447 research outputs found
Salvemini e la "Critica Sociale"
Il rapporto tra Turati e Salvemini e le caratteristiche del contributo di Salvemini alla rivista dal 1897 al 1911
Salvemini Prof. Gaetano, sovversivo
L'esilio di Getano Salvemini: l'uomo, lo storico, il fuoruscito che ha combattuto il fascismo per oltre vent'anni nell'analisi di alcuni fra i principali storici contemporanei dell'antifascismo, con filmati e immagini dell'epoca
Gaetano Salvemini: The Harvard Years
Si tratta dell'introduzione al volume che pubblica la lecture tenuta da E. Gentile in occasione della prima edizione del Gaetano Salvemini Colloquium in Italian History and Culture Harvard Universit
Turati e Salvemini
La collaborazione di salvemini alla Critica Sociale e i suoi rapporti con Turati quali risultano dai loro Carteggi
Gaetano Salvemini: A Lesson in Thought and Action
Gaetano Salvemini was one of the earliest political exiles during Fascism. Before his exile Salvemini had the reputation of being a well-respected historian and political activist. He taught history at the University of Florence, among other universities. Salvemini was known for his intelligence, detailed research and analysis, and his unflinching ideals. After his exile Salvemini spent some time in England and France. During this time he traveled to the United States for a lecture tour and later settled in Cambridge, Massachusetts to teach at Harvard University. Salvemini\u27s main objective in his writing and lectures was to debunk the myths of the Fascist propaganda machine. This thesis uses a variety of sources including Salvemini\u27s own writings, newspaper articles, reviews, and archival material. The archival material includes articles, letters and Italian government documents. This thesis shows that Salvemini had an impact on post-World War II Italy. Salvemini spent his life fighting for democracy and provided hope for many Italians who wondered what would happen in Italy after Fascism. Salvemini\u27s ideas had an impact on the Italian Republic set up on 2 June 1946 and the constitution that officially came into force on 1 January 1948
The paradoxes of creativity in haute cuisine industry. How to organize creativity to last beyond first generation
Research has highlighted that creativity is essential for organizations’ survival and has to be fostered and managed in organizations. Creativity in some specific industries has additional requirements compared to others: for example, in luxury industries it needs to be combined with the imperative of zero defects. This article explores the trade-offs determined by the articulation of creativity with organizing processes. It investigates the paradoxes between creativity and control, creative freedom and organizational processes, continuous ideas generation and the need of identifying a successful business formula that could be accurately reproduced across time and space. Based on two case studies pertaining to Italian haute cuisine industry, the article investigates how creativity can be organized in luxury industries. It highlights that not only creativity, but also codification is an intrinsic success factor for Michelin starred chefs, as it allows chefs to set and maintain superior quality standards and to successfully transfer the business formula across time to last beyond the first generation
Borgese, Salvemini, La Piana e "le systeme de l'exil"
L'articolo ricostruisce la trama dei rapporti intellettuali e politici tra tre grandi esuli: Borgede, Salvemini e La Pian
Il mercato cinematografico e la sua economia
Cinemitalia 2005 è un'indagine a tutto campo sul cinema nel nostro paese: dalla produzione alla distribuzione, dalla legge che regola il finanziamento pubblico alle nuove tecnologie, dalle scelte del pubblico al rapporto con la televisione. Scritti da professionisti del settore, i contributi raccolti in questo volume indagano e riflettono sul presente, prefigurando il cinema di domani
I nomi dietro i numeri: Michele Salvemini aka Caparezza
The present work focusses on the onomastic interest shown by a singer belonging to the new generation of Italian rappers, Michele Salvemini, aka Caparezza. His expressive talent managed to shape an anti-purist language, full of styles and registers, open to dialect and spoken language, which ranges from the younger generations’ language to neologisms, from English to special languages, from jargon to Latin. The pattern of his CDs, a sort of “fononovels”, modernises the structure of the concept-album of the ‘70s on the basis of constant references to contemporary Italian events, news and characters, and of his figure as an artist. Caparezza’s choices shows a linguistic awareness which goes beyond the general trend of this music genre. In particular, the last CD (Prisoner 709) represents an autobiographic translation of an onomastic equivalence in a numerical correspondence which is always unexcepted and where the real name and the pseudonym contrast
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