117,890 research outputs found
María Luisa Carnelli: La primera letrista de tango-canción
No full textEste artículo recupera una de las más originales facetas de la producción de la olvidada poeta, escritora y periodista María Luisa Carnelli (1898-1987): sus letras de tango, escritas con seudónimos masculinos. Se analizan en particular sus tangos más tempranos y difundidos. Entre otros, se abordan "Cuando llora la milonga" (1927), "Primer agua" (1928) y "Pa´l cambalache" (1928), cantados por Carlos Gardel, y "Se va la vida" (1929), interpretado y popularizado por Azucena Maizani. El objetivo es revalorizar el trabajo de Carnelli en la etapa de la primera renovación poética de las letras de tango -que acompañó la transición de la llamada Guardia Vieja a la llamada Guardia Nueva- e investigar y establecer su singularidad como letrista. Para ello, estos análisis establecen relaciones intertextuales entre las letras de Carnelli y las letras de algunos famosos tangos de la primera época del tango-canción, siguiendo la hipótesis de que la autora reelabora algunos de más prominentes tópicos tangueros: el compadrito, el duelo criollo, el amuro y la milonguita. Para contextualizar su trayectoria, adoptamos una perspectiva de género.This article recovers one of the most original facets of the creative work by the forgotten poet, writer and journalist María Luisa Carnelli (1898-1987): her tango lyrics, written with male pseudonyms. In particular, we analize her earliest and most popular tangos: “Cuando llora la milonga” (1927), “Primer agua” (1928) and “Pa'l cambalache” (1928), sung by Carlos Gardel, and “Se va la vida” (1929), performed and popularized by Azucena Maizani, among others. The objective is to study Carnelli's work during the first aesthetical renewal of tango -in the context of the transition from the so-called “Guardia Vieja” to the so-called “Guardia Nueva”- and research and establish her peculiarity as a lyricist. In order to undertake this objective, we propose to analyze intertextual relationships between Carnelli´s lyrics and other lyrics from the first period of the tango-song. We follow the hypothesis that Carnelli rewrites some of the most prominent tango topics: the “compadrito”, the “duelo criollo”, the “amuro” and the “milonguita”. In order to contextualize her work, we adopt a gender perspective.Fil: Abbate, Florencia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Comparison between vegetation data and different soil pollution conditions. Preliminary data on the Arno water spreading area (Po Valley)
No full textSynovial cyst in juvenile idiopathic arthritis
No full textSmall synovial cysts are a common manifestation of juvenile idiopathic arthritis; large brachial cysts, however, are a rare sign of the disease and they must be differentiated from other soft tissue swelling which are not related to articular involvement. We describe the case of three children with juvenile idiopathic arthritis who came to our attention with large synovial cysts. Ultrasonographic examination and MRI were performed in all cases, showing the real nature of the swelling and the connection to the joint. In all cases, swelling reduced and then disappeared with control of disease activity; in two cases, they reappeared in coincidence with a severe relapse of juvenile idiopathic arthritis.
Brachial swellings represent a diagnostic challenge because they can be the clinical expression of a variety of diseases. In children with juvenile idiopathic arthritis who present with a sudden swelling of the upper arm, synovial cysts must be considered in the diagnostic workout, because they are a possible rare manifestation of juvenile idiopathic arthritis
Lupus eritematoso in malattia di Wilson trattata con penicillamina : farmaco-indotto o idiopatico?
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High prevalence of HGV/GBV-C infection in polytransfused patients with thalassemia major
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