563 research outputs found
Un'inedita iscrizione latina da Tossicia: traccia per la soluzione di una vexata quaestio polibiana (e ciceroniana) ?
The fortuitous discovery in the Teramo area of a funeral inscription dedicated to a liberta of the gens Flaminia, made by the author, seems to validate the correctness of the text of Polybius, III 80, 3
20. Marzullo (Benedetto), Scripta Minora, hrsgb. von Angela Andrisano, Valerio Casadio, Marco De Marinis, Maria Paola Funaioli, Lorenzo Perilli und Vinicio Tammaro, mit einem Geleitwort von Winfried Bühler
Irigoin Jean. 20. Marzullo (Benedetto), Scripta Minora, hrsgb. von Angela Andrisano, Valerio Casadio, Marco De Marinis, Maria Paola Funaioli, Lorenzo Perilli und Vinicio Tammaro, mit einem Geleitwort von Winfried Bühler. In: Revue des Études Grecques, tome 114, Janvier-juin 2001. p. 301
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Fantastic Architecture and the Building of Europe in Valerio Evangelisti's Eymerich Fiction
Concomitant with the horizontal expansion of EU territory through physical and political enlargement is a genealogy narrative, which emphasizes the ostensible roots of Europeanness in classical antiquity and Christianity. In the face of this sanitized genealogy, which lies at the heart of the European constitutional project, a range of alternative and more inclusive narratives circulate in contemporary European popular fiction. This paper focuses on a series of fantasy novels by the Italian author Valerio Evangelisti, featuring Inquisitor Eymerich as hero-investigator. In his highly popular novels, Evangelisti seeks to uncover layers of shared historical memory untainted with post-Enlightenment rhetoric.
The central architectural tropes of Evangelisti’s imaginary world are those of a castle and a convent, epitomizing the temporal and sacral power in European history. Each isolated from its outside environment and built on layer upon layer of subterranean chambers and corridors, the castle and the convent conceal a past quite different from the one championed in the official European genealogy. Memories of pagan worship and Islamic or Judaic learning – banished from the official rhetoric – continue to thrive, dark and threatening, in the subterranean strata of Evangelisti’s European edifice. Evangelisti thus provides an incisive critique of the official European story of origin, which threatens to suppress any alternative visions of European history or unorthodox avenues for European identity formation
Suggestioni saffiche in Posidipp. Ep. 55 A.-B.
Posidippo dedicò il delicato epigramma (55 A.-B.) ad una giovane morta prematuramente: in esso è possibile individuare rilevanti allusioni a ben noti luoghi saffici, e precisi riferimenti a rare "glosse" ascribili alla poetessa di LesboPosidippus dedicated the delicate epigram (55 A.-B.) to a young woman dead prematurely: where is possible find relevant allusions to known places of Sappho, highlighted by precise linguistic reference
Giuseppe Savini fra letteratura e cultura popolare
A philological reading of literary curiosities , historical and gastronomic, found in the famous Giuseppe Savini’s vocabular
L'arciere nell'antichità greca e romana : Mito, letteratura e storia
E’ corrente opinione tra i filologi classici che dall’antichità arcaica i Greci abbiano espesso una sprezzante disistima dell’arciere, per lo più barbaro e sostanzialmente vile, uno che colpisce da posizione protetta , alieno da quello scontro ravvicinato, che caratterizza l’autentica prova del valore di un guerriero. In realtà si tratta di un’opinione, cui fa velo l’universale adesione del mondo greco, già a partire dal VII sec. a. C., alle modalità di combattimento di tipo oplitico. E se già in una fase arcaica, quella dell’epos omerico e del ciclo troiano, il combattente è di norma provvisto di un equipaggiamento, che prelude all’armatura di tipo oplitico, il guerriero “altro”, quale l’arciere, non è però di per sé oggetto di disistima. Ma il momento di svolta è la tragedia del V secolo a. C., che dopo aver avvalorato, con Eschilo e i suoi Persiani, un simbolico parallelismo tra la contrapposizione arco/spada e quelle oriente/occidente, barbaro/greco, riconosce l’utilità dell’arciere e se ne serve già a partire da Salamina e poi, massicciamente, nella guerra del Peloponneso: la controversia tra Menelao e Teucro nell’Aiace di Sofocle e tra Lico ed Anfitrione, nell’Eracle di Euripide rappresentano la consapevole assunzione della nuova realtà, proiettata nel mito, come sempre in tragedia.The current opinion among classical philologists is that in the archaic time, Greek people had a contemptuous disrespect about bowman: in fact they considered him barbaric and cowardly substantially, because he streaked from a secure location, avoiding the close range fighting, that, on the contrary, characterized a warrior’s value. This opinion, was born of the high concept which ancient Greeks had about hoplite combat mode, as early as the seventh century. If in the ancient time of Homeric epic and Trojan cycle the fighter had an equipment (that foreshadowed hoplite’s armor), a warrior “other” as bowman was not disesteemed. The turning point was the tragedy in the fifth century b. C.: Aeschylus, with his “Persians”, corroborated a symbolic opposition between bow / sword and East / West, barbarian / Greek, while Sophocles and Euripides recognized importance of arch (which was used in Salamis battle and then, massively, in the Peloponnesian War): the dispute between Menelaus and Teucer in Sophocles’ Ayax and that between Lycus and Amphitryon, in Euripides’ Heracles represent the conscious assumption of a new reality
Gentilizi romani al di qua e al di là del Tronto
The comparative analysis of names and tribes of people attested in inscriptions (also unpublished) found in the north and south of the Tronto, leads to the conclusion that it was the same gentes, and that the boundary provided by the partition of Augustus, was purely theoretical
Hesych. π 4496 Hansen
The entry (πωλία) seems to refer to a processional tool used at Sparta: itdepends most likely by a commentary to a poem, lyric or tragic
Nel segno di Cadmo.Personaggi e situazioni delle "Fenicie" di Euripide
Lo strudio mostra che nelle Fenicie di Euripide un invisibile filo riporta la vicenda a Cadmo e che il destino di Tebe non dipende dalla sorte dei Labdacidi come nei Sette contro Tebe di Eschilo, è invece nelle mani degli uomini "seminati" dal suo fondatore. Gli eventi che diedero inizio al funesto destino di Tebe spiegano la scelta allusiva di Euripide di un Coro composto di donne feniicie . Poi, salvata Tebe, ha luogo la fine dei Labdacidi: al canto di Antigone è affidata con ogni probabilità la conclusione della Tragedia.The study shows that in the Euripides Phoenician women an invisible wire brings back up to Cadmus and that Thebes’ fate doesn’t depend on Labdacids’, as it results in the Seven against Thebes: it is instead, in the hands of the men “ seeded” by its own founder. The events that started Thebes’ hard luck, further explain the allusive Euripides’ choice of a Chorus composed by Phoenician women related with Cadmus’ line. Then, rescued Thebes, there will be Labdacids’ catastrophe: Antigone’s sing will extend over all: probably, as we can see, this is the real ending of the Tragedy
Philotes tra nemici? A proposito della singolare conclusione di un singolare duello (Il.7.301 s.)
The article explores the duel between Hector and Ajax in the seventh book of the Iliad, its purposes and the surprising conclusion in light of epos’ aristocratic ethics
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