20,201 research outputs found
Letter to public by Charles B. Calvert, 1852
Letter sent out to the public by Charles B. Calvert, founder of Maryland Agricultural College, 1852
Slave account book of Charles Benedict Calvert, Prince George's County, Maryland, circa 1830-1860
The slave account book of Charles Benedict Calvert of Prince George's County, Maryland, lists the name, age, value, and sale price of the each of the 330 slaves at his several local holdings, circa 1830-1860. Front cover reads: "Chas. B. Calvert | of | Bellefonte | Prince Georges County | [Maryland].
Letter by Charles Benedict Calvert to J. C. Nicholson, Riversdale, Maryland, September 29, 1858
A letter from Charles Benedict Calvert to J. C. Nicholson, a Baltimore businessman, detailing his visions for a new institution, the Maryland Agricultural College, which would "teach everything that is taught in the best Universities." The letter also encourages Nicholson's son to attend the new institution. Sent from Riversdale, Maryland, September 29, 1858
5278: Calvert, Texas. Epiphany Episcopal Church.
Job file for the creation/design of stained glass from either the Charles J. Connick Studio (1912-1945) or the Charles J. Connick Associates studio (1945-1986). The job file contains a job number, location information, date of completion, size, contact information, price, and a description of the project. This particular job file contains information on a job located at: Calvert, Texas. Epiphany Episcopal Church
5712: Calvert, Texas. Epiphany Episcopal Church.
Job file for the creation/design of stained glass from either the Charles J. Connick Studio (1912-1945) or the Charles J. Connick Associates studio (1945-1986). The job file contains a job number, location information, date of completion, size, contact information, price, and a description of the project. This particular job file contains information on a job located at: Calvert, Texas. Epiphany Episcopal Church
Winding, Charles Calvert
Memorial Statement for Professor Charles Calvert Winding who died in 1986. The memorial statements contained herein were prepared by the Office of the Dean of the University Faculty of Cornell University to honor its faculty for their service to the university
Calvert Building from Charles + Fayatte Streets. March 9th 1904.
Handwritten under photo on album page: Calvert Building from Charles + Fayatte Streets. March 9th 1904.This photograph shows the Calvert Building standing behind the remains of another building. The Calvert Building does not show any prominent signs of damage. There are small piles of debris in front of the Calvert Building and surrounding the remains of the damaged building. A few men are standing on both sides of the street and are looking down the street towards the Calvert Building.Pasted in album, Photographs
Calvert Building from Baltimore + Charles Streets. March 9th 1904.
Handwritten under photo on album page: Calvert Building from Baltimore + Charles Streets. March 9th 1904.This photograph shows the Calvert Building in Baltimore. There is a pile of debris and the ruins of some buildings in front of the Calvert Building. A cobblestone street with trolley tracks runs through the foreground of the picture. Two men are standing together in the street and one of them has a bicycle. Other men are walking through the street.Pasted in album, Photographs
"Unspeakable crimes": Charles Brockden Brown’s Memoirs of Stephen Calvert and the Rights of the Accused
This article considers, from a contextual and poststructuralist perspective, due process in The Memoirs of Stephen Calvert by the early American novelist (and trained lawyer) Charles Brockden Brown. Brown’s writing, the article suggests, participates in the thematic and rhetorical interface between law and literature. For although his fiction is fragmentary and nightmarish, moving from gothic cities to treacherous frontiers, the narration of transgressions and the law remain constant tropes. Thus, lawyers, conmen, criminals, and doppelgangers appear and reappear in works such as Stephen Calvert. The article focuses on how Brown puts the principles of the rights of the accused on trial in this posthumously published novel, for characters are identified as criminals in clear violation of the Fifth Amendment, which requires an articulation of the charges that are brought against the accused. In this, Stephen Calvert poses considerable legal questions: How are charges articulated? How are they presented in narrative form? And what happens when crimes are said to be “unspeakable”? The interrogation of these questions is highly significant in a new nation that is said to uphold due process of law
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