69 research outputs found
Principi di storia e cultura ebraica
No full textPrincipi di storia e cultura ebraica / Emanuele Artom ; con prefazione di Max Varadi - 3 ed. / aggiornata da Menachem Emanuele Artom - Roma : Fondazione Per La Gioventù Ebraica, 1957 (Tip. Dapco, Daily American Publishing Co.) - 164 p. : ill. ; 24 c
Le unioni agricole per il piccolo prestito gratuito : studi e proposte per la istituzione di casse circolanti di piccoli prestiti / Ernesto Artom e Delfino Orsi Torino ; Roma : Roux Frassati e C., 1895
No full textLe unioni agricole per il piccolo prestito gratuito : studi e proposte per la istituzione di casse circolanti di piccoli prestiti / Ernesto Artom e Delfino Orsi
Torino ; Roma : Roux Frassati e C., 1895
65 p. ; 20 cm
Tre vite
No full textTre vite dall'ultimo '800 alla meta del '900 : studi e memorie di Emilio, Emanuele, Ennio Artom / a cura di Benvenuta Treves - Firenze : Israel, 1954. - 255 p. ; 22 c
Valutazione dello stato erosivo delle spiagge liguri: Applicazione di un Sistema Informativo Geografico.
No full textGuido Artom e "I giorni del mondo"
No full textGuido Artom (1910-1982), once director of the Italian Culture Institute in Brussels, writer of several books with a 19th century French (often of Napoleonic or of Belgian) background, and a novel on the theft of two paintings by the Van Eyck brothers in Gent, has written on the end of his life a book in which he turns to his Jewish background. The principal characters of the novel are his ancestors Zaccaria and Raffaele. Their personal history, presented into some detail and not without humour, coincides with that of Jewish emancipation in Cavour’s Risorgimento. Impressive is the autobiographic chapter at the novel’s beginning where the author during a visit to his family home reflects on his position as a Jew in the middle of Roman Catholic Italian culture
Guido Artom and "I Giorni del mondo"
No full textGuido Artom (1910-1982), once director of the Italian Culture Institute in Brussels, writer of several books with a 19th century French (often of Napoleonic or of Belgian) background, and a novel on the theft of two paintings by the Van Eyck brothers in Gent, has written on the end of his life a book in which he turns to his Jewish background. The principal characters of the novel are his ancestors Zaccaria and Raffaele. Their personal history, presented into some detail and not without humour, coincides with that of Jewish emancipation in Cavour’s Risorgimento. Impressive is the autobiographic chapter at the novel’s beginning where the author during a visit to his family home reflects on his position as a Jew in the middle of Roman Catholic Italian culture
From Day One
No full textThe Bowman Gray School of Medicine building was constructed adjacent to North Carolina Baptist Hospital. Construction was begun in 1940 and was completed in time for classes to begin in September, 1941.(L-R) Dr. Camillo Artom and dean of the medical school, Dr. Coy C. Carpenter are shown here discussing the beginning foundation of the new four-year medical school. Dr. Artom(L) was a dedicated researcher and scientist who came to America from Italy in 1939 to work at the two-year medical school in Wake Forest, NC. His reputation as a researcher in biochemistry and specifically lipids, was so well known, that he had already been offered three other positions to work in nationally known institutions. Because of personal reasons, Artom still chose Wake Forest College
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