2,447 research outputs found
Port Darwin, Northern Territory [picture] /
No full textEngraving by Armytage after painting by Carr. Note on accession record: "Hand-coloured engraving from Carlton Booth, 1874". Shows tents of settlement founded 1869.; Plate in vol. 8 of: Australia / by Edwin Carton Booth.; U307 NK2458/109; S1416.; Exhibited: Street where you live NLA 1992, Albury 1992, Sydney 1993
The Mystery of Edwin Drood (2005) | Set Sketch 003
No full textPerformed: 17-20, 24-27 February 2005; Rupert Holms\u27 The Mystery of Edwin Drood was based on an unfinished Charles Dickens novel and set in 19th century London, England opera house. The play was directed by Wayne Claeren, orchestra was conducted by Jeremy Stovall, vocal coaching by Teresa Stricklin, set design by Carlton Ward, costume design by Freddy Clements, lighting design by Wil Robinson, choreography by Laura Danette, David Keefer was technical director, Jan Rhodes and Steven DiBlasi were accompanists, and stage manager was Lindsay Jacks. Shown are set designs in pencil. This item is contained within the Clements drama production materials.https://digitalcommons.jsu.edu/clements_costumes/1312/thumbnail.jp
The Mystery of Edwin Drood (2005) | Set Sketch 002
No full textPerformed: 17-20, 24-27 February 2005; Rupert Holms\u27 The Mystery of Edwin Drood was based on an unfinished Charles Dickens novel and set in 19th century London, England opera house. The play was directed by Wayne Claeren, orchestra was conducted by Jeremy Stovall, vocal coaching by Teresa Stricklin, set design by Carlton Ward, costume design by Freddy Clements, lighting design by Wil Robinson, choreography by Laura Danette, David Keefer was technical director, Jan Rhodes and Steven DiBlasi were accompanists, and stage manager was Lindsay Jacks. Shown are set designs in pencil. This item is contained within the Clements drama production materials.https://digitalcommons.jsu.edu/clements_costumes/1311/thumbnail.jp
The Mystery of Edwin Drood (2005) | Set Sketch 001
No full textPerformed: 17-20, 24-27 February 2005; Rupert Holms\u27 The Mystery of Edwin Drood was based on an unfinished Charles Dickens novel and set in 19th century London, England opera house. The play was directed by Wayne Claeren, orchestra was conducted by Jeremy Stovall, vocal coaching by Teresa Stricklin, set design by Carlton Ward, costume design by Freddy Clements, lighting design by Wil Robinson, choreography by Laura Danette, David Keefer was technical director, Jan Rhodes and Steven DiBlasi were accompanists, and stage manager was Lindsay Jacks. Shown are set designs in pencil. This item is contained within the Clements drama production materials.https://digitalcommons.jsu.edu/clements_costumes/1310/thumbnail.jp
Sagola fairburni Park and Carlton, new species
No full textSagola fairburni Park and Carlton, new species (Figs. 11k, 12k, 14) Type Material. Holotype. NEW ZEALAND: Northland: 1♂ (NZAC), aedeagus dissected and mounted in balsam on a clear plastic card, “Tangihua Range N. Auckland. 1800’-2000’”. “ Coll. E.Fairburn 27.10.1926 ”, “ A.E. Brookes Collection”, “ N.Z. Arthropod Collection, NZAC Private Bag 92170 AUCKLAND New Zealand”, “ HOLOTYPE Sagola fairburni Park and Carlton 2013 ”. Paratype (1 female). NEW ZEALAND: Northland: 1♀ (NZAC), same data as holotype. Etymology. This species is named for the collector of the holotype, Edwin Fairburn. Diagnosis. This species is similar in appearance to other members of this species-group but can be distinguished by the shape of the antennae and genitalia. Description. Length 2.7 mm. Body brown, antennae, elytra, maxillary palpi, and legs yellowish brown (Fig. 11k). Head: As long as wide, widest across eyes (Fig. 11k). Antennomere 1 approximately 2 times longer than wide, 2–3 subquadrate, 4–6 longer than wide, 7–10 subquadrate. Frontal sulcus deep and reaching hind point of eye from frontal rostral lobes. Anterior frontal fovea an inverted triangle. Posterior frontal fovea elongate. Eye prominent, one-half length of temple. Thorax: Prosternum as long as wide, widest at midpoint. Elytra approximately triangular (Fig. 11k). Meso-and metathorax trapezoidal, longer than wide. Abdomen: Male tergite IV without microtrichial patch. Aedeagus: Median lobe longer than parameres with semicircular depression (Fig. 12k). Phallobase of median lobe asymmetrical and triangular (Fig. 12k). Parameres asymmetrical, left paramere blunt and right triangular (Fig. 12k). Distribution. Northland (Fig. 14: white circle). Habitat. Unknown.Published as part of Park, J. - S. & Carlton, C. E., 2014, A revision of the New Zealand species of the genus Sagola Sharp (Coleoptera: Staphylinidae: Pselaphinae: Faronitae), pp. 1-156 in The Coleopterists Bulletin (mo 13) (mo 13) 68 on page 31, DOI: 10.1649/072.068.0mo4.1, http://zenodo.org/record/490773
Edwin Gaustad oral history interview.
No full textOral history interview with Edwin Gaustad conducted by David Marshall, originally recorded May 1, 2007, in Santa Fe, New Mexico. Accompanied by one finding aid.Dr. Gaustad, a retired history professor and renowned author of American religion, talks about his life, family, education, publications and interests
Lavender Bridges first year anniversary
No full textAn image of the ceremony and celebration for Lavender Bridges first year anniversary is from the December 4, 1986 issue of the Western Carolinian. Lavender Bridges, an anonymously founded student organization open to all individuals, aimed to promote awareness of lesbian and gay lifestyle, provide lesbian and gay resources, and increase communication with all students and community members. The first organizational meeting took place October 10, 1985 and was officially recognized by the office of Student Development on December 13, 1985. The last mention of the group appeared in the October 10, 1991 issue of the Western Carolinian.;V'
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Edwin Carlton Photo
A ceremony and celebration for Lavender Bridges - coming out
gay and proud on their ^irst anniversary
[Note by an unknown author, addressed to General Edwin Walker]
No full textPhotocopy of a partially illegible note by an unknown author, from an envelope addressed to General Edwin Walker
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