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    IL EST NE LE DIVIN ENFANT

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    Titre uniforme : [Stille Nacht, heilige nacht]. En françaisComprend : IL EST NE LE DIVIN ENFANT / Les Petits Chanteurs de Saint-Fiacre dir. Abbé E. CARON - ENTRE LE BOEUF ET L'ANE GRIS / la Maïtrise de la R.T.F. dir. Jacques JOUINEAU - NOEL DE REQUISTA / la Chorale Aveyronnaise dir. Théo REYNES - OH ! QUE DE GENS / l'Ensemble Vocal et Instrumental Jean-Paul KREDER - LES ANGES DANS NOS CAMPAGNES / la Maïtrise de la R.T.F. dir. Jacques JOUINEAU - DOUCE NUIT / F. GRUBER ; l'Ensemble Vocal et Instrumental Jean-Paul KREDER - MON BEAU SAPIN / la Maïtrise de la R.T.F. dir. Jacques JOUINEAU - LA NOEL PASSEE / l'Ensemble Vocal et Instrumental Jean-Paul KREDER - NOEL DE BOHEME / harmonis. de M.L. FLOT ; la Chorale "Joie et Chant" dir. Bernard BARON - FAISONS REJOUISSANCE / harmon. de R. PASSAQUET ; la Chorale Fédérale du Scoutisme français dir. R. PASSAQUET - VENEZ, MES ENFANTS / Harm. de C. GEOFFRAY ; l'Ensemble vocal "Contrepoint" dir. J.G. GAUSSENS - PATRES, PASTOURES / Harmon. de M.L. FLOT ; la Chorale "Joie et Chant" dir. Bernard BARON - NOUVELLES, NOUVELLES / Harm. de J. CHAILLEY ; la Chorale Saint-Maurice d'Annecy dir. Abbé MORAND - PROMPTEMENT LEVEZ-VOUS, MON VOISIN... / Harm. de C. GEOFFRAY ; la Chorale Fédérale du Scoutisme français dir. R. PASSAQUET - NOEL DE PROVENCE / Harm. de M.L. FLOT ; la Chorale "Joie et Chant" dir. Bernard BARON - JEANNETON DU VIEUX TESTAMENT / MARESCOTTI ; la Société Chorale Mixte d'Annecy dir. Paul DELZANTBnF-Partenariats, Collection sonore - BelieveContient une table des matière

    The aesthetics of Pierre Boulez

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    To enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
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