1,404 research outputs found
An a-centred structure
Una breve riflessione sulla utilità del progetto di comunicazione all'interno degli scenari mutati del contemporaneo. La natura critica del design quale strumento per mettere a fuoco nuovi strumenti e nuovi paradigmi per progettare nuove forme della comunicazione
Pre-Visioni per Milano. Racconti brevi
Il breve saggio spiega le ragioni per le quali sia necessario attivare una riflessione sull'immagine dello spazio pubblico a partire da visioni condivise
MOBILE URBANITY. Translocal Traders and City in Southern Africa
Piscitelli P. (2018), MOBILE URBANITY. Translocal Traders and City in Southern Africa, Planum Publisher, Roma-Milano | ISBN 9788899237141
See the preview of the publication on ISSUU.com (below) and download the full text (above and on the right column)!
As many translocal and cross-border traders, mukheristas cover thousands of miles every week to supply urban markets, thus feeding themselves, their families and the cities they connect.
After an intensive field work travelling with mukheristas between Maputo (Mozambique) and Johannesburg (South Africa), the author shows the role of complex hybrid practices of trans-local mobility in shaping cities and territories in sub-saharan Africa.
A "research on the road" to reflect on the political relevance of informal mobile practices in troubled urban societies, but also on new theoretical concepts and empirical research approaches.
In a world where change is extremely rapid and new issues emerge unremittingly, 'Mobile urbanity' opens up new ways of thinking the spatial dimensions and the agency embraced in human mobility
Muoversi sulle sabbie mobili
Il saggio interno al volume fa una ricognizione storica delle designer che hanno segnato la storia della grafica italiana concludendo con una riflessione sul ruolo delle designer oggi, sul modello UOMA e sulla cosidetta 'femminilizzazione del lavoro', modello della contemporaneità
Design per. Alimenti grafici.
Curatela della sessione interna dedicata alla International graphic design Week, edizione di Bologna. tema: Alimenti grafici
The development of Bad Nauheim as jugendstil spa complex
The buildings of the spa complex at Bad Nauheim (Germany) are among the most important examples of Jugendstil architecture in the world, but the place or the architect Wilhelm Jost are not mentioned in scientific works.
Salt water springs in this area were already exploited by the Celts and the Romans. The village of salt producers began to change into a spa in the first half of the 19th century, when the curative power of the salt water from wells was recognized.
At the beginning of 1900, changed hygienic and aesthetic ideas and expectations required the construction of new bathhouses. At that time, Bad Nauheim belonged to the Grand Duchy Assia-Darmstadt. The Grand Duke Ernst Ludwig of Hessen had commissioned artist of Jugendstil to decorate rooms of his New Palace in Darmstadt, and had summoned seven artists of Darmstadt to found an artist’s colony. The new spa complex of Bad Nauheim absorbed the ideas emanating from Darmstadt, and the layout of the whole town was arranged according to the modern precepts of Darmstadt Jugendstil.
The paper describes the transformations and reuse of Bad Nauheim until nowadays, and analyzes typologies and decorative motives of the spa complex, excellent example of early Jugendstil in Germany, from the point of view both of history of architecture (Elena Manzo) and geometrical and morphological analysis of elements (Manuela Piscitelli)
Plots and textures
Il senso del progettare come trama e ordito dalle culture popolari al design contemporaneo
Introduzione ad AWDA 2
Il progetto di AWDA, Aiap Women in Design Award, ha una storia lunga e radici profonde, nasce nel 2009 da un’idea di Laura Moretti, si configura nel 2012 come Premio biennale a cura di Cinzia Ferrara, Daniela Piscitelli e Laura Moretti, diventa nel 2015 internazionale e si prepara ad assumere una dimensione mondiale con la terza edizione del 2017 includendo nella curatela anche Carla Palladino. L’intento del progetto, che affronta un tema importante e ancora poco indagato come quello del design della comunicazione visiva declinato al femminile, non è quello di esaminare un’area protetta, o ricercare peculiarità che caratterizzano una metodologia di progetto al femminile, quanto quello di attraversare un territorio scoprendone le diversità in ogni lembo, date da profonde differenze che derivano dalle diversità di provenienze geografiche, formazioni, committenze pubbliche e private, tessuti sociali nei quali le designer vivono e lavorano.AWDA, Aiap Women in Design Award, has a long history and deep roots: in 2009 it was only Laura Moretti’s idea, in 2012 it took shape as a biennial Award curated by Cinzia Ferrara, Daniela Piscitelli and Laura Moretti, in 2015 it became international – the first step towards the worldwide dimension it would achieve in its third edition, 2017, when Carla Palladino joined the team of curators. The aim of the project, which tackles the important, though still under-explored theme of visual communication design from the perspective of women, is not to examine a protected area, or to search for peculiarities characterising women’s design methodology, but rather to travel across a territory, trying to discover its diversity at every step, by identifying a number of differences resulting from different geographical and educational backgrounds, private or public clients, social contexts in which the designers live and work
Aiap Women in design Award – Premio Internazionale design della comunicazione, Volume n.1
The AWDA Biennial Award second edition is open to visual communication women designers. The Award originates within Aiap’s research activities, and aims at reconstructing and acknowledging the contribution that many visual communication women designers have given and continue to give to the universe of graphic design
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