorations of their social and cultural contexts with their biographies and with close readings of their scholarly and creative work, I explore the shifting relationship between creative and scholarly ‘cultural fields’, as well as the recent social, cultural, and institutional changes which have turned these fields from ‘homogeneous poles’ to ‘heterogeneous poles’ (to use Pierre Bourdieu’s terms). I examine the surprising similarities in the unusual personalities of Carson and Housman, who both have, or had, a tendency to use their reputations for independence and reclusiveness to help them navigate around important issues and conflicts which could have threatened their success. I show how they have constructed versions of themselves, both within and beyond their writings, which have enabled them to make grand assertions of the self in the teeth of social and cultural necessities
Barbara James
No full textDate:1943Barbara was born in Holdredge, Nebraska in the United States of America in 1943. In 1960 she arrived in Darwin working in a variety of occupations such as a journalist, historian, author, activist, advocate and editor. Barbara wrote 13 books including "No Man's Land" which explored the contributions of women in the Northern Territory. She also received a number of awards including 2001 NT Heritage Award, the 2000 NT Literary Essay Awards and the Chief Minister's Women's Achievement Award in 1999.JournalistHistorianAuthorActivistEditorAmerica
Oral history interview with Barbara Miller Byrd
No full textThird-generation circus owner Barbara Miller Byrd talked about her parents, D.R. and Isla Miller, and the history of the Carson & Barnes Circus, and the future of traveling tent shows. Barbara performed various acts and worked multiple jobs on the circus from selling tickets to riding elephants to managing the budget. She described her current role as owner and manager and discussed the Endangered Ark Foundation committed to the care and breeding of Asian elephants.The "Big Top" Show Goes On: An Oral History of Occupations Inside and Outside the Canvas Circus Tent aims to preserve the voices and experiences of those involved with the work culture associated with Hugo, Oklahoma’s tent circus tradition
Barbara Ras - Sowell Conference 2017
No full textBarbara Ras, San Antonio, Poet, author of "Bite Every Sorrow" and "The Last Skin
Exclusive interview with author Barbara Kingsolver
No full textExclusive interview with author Barbara Kingsolver for her 2018 novel *Unsheltered
Dataset for publication: Post‐war architecture and urban planning as means of reinventing Opole’s past and identity
No full textThe collection includes files related to the publication: Barbara Szczepańska, Post‐War Architecture and Urban Planning as Means of Reinventing Opole’s Past and Identity, „Urban Planning”, Vol 8, No 1 (2023): Bombed Cities: Legacies of Post-War Planning on the Contemporary Urban and Social Fabric, pp. 266-278, https://doi.org/10.17645/up.v8i1.6079. The collection includes figures used in the publication:Opole_plan A plan of Opole, with areas of Ostrówek (left), Market Square (center) and Central Square (right) highlighted in red. Originally published in: "Guidebook to the city of Opole" ("Przewodnik po mieście Opolu", Opole: Księgarnia Opolska, 1948, https://polona.pl/preview/2f383a4a-5e9e-444d-9e94-366b8ac8610d). Author: Z. Streer. Licence: CC0Opole_Monument to the Opole Silesian Fighters for Freedom A photograph depicting Monument to the Opole Silesian Fighters for Freedom (Pomnik Bojownikom o Wolność Śląska Opolskiego) in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_monument of Kazimierz I Opolczyk A photograph depicting the monument of Kazimierz I Opolczyk in the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage A photograph depicting eastern frontage of the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage_before 1945 A photograph depicting eastern frontage of the Market Square in Opole before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Market_Square_in_Opole,_eastern_frontage.jpg. Author: unknown. Licence: CC0Opole_monument of Frederick the Great A photograph depicting monument of Frederick the Great in Opole, before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Opole_Oppeln_Denkmal_Friedrich_der_Große.jpg. Author: unknown. Licence: CC0</ul
'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett
No full textIn 1927, 13-year-old Barbara Newhall Follett published her first book, the critically acclaimed novel, The House Without Windows and Eepersip's Life There.
Twelve years later, on December 7, 1939, 25-year-old Barbara quarrelled with her husband and left her apartment in Boston with $30 in her pocket, and a notebook. She was never seen again.
The House Without Windows is set in a paracosm (Farksolia) she invented, and ends with the metamorphosis of the titular character into a 'fairy-a wood nymph … invisible for ever to all mortals, save those few who have minds to believe, eyes to see'.
In Barbara's (auto)biography, The Unconscious Autobiography of a Child Genius (1966), written by Harold Grier McCurdy 'in collaboration with Helen Follett' (Barbara's mother), the authors wonder: 'Can we be far wrong in substituting Barbara's name for Eepersip's in the closing scenes of [House Without Windows]?
In this paper, I grapple with the formal and ethical challenges of writing about Barbara Newhall Follett, and the ways her family and others have approached the problem of writing her unresolved life story: a child raised and educated in solitude, a celebrated 'natural' child author, a young woman whose disappearance remains unsolved. The paper will explore the ways in which adults write the stories of children's lives, as nostalgia and fable, as fairytale and paracosmic narrative, and the ways in which Barbara's biographers have, consciously and unconsciously, created biographical concordances, or paracosms of the self, in seeking to make meaning of her life's story
Barbara Ehrenreich: Blood Rites: A New Evolutionary Perspective on Violence
No full textBarbara Ehrenreich, author, social critic and political essayist, discusses the emotional and social aspects of warfare and violence.
Barbara Ehrenreich is an American author and political activist who describes herself as a myth buster by trade” and has been called a veteran muckraker by The New Yorker.During the 1980s and early 1990s she was a prominent figure in the Democratic Socialists of America. She is a widely read and award-winning columnist and essayist, and author of 21 books. Ehrenreich is perhaps best known for her 2001 book Nickel and Dimed: On (Not) Getting By in America
Barbara Dicker Oration 2018 - The phenomenon of hallucinations
No full textThe 2018 Barbara Dicker Oration was presented by Professor Iris Sommer on 13 September 2018. Professor Sommer is a best-selling author and Professor of Cognitive Aspects of Neurological and Psychiatric Disorder at the Department of Neuroscience at the University Medical Center Groningen, Netherlands. Entitled The phenomenon of hallucinations, Professor Sommer offered a holistic view into the research and experiences of hallucinations. It’s actually more common than you might think but what happens in our brains when we hallucinate? And what does this mean for new treatments and interventions
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