136,287 research outputs found
Deng Erya jiu cang jia gu.
No full text李宗焜拓摹并題."鄧爾雅(一八八四-一九五四)舊藏甲骨. 一九六九年五月鄧祖玄奉母葉多福女士之命以其父爾雅先生所藏甲骨慨贈香港中文大學聯合書院. 二〇一五年夏移藏大學圖書館""乙未仲冬余應香港中文大學圖書館李露絲館長之邀為館藏甲骨之儲存與展示貢愚余以坐言不如起行遂為之董理重為類次並施拓摹携歸裱冊而還之且識數語以記因緣李宗焜於史語所""Deng Erya (yi ba ba si - yi jiu wu si) jiu cang jia gu. Yi jiu liu jiu nian wu yue Deng Zuxuan feng mu Ye Duofu nü shi zhi ming yi qi fu Erya xian sheng suo cang jia gu kai zeng Xianggang Zhong wen da xue Lian he shu yuan. Er ling yi wu nian xia yi cang Da xue tu shu guan""Yi wei zhong dong yu ying Xianggang Zhong wen da xue tu shu guan Li Lusi guan zhang zhi yue wei guan cang jia gu zhi chu cun yu zhan shi gong yu yu yi zuo yan bu ru qi xing sui wei zhi dong li chong wei lei ci bing shi tuo mo xie gui biao ce er huan zhi qie shi shu yu yi ji yin yuan Li Zongkun yu Shi yu suo"In accordion binding.Li Zongkun tuo mo bing ti
Struktur Batin Puisi “Lama Cang Incang” dalam Sastra Lisan Kayuagung
No full textCang Icang\u27s poem appeared since the founding of the Kayuagung area. However, in reality these poems are rarely used by the people of Kayuagung, especially the Cang Icang poem. This is because one by one the old speakers die. While the younger generation is less interested in learning and using it. The purpose of this study is to describe the inner structure contained in the old Cang-Incang poem in the oral literature of Kayuagung. The author uses a descriptive method with qualitative data aimed at describing the inner structure in the old Cang-Icang poem in Kayuagung oral literature. The techniques used to obtain and collect research data are recording techniques, listening techniques and note-taking techniques. The Cang-Incang poem is a poem consisting of four lines in each stanza, the first and second stanzas are appendices while the third and fourth stanzas are content, each stanza has a relationship between stanzas. The inner structure in Cang-Incang\u27s poetry contains several themes including divinity and humanity, feelings in Cang-Incang\u27s poetry where the poet\u27s feelings are sad and happy, the tone and atmosphere of the poet tries to advise and forget the poet\u27s mood, and the message implied in the contents of the poem. Cang-Incang advice. Cang-Incang in the oral literature of Kayuagung obtained five Cang-Incang poems from five informants, the research finding data are as follows: (1) Cang-Incang\u27s poem "remember and surrender to God\u27s greatness", (2) Cang-Incang\u27s poem "quipped at a child who forgetting the love of parents", (3) Cang-Incang\u27s poem "pours out sad feelings because he feels unloved by his mother", (4) Cang-Incang\u27s poem "expresses feelings or desires of the heart", (5) Cang-Incang\u27s poem "entertains yourself at work.
Ri ri ye ye: Yi jiu si san nian.
No full text西蒙諾夫著 ; 蒼木, 繼純合譯.長篇小說.Ximengnuofu zhu ; Cang Mu, Jichun he yi.Detailed notes in vernacular field onl
A Study of Cang-wu
No full textThe place-name Cang-wu 蒼梧 appears in Chu-ci 楚辭 Li-sao 離騷 as the place where Shun 舜 was buried, and is also described in the Shi-ji 史記 Wu-di ben-ji 五帝本紀 as the place where Shun passed away. Moreover, the name Cang-wu frequently appears as the place where Shun was buried in Shan-hai-jing 山海經, where it is also described as a fertile paradise. Although in the Zhan-guo 戰國 period Cang-wu was a cosmic mountain that functioned as a passage connecting heaven and earth, it left its trace in the descriptions contained in Shan-hai-jing and other texts, along with the foreign cosmic mountains of Dong-hai 3 shen-shan 東海三神山 and Kun-lun 崑崙, in which the functions of the cosmic mountain were gathered. In the Han 漢 period, while Cang-wu appeared in literature as the place where Shun was buried, it also came to be used as a county name of Ling-nan 嶺南 at the southernmost edge of the Han territory, and in later periods the term was transformed into an "uta-makura" 歌枕 (a place described in classical verse) that alludes to the southern region of China. Cang-wu was employed as an "uta-makura" that evokes the exotic mythical features of not only the area of Chu 楚 but of the southern region in general, and, in addition, the image of the cosmic mountain was limited to there. However, in the Tang 唐 period, Du Fu 杜甫 used Cang-wu to symbolize the reign of Shun that could never again be realized, and thus the usage that he created incorporates feelings of yearning and sadness. Paradise was transformed from a goal that should be realized into a utopia of the distant past that could no longer be reached
Zhongguo mei shu jian cang shi gao = The History of Connoisseurship and Collecting of Chinese Art
No full textBen shu tong guo dui mei shu jian cang te zheng, fa zhan he fang fa de lun zheng, an shi jian jiang shu le ge ge shi dai de xiang guan wen ti. zuo zhe ba mei shu jian cang fen wei meng fa qi, cheng li qi, fa zhan qi he ding sheng qi, lun dian xian ming, lun ju chong zu, lun zheng yan jin, shi yan jiu mei shu jian cang xue bi jiao quan mian xi tong de zhuan zh
Baoding Shi guo jia dang an guan guan cang jiu ji yuan dang an
No full textTable of contents for "Baoding Shi guo jia dang an guan guan cang jiu ji yuan dang an
He Yimen xian sheng du shu ji
No full text何焯撰.封面題"石香齋藏板", 首有乾隆34年蔣元益序.框14.7 x 12公分, 14行22字, 小字雙行同, 黑口, 單魚尾, 左右雙邊.綫裝, 一函.Feng mian ti "Shi xiang zhai cang ban", shou you Qianlong 34 nian Jiang Yuanyi xu.Kuang 14.7 x 12 gong fen, 14 hang 22 zi, xiao zi shuang xing tong, hei kou, dan yu wei, zuo you shuang bian.Xian zhuang, yi han.He Zhuo zhuan
Yuan xuwen zhong gong Zhi zheng ji : [81 juan] /
No full textJu He nan fan yang zou dao yi jia cang chao ben shi yin.Mode of access: Internet
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Unlocking patterns of nature - the marriage of mathematics and ecology
No full textInaugural lecture delivered at Stellenbosch University on 19 March 2015.Professor Cang Hui was born in the ancient capital of China, Xi’an, where the Terracotta Warriors were
unearthed. In 1994, he went to Xi’an Jiaotong University, a C9 League, and obtained his BSc in applied mathematics four years later. He then moved to Lanzhou University and received his MSc in the same major in 2001 and a PhD in mathematical ecology in 2004. Immediately after his PhD, Hui came to South Africa and worked at Stellenbosch University until 2008 as a postdoctoral fellow in the Department of Conservation Ecology and Entomology. He was then appointed as a researcher by the DST-NRF Centre of Excellence for Invasion Biology (C∙I∙B) in the Department of Botany and Zoology and worked there until the end of 2013. He was promoted to full professor in 2014 in the Department of Mathematical Sciences, which coincided with his appointment by the NRF to the Tier 1 South African Research Chair (SARChI) in Mathematical and Theoretical Physical Biosciences, co-hosted by the African Institute for Mathematical Sciences (AIMS) in Cape Town.
Hui is working on the interface between mathematics and biology. His interests lie in proposing models and
theories for explaining emerging patterns in wholeorganism biology, namely ecology
- …
