1,721,187 research outputs found
restituzione fotogrammetrica del Campanile della Chiesa di S. Antonio, Macerata Campania (CE)
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Impressioni di un paesaggio, Scacchiera Mediterranea
No full textRegeneration is possible only when, like Carmine Gambardella said, “you create a
genetic match between the investigator / designer and the environment, in order to
make vanishing the border between existing and new, have already done and what
to do, including survey design and project design in order to razionalize time and it
checks the modification. “
This essential relationship between the investigator / designer and environment,
supported by technological evolution, enables extensive information to enter into the
body of the objects, enriching the information and determining the evolution of the
Representation as a Project.
The project comes from the idea to recover, physically and visually, the system
of vegetable production, and rose gardens, which draw the Pompeian landscape
through “colored stripes”, vertical and horizontal, that recall the agricultural vocation
of the place and imposing a new agricultural park citizen. The compositional
method followed is that of the overlapping thematic layers, such as water, gardens,
greenhouses, etc. ... and the result produces an overhead type of painting, a local
version of Mondrian abstract style that fits well into the landscape, integrating the
various functions that, in the fascinating game of the structurization of a place, act
as the starting point to get the architectural definition of a limit space, in continually
progress, where the old founds, through the signs of the past, a medium ferryman
to the future. So, greenhouses become art greenhouses, irrigation canals are
transformed into signs in the landscape and spas, gyms are three-dimensional fields
and schools are integrated with the landscape.
In conclusion, the overall intervention tends to achieve a peaceful reunion of
architecture with nature through the link with the memory
ARCHITETTURA E PAESAGGIO AGRARIO il tavoliere delle puglie e il basso volturno tra le due guerre
No full textLa ricerca approfondisce la conoscenza del sistema ideativo–costruttivo nel
corso del cosiddetto ventennio fascista (dal 1922 al 1943), che dalla bonifica
della terra arriva fino alla definizione e, in parte, alla costruzione delle città
rurali. I processi di bonifica nacquero all’indomani del primo conflitto mondiale
con l’intento di implementare il meccanismo della redistribuzione fondiaria
e di dare vita alla costituzione della piccola proprietà contadina. Questa attività
redentrice, nata con i consorzi di bonifica, il cui principale esecutore era l’ONC
(Opera Nazionale Combattenti), porterà a compimento numerosi progetti soprattutto
nell’Agro Pontino, in Puglia e in Sicilia. Ripercorrendo le fasi più importanti
attraverso un percorso genealogico, si individuano i punti cardine del processo
evolutivo che, dal villaggio per gli operai, porterà alla nascita dei borghi e
si concluderà con i comuni rurali
Philosophical house
No full text"We would say that Capri has been the victim of an exceptional injury, caused by the same
predilection whose fate would have it covered: the issue being that the place is well loved, and that,
just like all the people to whom suffer the same fate, it is at risk of becoming hopelessly conventional
and mannered".
Capri is only a small rock made of dizzying sheer cliffs and one of the tips of it, Punta Massullo, the
project was born of a reversible space, a home for intellectuals philosophical, not for a single
developer, a space not fully defined, but a constantly evolving environment.
The project is part of a landscape of enclosed spaces where life moves outdoors, tables are laden
under the sky, nature, domesticated, contributes to the wealth of space. Cultures kept climbing and
bricked walls of the boxes become festoons of flowers and festive to celebrate the richness of the
place.
The house is elongated in the ratio of 1: 4, oriented on a north-west, south-east, following the
topography of the place, enclosed on three sides by walls and on the fourth by the rock that slopes
down towards the sea. The inside of the box is only visible from above, rejecting the idea of the facade
appears as a monolith from the sea, only in some places reveals its nature of casing cement, an
essential envelope, wrinkled, abstract, almost impassable
Segezia
No full textTo reach Segezia needs, as it remembers Pennacchi, to pass under a double row of eucalyptus ‘ trees that
connect them toward the center; the tall bell tower, well visible also from far, guide like a lighthouse in the
countryside.
Segezia is born in the strategic sketch performed by the Onc driven by Araldo Di Crollalanza and technically
submitted, with the Urbanistic Plan of the Tavoliere, to the architect of foggiana’s origin Concezio Petrucci. The
objective of the intervention is to put in evidence the system of division of land of farmhouses spread that have
in the town centers and suburbs the points of reference of the gravitating polycentric constellation around
Foggia.
In the project for Segezia, certainly a point of arrival for Petrucci, it is clearly visible the stylistic jump made in the
elaboration of the plan and in the built restitution; it is a clean, dry and centrifugal system, a feature proper of the
systems theorized by the leader teacher of the organic movement, Frank Lloyd Wright.
From the point of view stylistic reports clearly a planning evolution, the architect’s architectural will, (prematurely
disappeared), the point of arrival of a search who often engaged him with the theme of the rural city - theme that
has been often ignored by the great architects of the time focused more on the architectural object - and that it
stays, in every way, his last realized work
Il recupero della memoria storica nei processi di trasformazione fondiaria in Capitanata, il caso Incoronata
No full textRetracing the countryside transformation plodding process in which Capitanata was the last and greatest
example of the “Ventennio” practicing, certainly has a significant valuable rediscover.
Rediscovering is certainly crucial to understand the massive drainage process and field quest. It changed
considerably the Foggia agricultural landscape both in a productive and in architectural way. In fact
driving along the farms roads or the radial countryside routes to Foggia allows to understandeasily how
the “Piano per il Tavoliere” acted,changing the territorial architectural structure behavior. Just think about
the high number of countryside farmhouses or the unfinished small town (Segezia, Incoronata, Cervaro
ecc...) that constellatethe landscape like “lighthouses” in a sea of wheat.
The Concezio Petrucci’s Piano per il Tavoliere is the exemplification of the polycentric model theorized
at the beginning of last century ; its first shyrepresentations can be seen in the Plan for Foggia in
1928. But, ten years later, in the Petrucci’s Tavoliere coordination project it will reach its stylistic and
conceptual goal.
The influence of the architect from Foggia will reverberate in regime architects like Giorgio Calza-Bini.
In the Incoronata project Calza-Bini will change his modernist language into the Petrucci’s rural thought
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