1,080 research outputs found
Isabelle McClung Hambourg
No full textThree-quarter length studio portrait of Willa Cather's friend Isabelle McClung Hambourg wearing a light-colored skirt, top, and hat. She stands in front of a plain, light backdrop
Isabelle McClung Hambourg
No full textStudio portrait showing a three-quarter view of Willa Cather's friend Isabelle McClung Hambourg. Photographed in front of a light background, she wears a light-colored suit and broad hat
Marriage record of Jones, Edward C. and McClung, Bertha
No full textMarriage license for Edward C. Jones and Bertha McClung. I.M. Auld was the officiant
Clarence Erwin McClung
No full textMcClung is standing against a brick wall between two open windows with a hat in his right hand and his left hand holding his belt. He is facing the left frame of the photograph.Inscriptions on image and/or album page: Front, left: "#5" / "C. E. McClung" / "'21"Digitized by: MBLWHOI Libraryimage/jpg black and white image reformatted digitalPhotograph
Letter re: Ma and Pa Ferguson
No full textLetter sent to Amon Carter from a Will C. McClung expressing his support for Carter's cheering at the Thanksgiving A&M game
Isabelle McClung Hambourg
No full textThree-quarter length studio portrait of Willa Cather's friend Isabelle McClung Hambourg wearing a light-colored skirt, top, and hat. She stands in front of a plain, light backdrop
Handwritten biographical information on Paulina T. McClung Merritt
No full textA handwritten biography of Paulina T. McClung Merritt by an unknown author, 1892.
Handbook of microscopical technique : for workers in both animal and plant tissues
No full textMarca tip. en por
McClung\u27s Book of Sermon Illustrations for the Itinerant Evangelist
No full textMcClung\u27s Book of Sermon Illustrations for the Itinerant Evangelist is a sonnet sequence in the voice of an imagined traveling evangelist. McClung, through telling the story of salvation, tells his own story of being raised in a rural Appalachian family, leaving to see “the world,” only to return home in time for his father’s death and his own call to the ministry. While McClung interprets the scriptures for his congregations, he discovers his faith for himself. These poems seek to disarm the reader whether they are Christian or not by revisiting and dwelling on Christian images like sacrifice, rebirth, and homelessness. Kierkegaard says the Gospel only exists on the basis of an “opportunity for offense,” and these poems seek to explore that possibility in the voice of an often ridiculed and marginalized voice, the evangelist. He compares the risen Christ to a smoked hog and our own eventual resurrection to a taxidermized deer. These poems seek to stand between caricature and documentary, between credulity and skepticism in order to jettison the reader from complacency into a crisis of faith and doubt
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