6,790 research outputs found
Depero non più futurista
No full textTerzo numero della rivista curata da Sergio Marinelli, docente all'Università Cà Foscari di Venezia. Scritti di: Eelna Casotto, Alberto Cibin, Sanja Cvetnic, Alessia Del Bianco, Paolo Delorenzi, Luca fabbri, Isabella Fiorentini, Lucia Gava, Stefano Lusardi, Andrea Piai, Meri Sclosa, Giordana Trovabene, Marino Viganò.
In collaborazione con la Fondazione Trivulzio di Milan
Corrado Forlin e il Gruppo futurista Savarè
No full textIl volume ricostruisce la genesi e gli sviluppi del Gruppo futurista Savarè (1936-1942) e in particolare la vicenda storico artistica di Corrado Forlin (1912-1942), fondatore e animatore del gruppo insieme a Italo Fasolo
Gastone Celada
No full textUtilizing unpublished or little-known documents, this essay outlines the career of painter, engraver and commercial artist Gastone Celada (1912-2004), active from early 1930's to the end of the 1980's. Following his formative years at the Accademia Cignaroli in Verona, he became assistant to Carlo Donati in the execution of fresco cycles for several Trentino churches. Although ecclesiastic commissions determined the subject matter of his early production, from the end of the 1940's he began to develop a style of painting with fabulistic overtones inspired by Trecento e Quattrocento art and by aspect of Metaphysical painting and Magic Realism. For about twenty years Celada exhibited intensively at the national level and participeted regularly in the Biennali d'arte of Verona
I papiers collés di Giorgio Ferrante conservati alla Società Letteraria di Verona
No full textThis essay analyses the collage production of Giorgio Ferrante, concentrating on the corpus preserved at the Società Letteraria of Verona. Ferrante's relation to Umberto Boccioni in the period preceding Boccioni's death in Verona in 1916 and his brief adherence to Futurism are examined. Finally a basic reconstruction of Ferrante's figurative work, up to now unpublished, is proposed, placing in within the cultural context of Verona after the Second World War when the dominant artistic figure was Lionello Fiumi
Proficue interferenze: relazioni tra arte e manifesti del secondo dopoguerra (e non solo) dalla Collezione Salce
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Il gruppo futurista veronese alle Esposizioni Biennali Internazionale d'Arte di Venezia: un breve excursus
No full text"Arte dinamica del tempo fascista": il futurismo di Corrado Forlin
No full textL'intervento ricostruisce in sintesi la vicenda storico artistica di Corrado Forlin, fondatore insieme a Italo Fasolo del Gruppo futurista Savarè (1936-1942), che espose alle Biennali Internazionali di Venezia e alle Quadriennali di Roma
I futuristi alle Esposizioni Biennali Internazionali d'Arte di Venezia (1926-1942)
No full textThis research explores the history of the Futurist Group (led by Filippo Tommaso Marinetti) and its involvement in the International Biennale Art Exhibition of Venice between 1926 and 1942. The Futurists involvement during this period was continuous and exhibitors always formed a collective, at times with over thirty artists. The exhibitions in Venice during the 30s took on a major role in the reform of contemporary art events in line with the Fascist regime. This new process aimed, through subsequent selection processes, to open doors at a local level, then on to Rome’s National Quadrennial Exhibition and finally onto the international stage of the Biennale Art Exhibition of Venice where they should have represented the best of Italian art, to be viewed by and compared with foreign nations. The Venetian exhibitions give a privileged viewpoint of not only the various phases of Futurist art and its relationship with art critics of the time, but also the often conflicting and complex relationships between Marinetti’s followers and heads of the Biennale under the forced harmony of the Fascist regime
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