125 research outputs found
El diario de Augusto Monterroso: La letra E
No full textIn El diario de Augusto Monterroso: La letra E (in Assunta Polizzi, Parole discorsi testi nelle culture ispaniche, a cura di, Palermo, Flaccovio, 2007, pp.21-36) the author reflects on the genre of the journal within the framework of the ‘modern’, halfway between the existential testimony and an exercise in writing; fiction and confession.
The paper examines the journal of Augusto Monterroso, La letra E, a text focusing on the image of a writer continually searching for adequate forms of expression and his doubts on the very act of writing. La letra E thus ends up being a further testimony to the commitment of the writer to the written word and –at the same time- to his clear intention to pinpoint the modalities of the literary journal as genre, and consequently one of the forms, whether sophisticated or not, of lie, fiction and masking
IL DIRITTO DEL LAVORO NELLE IMPRESE SOCIALMENTE RESPONSABILI
No full textThe author starts from CSR definition as it is set by the Green Paper of the European Commission, where great importance is given to labour issures, in order to examine how it affects labour law and if, how and how much labour relationships may change in companiers voluntarily involvede in it. The expert in labour law is conscious of the importance of the change takin place, especially when the tespect of rules is connected to social and environmental sustainability targets, but he/she is also conscious of the risk of bargaining a lowe workers' protection
"Vuoti" e "pieni": la retribuzione e la parità di trattamento nell'ordinamento dell'Unione europea
No full textThe Author envisages the topic of pay from an Eu perspective by verifying how the exclusion of competence, which is still stated by the Treaties, combines with the principle of equal pay for women and men, which was already enshrined in the Treaty of Rome. The analyseis leads to interesting considerations. Firsto of all, the issue seems to run the blind track of competence exclusion not only beacause of a choice of non interfering with its determination, except for the equality principle, but also because the issue reaches an European dimension when referring to trans-national phenomena (such as, posting of workers and right to minimum wage). Most of all, this highlights the key role of equal tratment and of the prohibitions of discriminations, which have been progressively extended to a plurality of factors protected by the legal system and to the so called atypical jobs. The analysis of the proposal for a directive on GPG raises the critical aspects that collective bargaining implies. In fact, if pay is the typical subject of collective bargaining and if the systems of classification and professional placement are ones of its closest corollaries, the GPG is its direct outcome. This perspective necessarily implies the topic of the limits to contractual autonomy stemming from fundamental principles. The general rehearsals on this matter can be found in the "contracto on inserimento", as the law itself permits an exemption from the equal treatment principle. The point of arrival, at the moment, is represented by the omnivorous exception of art. 8 of the financial act of September 2011
Galdós, el periodismo y la escritura. Reflexiones a partir del cuento "El artículo de fondo"
No full textGaldós was experiencing in his formation and in his first stage of production the narrative space of the press. The short story “El artículo de fondo” was published in 1871 in Revista de España, in 1879, in three installments in El Océano and reappears in 1889 in a collection of brief narrative texts that accompany his Torquemada en la hoguera. This study tries to focus, on the one hand, the variants introduced by the author, especially in the last edition, in order to evaluate the process of maturation of galdosian writing. On the other hand, taking into account the essentially heterotextual consistency of this short story, it try to put it in relation to the pluritextual narrative texture, which the newspaper macrotexts emblematically reflects.Galdós da a conocer por primera vez el cuento “El artículo de fondo” en 1871 en la publicación periódica Revista de España (XIX, 3, 427-440). Bastante años después, volverá a editarlo en una colección de textos de narrativa breve que acompañan su Torquemada en la hoguera (Madrid, La Guirnalda y Episodios y Episodios Nacionales, 1889), advirtiendo a su amigo Clarín en una carta que las «antiguallas» que presentaba el volumen, sacadas del olvido por voluntad ajena al autor, no merecían la pena de una lectura. Sin embargo, Galdós tuvo que empeñarse en la revisión, por lo menos del texto que aquí nos interesa, si consideramos las variantes introducidas, las elisiones y las ampliaciones que la segunda edición del cuento presenta ya sólo a través de una rápida collatio y a partir del incipit. Siguiendo esta pista, no mencionada en los escasos estudios que la crítica galdosiana ha dedicado a “El artículo de fondo” y que hemos podidos consultar, y enfocando la consistencia esencialmente heterotextual del cuento, se ha ido hilvanando una serie de reflexiones acerca del interés de Galdós por los procesos de construcción del texto, del tejido narrativo pluritextual, conjunto de piezas da variada naturaleza verbal y genérica, que el macrotexto del periódico emblemáticamente refleja. Galdós iba experimentando en su formación y en su primera etapa de producción precisamente el espacio narrativo de la prensa, instalado en lo sustancial de la narración diversificada por registros y dispositivos informativos, entre los cuales los visuales, de la actualidad. De ahí, la hipótesis de este estudio que intenta enfocar, más allá de la incontrovertible parodia del periodista costumbrista o serial que el cuento elige come sujeto, las estrategias de trasvase de la realidad en el texto, una realidad siempre multifacética que necesita la yuxtaposición de piezas verbales y de perspectivas singulares, según los rasgos del discurso periodístico y del periódico como sistema textual complejo
Hades as the ruler of the Damned in the mosaic complex on the west wall of Basilica Santa Maria Assunta in Torcello, Italy
No full textThe aim of this article is to show the figure of the ancient god Hades as an important part of Byzantine symbolic representations of the Last Judgement, using the example of the mosaic from the west wall of Basilica Santa Maria Assunta in Torcello, Italy. The article is divided into three main parts. The first part briefly introduces the mosaic complex from Torcello, providing a description of the place, the Basilica, and the mosaic. In the second part, the author focuses on the fragment of the mosaic presenting the figure of Hades in hell. In an effort to show the iconographical and cultural continuity between ancient and early medieval representations, the author compares this figure to its ancient prototype. The last part of the article portrays the development of the motif of the Last Judgment by looking at other chosen representations. In conclusion, the author proposes a possible meaning of the presence of Hades in the mosaic of Torcello
Growth performance and meat quality of buffalo young bulls: 2: effect of dietary level of maize silage
No full textGrowth performance and meat quality of buffalo
young bulls: 2. Effect of dietary level of maize silage
Felicia Masucci1, Carmela Maria Assunta Barone1, Fabio
Napolitano2, Maria Luisa Varricchio1, Antonio Zullo1, Antonio Di
Francia1
1Dipartimento di Scienze del Suolo, della Pianta, dell’Ambiente e
delle Produzioni Animali Università di Napoli Federico II, Italy
2Dipartimento di Scienze delle Produzioni Animali, Università
della Basilicata, Potenza, Italy
Corresponding author: [email protected]
Aim of this study was to evaluate growth performance and meat
quality of buffalo bulls fed two diets with different maize silage
contents. Compositions (kg/head/d) of low (LS) and high silage
diets (HS) were the following: maize silage 3.0 vs 10.5; alfalfa hay 0 vs 2.0; barley 0.25 vs 0.75; wheat flour middlings 1.0 vs 1.0; wheat straw 3.0 vs 0; commercial concentrate for lactating buffalo cows 0 vs 2.5; commercial concentrate for young buffalo bulls 4.5 vs 0. The diets were approximately isoenergetic [0.92 vs 0.91 Milk FU/kg dry matter (DM)] and isonitrogenous (14.7 vs 14.7 CP% DM).
Fourteen young buffalo bulls (316±70 days of age and 436±67 kglive weight) were assigned into the two dietary groups. Average
daily gain (ADG) was calculated every 2 weeks, along with DM
intake (DMI), calculated on pen basis. On a subgroup of 4 individuals per groups, carcass traits were recorded at slaughter. Meat quality (hardness, cohesion, chewiness, WB shear force) and
meat colour (L*, a*, b*) were evaluated on 7-day aged muscles
(Longissimus dorsi, Semitendinosus, Semimembranosus). DMI
and carcass traits were analyzed by one-way ANOVA. ADG and
meat quality parameters were analyzed by a linear mixed model
for repeated measures. No differences were observed for diet DMI (8.41 vs 8.64 kg DM/day for LS and HS diets, respectively; SE 0.44), as a consequence ADG did not differ between the groups (0.92 vs 0.89 kg/day; SE 0.04). All carcasses had the same carcass conformation (O) and fatness (4) scores. No differences were observed for carcass traits (carcass weight 250 vs 249 kg; SE 8.13; dressing percentages 52.1 vs 50.6%; SE 1.1) and any meat quality parameters.
Therefore, maize silage can be either used as the primary
source of roughage or in combination with other forages without
affecting growth performance and meat quality
“Sense and feeling in man”. Comments on <i>Assunta</i> Norwid in the light of Young Poland’s reception
No full textAssunta jest poematem dygresyjnym, ujawniającym poglądy Norwida na sztukę, filozofię i religię. Zgodnie z założeniami estetycznymi romantyzmu sztuka ma swoje źródła w doświadczeniu wewnętrznym, przeżyciu religijnym, ma charakter metafizyczny. Modernistyczne interpretacje twórczości Norwida, którym został poświęcony artykuł, odsłaniająjejmetafizyczne aspekty. Ustalenie kierunku i znaczenia wpływów staje się niezwykle ważnym zadaniem. Autor Assunty był postrzegany u schyłku wieku dziewiętnastego jako patron modernizmu, jego imię wymieniano wraz z imieniem Baudelaire’a, uwagi o nim pojawiały się w kontekście dyskusji na temat nowoczesnej literatury, teatru, sztuki aktorskiej. Twórczość Norwida wpisywała się w „paradygmat wzrokocentryzmu”, poeta nie stronił od optycznych metafor, stosował poetykę światłocienia, kadrowania przestrzeni, która w poemacie Assunta zyskała wertykalny charakter. Motywy doskonalenia, wzrastania pełniły w utworze istotną rolę. Refleksja nad ich znaczeniem pozwoliła ustalić rangę metapoetyckich uwag zawartych wAssuncie. Przypomniana w epoce modernizmu twórczość Norwida doczekała się wielu interpretacji, także krytycznych, opierających się na „kłopotliwych” przemilczeniach. Zenon Przesmycki sądził, że twórczość ta nie została w pełni zrozumiana, choć podjęto próby wpisania jej w estetykę modernizmu. Uznano jednak, że stanowi ona brakujące ogniwo w rozwoju polskiej poezji symbolistycznej (warto także podkreślić jej związki z „kolorystami” – jak nazywano impresjonistów). W Assuncie nawiązującej do Boskiej Komedii Dantego i Hamleta Szekspira zostaje ukazana kontemplacyjna ścieżka poznania. „Spojrzenie w niebo” jest więc aktem poznawczym, w którym rozum współistnieje z wiarą.Assunta is a digressive poem showing Norwid’s views on art, philosophy and religion. According to the aesthetic assumptions of Romanticism, art has its source in internal experience, religious experience, and is of a metaphysical nature. Modernist interpretations of Norwid’s works, to which the article was devoted, reveal its metaphysical aspects. Determining the direction and significance of influences becomes an extremely important task. The author of Assunta was perceived at the end of the nineteenth century as a patron of modernism, his name was mentioned together with that of Baudelaire, comments about him appeared in the context of discussions on modern literature, theater and the art of acting. Norwid’s work was in line with the „paradigm of sight-centricism”, the poet did not avoid optical metaphors, he used the poetics of chiaroscuro and space framing, which in Assunt’s poem gained a vertical character. The motives of improvement and growth played an important role in the piece. Reflecting on their meaning allowed to establish the rank of the metapoetic remarks contained in Assunta. The works of Norwid, recalled in the era of modernism, have received many interpretations, including critical ones, based on „troublesome” concealments. Zenon Przesmycki believed that this work was not fully understood, although attempts were made to include it in the aesthetics of modernism. However, it was recognized that it was the missing link in the development of Polish symbolist poetry (it is also worth emphasizing its links with „colorists” – as the Impressionists were called). In Assunta, referring to the Divine Comedy by Dante and Shakespeare’s Hamlet, the contemplative path of knowledge is shown. „Looking to heaven” is therefore a cognitive act in which reason coexists with faith
Using moral dilemmas to evaluate adolescents’ moral reasoning: an experience with the structured dilemma
No full textOur research was developed with two different purposes, the first being the theoretical interest in the moral reasoning and judgment processes, and whether the development of these processes can be influenced by social and cultural variables; the second being a methodological issue concerning the possibility of finding a different way of obtaining quantitative measures of individual differences in moral development. We therefore built a 65-item questionnaire based on a moral dilemma with a lower level of abstractness compared to the Kohlberg and Rest dilemmas, and we tested it on a group of 51 adolescents involved in social care activities and on another group of non-social volunteer adolescents. Results show a significative difference in 6 items of the questionnaire concerning different areas.
The goals of this work are twofold: first, attention is given to the study of the development of moral reasoning processes; secondly, we construed a moral dilemma test used on a group of teenagers engaged in social care, compared to a control group.
We assume that the experimental group may reach higher score levels in the areas investigated by the test regarding the moral approach to the presented dilemma, and we also assume that a more concrete dilemma, as the chosen one in our questionnaire, may be more appropriate to test adolescents’ level of moral reasoning.
Following Lawrence Kohlberg’s theory (Kolberg & Lickona. 1976), moral reasoning can be explained in terms of development of moral stages during the life span. Kohlberg developed a peculiar technique to test and evaluate these stages with structured interviews based on moral dilemmas. For the author this methodology was a valid way to take a valuable measure of the moral reasoning level. Kohlberg’s research was mainly carried out with children and adolescents. A relevant complement of this theory was developed by Rest (Rest, 1987), who built a moral dilemma based test (DIT) with the purpose to obtain more accurate measures of moral development from adolescence to adulthood. This test is also implemented on moral dilemmas and uses a 5-point Likert scale to obtain quantitative scores of moral reasoning.
The Kohlberg and Rest’s theorethical and methodological perspectives were criticized by Siegal (1982) regarding the difficoult to put subjects in just one stage of reasoning and also the problem to clarly define the moral stage boundaries.
Another relevant point of view was addressed by Gick (2003) in relationship with the moral relativity that is deeply influenced by the society in general and by the specific situation in witch the subject plays a main role with his actions and perceptions.
We tried to build a bridge between the classic assumptions and these new suggestions. We implemented our background with the Theory of Planned Behavior/Reasoned action originally developed by Ajzen (1991) and adapted to social and group contexts, in relation with social norm violations by Terry et al. (1999) and the complex relationship between moral reasoning and moral behaviour (Birch, 1997).
We also considered the Social-Cognitive Theory of Albert Bandura and particularly the construct of “moral disengagement” ( Bandura; 1986, 1989, 1999).
The aim was the necessity to reduce the abstract level of the moral dilemmas from a never-experienced situation to a more concrete and experience-based situation that can be encountered by a high-school student in everyday life. Furthermore we took in account the Eisenberg approach (Eisenberg, 1987; Eisemberh & Fabes, 1991) to select the questionnaire dimensions, highlighting the aspects linked to pro-social behaviour, and the role-taking skills
Assunta and a Bag of Food
No full textLife in the Mezzogiorno of Italy in the town of San Nicandro Garganico. The author briefly ponders his aging
Igiene delle mani e teoria del comportamento pianificato: adattamento cross culturale e validazione linguistica della versione italiana dell’Hand Hygiene Questionnaire
No full textIntroduzione L’igiene delle mani, pur essendo la procedura principale per il controllo delle infezioni, sembra
avere un tasso di adesione scarso. Sono state sviluppate molte teorie per definire la natura e la relazione
dei fattori che influenzano alcuni comportamenti. La teoria del comportamento pianificato è stata utilizzata
in altri due paesi per identificare negli infermieri i predittori dell’intenzione a praticare l’igiene delle mani
(pratica innata e pratica elettiva) in ospedale, attraverso l’Hand Hygiene Questionnaire.
Obiettivo Descrivere il processo di validazione linguistico culturale dell’Hand Hygiene Questionnaire per
identificare negli infermieri, attraverso la teoria del comportamento pianificato, i predittori significativi
dell’igiene delle mani associata ai contatti elettivi (puliti) e innati (sporchi) in ospedale.
Materiali e metodi Studio metodologico di traduzione e validazione culturale. La traduzione e l’adattamento
culturale di tale strumento ha seguito le fasi del modello proposto dall’Organizzazione Mondiale della
Sanità. E’ stato effettuato uno studio pilota per valutare il questionario negli infermieri che hanno approvato
l’adattamento culturale. E’ stata seguita una validazione qualitativa e quantitativa di contenuto.
Risultati Tutte le fasi del processo di validazione linguistico culturale sono state realizzate in modo soddisfacente.
Conclusioni Il processo ha seguito le raccomandazioni presenti nella letteratura internazionale. La versione
finale è stata approvata dall’autrice dello strumento originale.Introduction Although the importance of hand hygiene on the control and reduction of infections is widely
internationally recognized, the rate of adherence to this practice by health professionals has proved to be
very low. Many theories have been developed to define the nature and relationship of factors that influence
some behaviors. The Theory of Planned Behavior was used in two others country to identify significant
predictors of hand hygiene associated with hospital elective and hospital inherent contacts among nurses,
through the Hand Hygiene Questionnaire.
Objective Culturally and linguistically validation in Italian language of the Hand Hygiene Questionnaire to
identify significant predictors of hand hygiene associated with hospital elective (clean) and hospital inherent
(dirty) contacts among nurses, through the Theory of Planned Behavior (TPB).
Materials and methods Translation and cultural validation study. The translation and adaptation of this
instrument followed the phases of the model proposed by the World Health Organization. A pilot study was conducted to test the questionnaire in nurses who approved cultural adaptation. A qualitative and quantitative
content validity was performed.
Results All phases of the cultural-linguistic validation process was carried out in a satisfactory manner.
Conclusions The process meticulously followed the recommendations of the international literature. The
final version has been approved by the author of the original instrument
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