260 research outputs found
Some Considerations on the Planning and Use of Colour in the Architecture of Parthian Nisa
Lippolis Carlo. Some Considerations on the Planning and Use of Colour in the Architecture of Parthian Nisa. In: Topoi, volume 17/1, 2011. pp. 209-228
La sala rotonda et lʼedificio rosso. Bilancio e prospettive delle attivita della missione italiana a Nisa Vecchia (1990-2005)
Lippolis Carlo. La sala rotonda et lʼedificio rosso. Bilancio e prospettive delle attivita della missione italiana a Nisa Vecchia (1990-2005). In: Topoi, volume 14/1, 2006. pp. 179-206
Antonio Invernizzi, Carlo Lippolis (eds.). Nisa Partica. Ricerche nel complesso monumentale arsacide 1990-2006
Ce gros volume constitue la publication des fouilles menées à Vieille Nisa depuis 1990 par le Centro Ricerche Archeologiche e Scavi di Torino per il Medio Oriente e l’Asia, sous la direction de A. Invernizzi et C. Lippolis en collaboration avec l’Institut d’Archéologie de l’Académie des Sciences de l’URSS puis avec le Département National de Protection et Conservation des Monuments Historiques et Culturels du Turkménistan. Vieille Nisa fut l’une des résidences royales des premiers Parthes et ..
Carlo Lippolis. “Old Nisa. Excavations in the south-western Area. Second preliminary report (2008-2012”
Lippolis’ contribution is the first entirely dedicated to the new area the Italian archaeological mission at Nisa has begun to investigate in the last years: the south-western sector of the Old City. There the excavations brought to light a series of structure belonging to two different buildings. A large quadrangular building (Western Building) presents one or two rows of rooms built around a central court. In the structure food and goods were stored (oil, wine, flour) and productive activit..
Preliminary note on the 2019 archaeological campaign of the Italian-Turkmen archaeological expedition to Old Nisa (Turkmenistan)
In the framework of the Agreement signed between the Ministry of Culture of Turkmenistan and the Centro Ricerche Archeologiche e Scavi di Torino (crast), the work on the feld of the joint Italian-Turkmen Archaeological Expedition to Nisa was resumed in September 2019. Four areas were investigated: two soundings were opened near the southern corner of the site (Area K), excavation works were resumed in pit US667 (south-western corner of the site), a small trench was excavated between the Red Building and the South-Western Complex (Area L) and a trench previously dug by the JuTAKE (season 1956) in the northern corner of the site was expanded with a new sounding
Rapid digital documentation of endangered archaeological contexts: a case-study from Seleucia on the Tigris (central Iraq)
This paper presents the results of a study investigating the efcacy of data acquisition protocols for the digital documentation of endangered archaeological contexts. The objective is to assess the viability of data acquisition procedures using diferent types of instruments and equipment. The study has focused on three key areas: operational time, costs and assessment of the collected data. The case study is an underground vaulted tomb that was fortuitously found during military operations at Seleucia on the Tigris (central Iraq)
Le immagini di culto
The Author proposes a synthesis on the Pompeian cult statues, examining findings and iconography to try to reconstruct the chronological sequence of the dedications. The result is a profile of the different phases in which the apparatus of local simulacra is developed; several materials and various construction tecniques mark consecutive phases and ever-changing patterns of models and needs of the community. Even through the cult statues, in this way, it's possible to outline the transformation of the Pompeian town, his inclusion in the Mediterranean network, his cultural orientations and the sources of local figurative tradition. In this reesarch, the attention given to each individual context and to the overall documentation is compared to the observations already made in the bibliography on the style and dating of the sacred images considered. This survey allows to recover the historical and functional dimension of the simulacra of Pompeii as elements of a specific rapresentative system. It is a cognitive path to continue also to investigate and compare the situations of other Italic contemporary communities, less thoroughly known
« Le bachlik d’Arsace Ier ou la représentation du nomade-roi ». Bulletin of Parthian and Mixed Oriental Studies, 1, 2005, pp. 9-30.
The bachlik worn by Arsaces I on the first Parthian coinage is a symbol of the origins and cultural identity of the new Parthian kings; it is a mean of ethnic identification and at the same time of propaganda now elevated to the rank of a royal attribute (it is displayed, in fact, side by side with the diadem). From the founder of the dynasty Arsaces I until Mithridates I (when – according to the author –an “autre phase de idéologie arsacide” began) this paper analyzes the changes in the icon..
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