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The David W. Fentress Family Letters, 1856-1969
Transcript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
The David W. Fentress Family Letters, 1856-1969
Transcript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
Key themes in the teaching of remedies
In this chapter I will argue that the general if by no means universal practice in the US of spendingsubstantial time on remedies at the start of courses on the general principles of the law of contract should be adopted much more widely in the Commonwealth, where it is unusual if not unknown, and my impression is that remedies typically feature as the residuum of the contract course, if they are taught in any substantial way at all. My argument will, however, rest on a different ground than that on which the US practice typically rests, which is a belief that first obtaining a knowledge of what precisely the claimant can hope to gain from recourse to law – which is not justice, or vindication, or the like, but a particular remedy – aidsthe student in understanding the way that sophisticated legal advice can and should be structured so as to achieve the best possible actually available outcome. (For an account of this attitude, see Bix’s chapter in this book.) I am of the opinion that this belief is overall true and very important, but even so of less importance than the belief that lies behind my own commitment to teaching remedies first, which is the following. © 2019 selection and editorial matter, Warren Swain and David Campbell
Campbell, David L. interview
Oral History interview of David Campbell. Interview conducted by Fulcher,Drew at Cocoa Beach, FL
On the Use of Comedy in Art as a Form of Social Critique.
Working collaboratively as part of the artists’ group Common Culture (since 1996) comedy has become important in our exploration of national and regional identities, as well as enabling us to address the problems arising when we have been commissioned to make art intended to socially engage with specific local communities. The session will introduce our involvement with comedy in terms of both our artistic practice and our current curatorial work for a 2016 show addressing Deadpan traditions of comedy in art from Marcel Duchamp to the present.
David Campbell and Mark Durden, together with Ian Brown, work collaboratively as Common Culture. Durden is Professor of Photography at University of South Wales and Campbell is Professor of Fine Art at Northumbria University. Campbell and Durden co-authored Variable Capital (Liverpool University Press, 2007) and are currently preparing a major curated exhibition to take place at both Bluecoat, Liverpool and the MAC Belfast in Spring 2016, Double Act: Art and Comedy
Shirley Campbell
Shirley Campbell, a longtime Palo Alto resident, died on Sept. 5 following two weeks of illness and care at Stanford Hospital. She was 84. She was born on Oct. 17, 1930, in Covina, California, to Teddie Gorrell and Fern Ellsworth and was soon joined by a younger brother, Walter. She attended and graduated from Covina High School as part of the class of 1947. Her studies continued at University of Southern California, where she received a Bachelor of Science degree in physical education, and Washington State University, where she earned a master's degree. After teaching high school for several years in Taft and Wasco, California, she landed locally at San Jose State University, teaching physical education and coaching tennis. In the late 1950s, she met Paul Campbell, whom she married in November 1959. They took up residence in the Greenmeadow neighborhood of south Palo Alto and raised three children, who all went on to graduate from Palo Alto schools. After living in Greenmeadow for decades, she moved in 2014 to the The Avant in Palo Alto, making new friends and enjoying the built-in community there. She was predeceased by her husband, Paul Campbell, in 2002. She is survived by her brother, Walter Gorrell of Glendora, California her three children, Karen Campbell George of Capistrano Beach, California, David Campbell of Oakland and Roger Campbell of Salinas, California and five grandchildren, Chelsea, Sarah, Anna, Campbell and Sophia. She is also survived by her daughter-in-law, Julie Smith Campbell, and son-in-law, Chad George
Engraved portrait of Archibald Campbell, marquess of Argyll (1605x7–1661)
Engraved portrait of Archibald Campbell, marquess of Argyll (1605x7–1661). Stipple and line engraving by Thomas Wright after David Scougall. Titled: 'Archibald Campbell, Ninth Earl of Argyll, ob. 1685. From the original in the collection of His Grace the Duke of Argyll. Proof.' However, Mr Fairclough has deleted 'Ninth' and '1685' in pencil and concludes in his records that the portrait is after the painting of the Marquis of Argyll by David Scougall (see ODNB article)
Mural by David Campbell Taws
Mural by David Campbell Tawson display at Maine Maritime Academyhttps://digitalmaine.com/castine_postcards/1192/thumbnail.jp
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