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    Erodoto, Le Storie, Libro VII. Serse e Leonida

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    Pietro Vannicelli ha curato l'introduzione (pp. IX-CIV) e il commento (pp. 297-592) al libro VII delle Storie di Erodoto, e ha collaborato con Aldo Corcella alla revisione della traduzione a suo tempo curata Giuseppe Nenci (pp. 19-283

    Erodoto, Le Storie. Libro VIII. La vittoria di Temistocle

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    A. Corcella ha curato l'edizione del testo, degli scolii e delle Lexei

    A Commentary on Herodotus Books I-IV

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    (di A. Corcella il commento al libro IV, riveduto e ampliato rispetto alla versione italiana del 1993

    Erodoto, Le Storie, vol.IX: Libro IX. La battaglia di Platea

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    A. Corcella ha curato l'edizione del testo, degli scolii e delle Lexei

    Echi del romanzo e di Procopio di Gaza in Filagato Cerameo

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    The real extension of Philagathus Cerameus' classical culture has been variously discussed. The homilies of this 12th century preacher from Southern Italy show a thorough knowledge of Heliodorus' Aethiopics (which, by the way, corroborates his identification with the author of the Commentatio in Charicleam). In hom. 24 Rossi Taibbi, on the other side, Philagathus appears to be drawing on Procopius of Gaza's Monody on Antioch, as is suggested by some fragments preserved in the lexicon περι συντάξεως. This confirms that he was especially acquainted with those ancient authors who were proposed as models in the rhetorical schools of the Comnenian age

    Una testimonianza sulle προλαλιαί di Procopio e Coricio di Gaza nel Περὶ λογογραφίας

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    The author of the Byzantine rhetorical treatise usually called περὶ λογο- γραφίας (identified by some as Gregory Pardos, metropolite of Corinth), when discussing of the encomia , quotes Procopius and Choricius of Gaza as witnesses for the ancient usage of composing προᾴσματα separated from the very orations. By this term he certainly means the διαλέξεις , or introductory talks, which were still recognizable as such in Choricius’ (and possibly in Procopius’) medieval corpora . In the author’s eyes, it was these διαλέξεις that gave rise to the contemporary mode of initiating encomia with narrative proems containing stories and myths. This section of the περὶ λογογραφίας should probably be dated to the end of the 12th century, when such proems were especially common among rhetors

    A Source for Poe's "Marginalia"

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    The article aims at showing that some "Marginalia" in the first two installments of the series (items 1, 4, 9, 10, 14, 22, 24, 25, 36, 55, 68, 71, 84, and maybe also 69 in Pollin's edition) were inspired by articles published in the December 1794 issue of the London journal The British Critic, a New Review
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