6,143 research outputs found

    Sean Rubin: Cook Prize 2025, Silver Medal Acceptance Speech

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    Author and illustrator Sean Rubin gives an acceptance speech for The Iguanodon’s Horn (Clarion/HarperCollins)https://educate.bankstreet.edu/cook/1015/thumbnail.jp

    Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context

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    My thesis explores how a translated author on the periphery of the host culture’s translated repertoire can be at once subversive and innovative on the colonial scene, using as an example the case of Sean O’Casey in colonial Korea. It explores the importation of Irish drama in modern Korean theatre during the colonial period and examines the appropriations of O’Casey’s plays by a central Korean playwright, Yu Chi-jin, in creating his own plays. Under Japanese colonial rule in the early twentieth century, intellectuals perceived the supreme task for the Korean people to be the recovery of national sovereignty and independence. The modern Korean theatre movement which rose among Korean intellectuals and dramatists during the colonial period was to play a major part in this task. The ultimate goal of this movement was to establish a modern national theatre promoting Korean culture and educating the people, thereby recovering national independence. As their modernised dramatic polysystem was still "young", Korean intellectuals and dramatists who were involved in the theatre movement had to borrow dramatic models from other countries. One of the models they chose was Irish playwrights, especially those who were involved in the Irish dramatic movement. They published or staged the works of W.B. Yeats, Lord Dunsany [Edward John Moreton Drax Plunkett], Augusta Gregory, J.M. Synge, St. J. Ervine, T.C. Murray and Sean O'Casey. Although O'Casey was considered an important dramatist in the Irish dramatic movement, he was a playwright on the periphery in the list of translated Irish dramatists in Korea due to the colonisers’ censorship. However, he remained as a subversive and innovative playwright on the colonial scene by virtue of being appropriated by Yu Chi-jin who used O’Casey’s plays as models when creating his own works. In discussing the subject matter of my thesis, I use Even Zohar’s polysystems theory as a starting point in looking at ideological issues surrounding translation and extend the discussion to offer a postcolonial perspective. While most translation in a colonial context was considered as "an expression of the cultural power of the colonisers," my thesis shifts the focus to translation as an expression of the cultural power of the colonised. I explore how the colonised uses another colonised culture to subvert the colonisers’ power

    Interview with Canadian teacher and author Dr. Sean Steel

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    Rozhovor Dr. Zuzany Svobodové s kanadským učitelem a publicistou Dr. Seanem Steelem.Interview with Canadian teacher and author Dr. Sean Steel

    Collins and de Valera : Friends or Foes ?

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    Although a life-long admirer of Eamon de Valera, Jack Lynch who succeeded Sean Lemass as leader of the Fianna Fail Party and Taoiseach (1966-1973 ; 1977-79), recognises that to a large extent de Valera and Collins shared the same views, philosophies and ideals. He deplores that the Collins/De Valera Pact was not given the chance it deserved, and questions Collins's attitude to the Treaty if he had known that sixty years later, such little progress would have been made in bringing the two parts of Ireland together. In a remarkable effort to rise above past bitterness the author claims that the only durable solution of Ireland's problems, be it the Ulster crisis or the current recession, will be based on the coming together of the people of the island in peace and reconciliation and the co-operation of all in the national interest.Although a life-long admirer of Eamon de Valera, Jack Lynch who succeeded Sean Lemass as leader of the Fianna Fail Party and Taoiseach (1966-1973 ; 1977-79), recognises that to a large extent de Valera and Collins shared the same views, philosophies and ideals. He deplores that the Collins/De Valera Pact was not given the chance it deserved, and questions Collins's attitude to the Treaty if he had known that sixty years later, such little progress would have been made in bringing the two parts of Ireland together. In a remarkable effort to rise above past bitterness the author claims that the only durable solution of Ireland's problems, be it the Ulster crisis or the current recession, will be based on the coming together of the people of the island in peace and reconciliation and the co-operation of all in the national interest.Lynch Jack. Collins and de Valera : Friends or Foes ?. In: Études irlandaises, n°9, 1984. pp. 249-257

    Supplemental_tables - Thirty-Day and 5-Year Readmissions following First Psychiatric Hospitalization: A System-Level Study of Ontario’s Psychiatric Care

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    Supplemental_tables for Thirty-Day and 5-Year Readmissions following First Psychiatric Hospitalization: A System-Level Study of Ontario’s Psychiatric Care by Sheng Chen, April Collins and Sean A. Kidd in The Canadian Journal of Psychiatry</p

    Recall this Book 60: Sean Hill on Bodies in Space and Time

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    Elizabeth is joined by Elizabeth Bradfield, poet, naturalist and professor of poetry at Brandeis, in a conversation with the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014). Sean read his Musica Universalis in Fairbanks, (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolded his ideas about birds, borders, houses and who was here before me

    Sean of the South

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    Recording of the radio show The North Avenue Lounge broadcast May 6, 2019 on WREK Atlanta, 91.1FMShannon speaks with prolific author, storyteller, blogger, and musician, Sean Dietrich, aka Sean of the South. Sean speaks about growing up as an underestimated kid, his early influencers, how community college change his life, and talks about writing process. In the final segments, Sean reads from his daily blog and we sample his podcast performances

    Colors 2003

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    CONTENTS Montana Badlands: Cretaceous Period, William Soller 1; Void, Sean McDonald 2; Traveling Mountain Nuns With Turtles, Sam Ellis 4; An Examination into the Peril of Lust, Matt Gould 6; Vending Machine, Josh Donoghue 7; Quiet, Daniel Mack 8; Baring Witness, Terri John 9; The Bam, Jed Fox 10; Another Curtain Call from the VFW Hall, Tom Kandt 12; Strangled, Kate Fehringer 13; The Traveler, Sean McDonald 14; The Chalet, Sam Ellis 24; Dreaming of Hair: Russia, William Soller, 25; Why I Dream of Hair, William Soller 25; Tree Song, Kate Wilson 26; Mindful Matrix, Josh Donoghue 27; My Dermatologist, Nathan Mills 28; Everyperson, Patrick Couture 30; Evening In, Loren Graham 33; In the Eye of the Sun, Daniel Mack 34; Breast Cancer, Terri John 35; Supplication to a Seraph, Andrew Swiatkowski 36; Tea Time, Danny Stapp 37; A Tribute to the Cable Guy, Sean McDonald 40; The Physiology of the Goose Bump, Katrina Collins 41; Leaving the Relics, Ron Stottlemyer 42; Mother Love, Kate Fehringer 43; The Banquet, Loren Graham 44; Shopper and Shirt, Josh Donoghue 45; Cracked Nuts, Patrick Couture 46; Teenage Barbie Whores, Adam Potts 53; Notes on Chinese Medicine, William Soller 54; Ripe, Kate Wilson 36; Arrhythmia (Morgan), Daniel Mack 57; Better Red than Dead, Terri John 58; US Amen, Andrew Swiatkowski 60

    An Interview with Cass R. Sunstein: Author of The World According to Star Wars

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    The guest editors of special issue 12, Jason W. Ellis and Sean Scanlan, interview Cass R. Sunstein, the Robert Walmsley University Professor at Harvard, where he is founder and director of the Program on Behavioral Economics and Public Policy. He is the author of many books, including the bestseller Nudge: Improving Decisions about Health, Wealth, and Happiness (with Richard H. Thaler). His 2016 book The World According to Star Wars attempts to understand the Star Wars universe in ten chapters through the lenses of Sunstein’s academic interests, namely: culture, sociology, psychology, behavioral science, and political science. The book is both personal and theoretical, practical and academic. It takes accurate measure of the genesis of the movies, the movies themselves, and briefly, but trenchantly, it examines concepts such as reputational cascades and speculates on what Star Wars can teach viewers about constitutional disputes
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