10,791 research outputs found
Le azioni del Coordinamento napoletano “Donne nella scienza" per la conciliazione famiglia e lavoro
No full textIl coordinamento propone attività rivolte a:
dare voce e visibilità al contributo delle donne che operano proficuamente nella ricerca;
incrementare i contatti e le collaborazioni tra donne e scienzate;
rafforzare lo spazio internazionale della ricerca e delle azioni delle donne;
consolidare le relazioni tra donna per aumentare il valore della ricerca scientifica;
riposizionare il ruolo centrale della scienza per la crescita economica e sociale del paese;
sostenere, informare, incoraggiare led onne nei percorsi lavorativi valorizzando le abilità;
costruire la reale cultura di genere della ricerca e affermare il pensiero della differenza;
individuare linee guida per migliorare il rapporto tra il tempo dedicato al lavoro e aolla famiglia;
ispirare i principi per la realizzazione di politiche per la conciliazione;
monitorare e analizzare i rapporti di genere in ambito accademico e negli enti di ricerca;
promuovere la cultura della cura della persona e della comunità
‘The art of salvation is but the art of memory’ : soul-agency, remembrance and expression in Donne and Shakespeare
No full textThis thesis examines how the dislocation of old beliefs in post-Reformation England affected perceptions of the soul in the work of Donne and Shakespeare. The introduction, using Augustinian discourses on the tri-partite soul, explores how the soul is imagined in post-Reformation England. Current debates on interiority, the climate of anxiety that surrounds religious upheaval, historical readings of the composition of the soul and the problems of its actual representation on the page and stage are discussed. The patterning of Augustine‟s tri-partite model of Reason, Will and Memory is examined, and the regenerative power of concordant Memory that can bind together a harmonic trinity is offered as a solution to the fractured soul. The first part of the thesis concentrates on writings that represent Donne‟s anxieties over the fate of the soul as he contemplates conversion from Catholicism to the new religious order. Chapter One is an enquiry into his unpublished works from 1601 to 1611 and examines the idea of the wandering soul, from The Progresse of the Soule, to the Divine Poems and finally to the redeemed soul seen in the form of Elizabeth Drury in the Anniversaries. In this chapter, I argue that Donne is searching for an alternative Marian aesthetic as he leaves behind his Catholic past, a new image of divine intercession for the Protestant world that might offer him comfort and a route to salvation. Chapter Two explores his very public sermons after he enters the ministry until his death. Here, a pattern of redemption is argued through the salvic properties of the living Word of the sermon that is relayed through the performative power of the preacher. The preacher‟s working space and the power of the Word to viscerally transform the congregation are central here to the soul‟s salvation. The second part examines how Shakespeare explores the „journey‟ of the soul through a selection of his plays, but where the limits of genre impose restrictions on Shakespeare‟s development of an image of redemption. Chapter Three examines the wandering soul in The Merchant of Venice and Othello. Through the trope of marriage, the fate of the souls of Jessica and Othello are explored as they find themselves marginalized in an inhospitable Venice, while their pasts have been forgotten in the attempt to convert to Christianity. Chapter Four explores the use of the female character as an image of Memory that can generate hope, reading Juliet in Romeo and Juliet and Cordelia in King Lear as “soul agents”, whose beneficence can bring about redemptive change. However, the thesis argues that the genre of tragedy examined here limits the soul agent. Chapter Five argues for an alternative genre that opens up the possibilities for the successful portrayal of the soul agent. In the romance plays, the representation of the soul can be seen working successfully to a redemptive conclusion. Romance dramas foreground their slippages in plot and take us into dreamscapes at the centre of which is an essential female influence. Marina in Pericles, Perdita in The Winter‟s Tale, Innogen in Cymbeline and Ariel/Miranda in The Tempest provide a link with Donne‟s presentation of the soul as female in the Anniversaries. Both Donne and Shakespeare suggest the idea of the female in literature as a redemptive figure, away from earlier discourses on the soul that finds itself at the mercy of epistemological wrangling. Donne and Shakespeare re-instate that sacredness and place it within art as an image of Memory, a vital component of Augustine‟s tri-partite soul, but also as an active and vibrant image of possibilit
Donne, corpo e religione. Uno sguardo alle donne musulmane
No full textLo studio approfondisce la intricata relazione tra corpo delle donne e identità religiosa
Donne, cavalieri, libri
No full textLa coppia donne e cavalieri ha una lunga storia nell’opera di Ariosto, a partire dalla giovanile Obizzeide, e caratterizza con diverse sfumature un universo ideologico di cortesia cavalleresca già solidamente delineato all’altezza della princeps del Furioso (1516).The binomial pair donne and cavalieri has a long history in Ariosto’s work, dating back to his early Obizzeide. It characterizes with different nuances an ideological universe of chivalric courtesy, which was well-established already in Furioso’s princeps (1516)
Gli spazi del potere: strategie e attributi dell’imperialità - Les espaces de la puissance: stratégies et marqueurs de l’impérialité
No full textJohn Donne The Critical Heritage
No full textThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses on a writer's work, enabling student and researcher to read the material themselves.Intro -- JOHN DONNE: THE CRITICAL HERITAGE -- Title Page -- Copyright Page -- General Editor's Preface -- Table of Contents -- PREFACE -- ACKNOWLEDGMENTS -- INTRODUCTION -- NOTE ON THE TEXT -- The seventeenth century -- 1 Some quotations, imitations, echoes of Donne's poems 1598-1700 -- 2 Some general references to Donne's poems, or to Donne as a poet, c. 1608-30 -- 3 BEN JONSON, c. 1610, 1619, ?1630 -- 4 JOHN DAVIES OF HEREFORD, c. 1611, 1612 -- 5 THOMAS FITZHERBERT, 1613 -- 6 THOMAS FREEMAN, 1614 -- 7 WILLIAM DRUMMOND OF HAWTHORNDEN, 1613-31 -- 8 KING JAMES VI AND I, c. 1620 -- 9 JOHN CAVE, 1620 -- 10 ROGER TISDALE, 1622 -- 11 The Bridgewater manuscript, c. 1625 -- 12 ANON., lines written in a copy of Donne's Devotions, c. 1627 -- 13 ROBERT HAYMAN, 1628 -- 14 CONSTANTINE HUYGENS, 1630, c. 1687 -- 15 KING CHARLES I, c. 1629, c. 1633 -- 16 ANON., manuscript verses on Donne, ?1631 -- 17 JOOST VAN DEN VONDEL, c. 1633 -- 18 The first collected edition of Donne's poems, 1633 -- 19 LORD HERBERT OF CHERBURY, c. 1633 -- 20 'J.V.', c. 1633 -- 21 THOMAS CAREW, c. 1633 -- 22 THOMAS PESTELL, c. 1633-52 -- 23 GEORGE GARRARD, 1634 -- 24 The second collected edition of Donne's poems, 1635 -- 25 JOHN CHUDLEIGH and SIDNEY GODOLPHIN, 1635 -- 26 ANON., Wit's Triumvirate, 1635 -- 27 IZAAC WALTON, 1635-75 -- 28 NATHANIEL WHITING, 1637 -- 29 Some general references to Donne's poems, or to Donne as a poet, 1630S and 1640S -- 30 GEORGE DANIEL, c. 1640 -- 31 SIR JOHN SUCKLING, c. 1640 -- 32 HENRY GLAPTHORNE, 1642 -- 33 SIR RICHARD BAKER, 1643 -- 34 'G.O.', c. 1648 -- 35 Donne's son on his father's poems, 1650 -- 36 Some general references to Donne's poems, or to Donne as a poet, 1650s -- 37 CLEMENT BARKSDALE, 1651 -- 38 HUMPHREY MOSELEY, 1651 -- 39 RICHARD WHITLOCK, 1654 -- 40 PHILIP KING, 1656 -- 41 FRANCIS OSBORN, 1656 -- 42 SIR ASTON COKAIN, 165843 Some general references to Donne's poems, or to Donne as a poet, 1660-1700 -- 44 WILLIAM WINSTANLEY, 1660 -- 45 SAMUEL BUTLER, C. 1660 -- 46 JOHN HACKET, c. 1660 -- 47 ROBERT SIDNEY, SECOND EARL OF LEICESTER, 1661 -- 48 THOMAS SHIPMAN, 1667, 1677 -- 49 JOHN DRYDEN, 1649-1700 -- 50 MRS JOHN EVELYN, 1668 -- 51 The seventh collected edition of Donne's poems, 1669 -- 52 ANDREW MARVELL, 1673 -- 53 JOHN WILMOT, EARL OF ROCHESTER, c. 1675 -- 54 EDWARD PHILLIPS, 1675, 1679 -- 55 ANON., Preface to Rochester's Valentinian, 1685 -- 56 FRANCIS ATTERBURY, 1690 -- 57 ANTHONY WOOD, 1691-2 -- 58 JOHN LOCKE, c. 1692 -- 59 WILLIAM WALSH, 1693 -- 60 SIR THOMAS POPE BLOUNT, 1694 -- 61 CHRISTIAN WERNICKE, 1697 -- The eighteenth century -- 62 References to Donne's poetry, or to Donne as a poet, and quotations from Donne's poems, 1700-99 -- 63 JEREMY COLLIER, 1701 -- 64 ANON., A Comparison Between the Two Stages, 1702 -- 65 ALEXANDER POPE, 1706-30 -- 66 WILLIAM BALAM, c. 1707 -- 67 JONATHAN SWIFT, c. 1710 -- 68 The Guardian, 1713 -- 69 THOMAS PARNELL, c. 1714 -- 70 MATTHEW PRIOR, 1718 -- 71 JACOB TONSON, 1719 -- 72 GILES JACOB, 1720 -- 73 JOHN OLDMIXON, 1728 -- 74 ELIJAH FENTON, 1729, 1731 -- 75 WALTER HARTE, 1730 -- 76 JOSEPH SPENCE, ?1732-3 -- 77 LEWIS THEOBALD, 1733 -- 78 ANON., 'On Reading Dr. Donne's poems', 1733 -- 79 BAYLE'S Dictionary, 1736 -- 80 MRS ELIZABETH COOPER, 1737 -- 81 WILLIAM MASON, 1747, c. 1755, 1796 -- 82 JOHN BROWN, 1748 -- 83 JAMES THOMSON, 1749 -- 84 MOSES BROWNE, 1750 -- 85 WILLIAM WARBURTON, 1751, 1766 -- 86 THOMAS GRAY, c. 1752, 1770 -- 87 DR THOMAS BIRCH, 1752 -- 88 THEOPHILUS CIBBER/ROBERT SHIELS, 1753 -- 89 DAVID HUME, 1754-62 -- 90 SAMUEL JOHNSON, 1755-c. 1785 -- 91 JOSEPH WARTON, 1756, 1762, 1782 -- 92 PETER WHALLEY, 1756 -- 93 The Monthly Review, 1756 -- 94 The Literary Magazine, 1758 -- 95 ANON., The Critical Review, 176796 JAMES GRANGER, 1769 -- 97 RICHARD HURD, 1776 -- 98 WILLIAM DODD, 1777 -- 99 ANON., The Encyclopaedia Britannica, 1779 -- 100 JOHN BELL, 1779 -- 101 ANON., The Monthly Review, 1779 -- 102 THOMAS WARTON, 1781 -- 103 VICESIMUS KNOX, 1782 -- 104 JOSEPH RITSON, 1783 -- 105 ANON., A New and General Biographical Dictionary, 1784 -- 106 HENRY HEADLEY, 1787 -- 107 ANON., Nouveau Dictionnaire Historique, 1789 -- 108 WILLIAM COWPER, 1790, 1793 -- 109 ANDREW KIPPIS, 1793 -- 110 ROBERT ANDERSON, 1793 -- 111 NATHAN DRAKE, 1798, 1817 -- The nineteenth century -- 112 SAMUEL TAYLOR COLERIDGE, 1795-1833 -- 113 HENRY FRANCIS CARY, 1800 -- 114 The first publication of Elegie xx, 'Loves Warre', 1802 -- 115 ANON., The Edinburgh Review, 1802 -- 116 HENRY KIRKE WHITE, c. 1805 -- 117 ROBERT SOUTHEY, 1807, 1831,1835-7 -- 118 SIR WALTER SCOTT, 1808 -- 119 CHARLES LAMB, 1808, ?1820, 1824 -- 120 JOHN AIKIN, 1810 -- 121 ALEXANDER CHALMERS, 1810 -- 122 PHILIP BLISS, C. 1810 -- 123 SIR SAMUEL EGERTON BRYDGES, 1813, 1814 -- 124 JOHN FERRIAR, 1813 -- 125 THOMAS PARK, 1813 -- 126 CAPEL LOFFT, 1813 -- 127 ISAAC DISRAELI, 1814 -- 128 JOHN FRY, 18I4 -- 129 'A.F.G.', 1815 -- 130 ARTHUR CLIFFORD, 1815 -- 131 RALPH WALDO EMERSON, 1815-75 -- 132 HENRY AUSTEN, 1817 -- 133 WILLIAM HAZLITT, 1818, 1819 -- 134 LEIGH HUNT, 1819-67 -- 135 THOMAS CAMPBELL, 1819 -- 136 EZEKIEL SANFORD, 1819 -- 137 JOHN PAYNE COLLIER, 1820, 1865 -- 138 LUCY AIKIN, 1822 -- 139 'M.M.D.', 1822 -- 140 ANON., The Retrospective Review, 1823 -- 141 WALTER SAVAGE LANDOR, 1826, 1836 -- 142 AUGUSTUS WILLIAM HARE and JULIUS CHARLES HARE, 1827 -- 143 THOMAS PHILLIPS, 1827 -- 144 THOMAS HOOD, 1827 -- 145 JAMES MONTGOMERY, 1827 -- 146 THOMAS DE QUINCEY, 1828, 1851 -- 147 ROBERT BROWNING, c. 1828-86 -- 148 MRS ANNA MURPHY JAMESON, 1829 -- 149 WILLIAM GODWIN, 1831 -- 150 ALEXANDER DYCE, 1833, ?1850 -- 151 WILLIAM WORDSWORTH, 1833152 JAMES AUGUSTUS ST JOHN, 1835 -- 153 RICHARD CATTERMOLE and HENRY STEBBING, 1836 -- 154 SAMUEL CARTER HALL, 1836 -- 155 EDGAR ALLAN POE, 1836 -- 156 GEORGE GODFREY CUNNINGHAM, 1836 -- 157 ALFRED JOHN KEMPE, 1836 -- 158 ANON., The Quarterly Review, 1837 -- 159 ANON., The Penny Cyclopaedia, 1837 -- 160 GEORGE HENRY LEWES, 1838 -- 161 ELIZABETH BARRETT, 1838, 1842, c. 1844 -- 162 ROBERT BELL, 1839 -- 163 HENRY ALFORD, 1839 -- 164 HENRY HALLAM, 1837-9 -- 165 ANON., Selections from the Works of John Donne D.D., 1840 -- 166 J. C. ROBERTSON, 1841 -- 167 EVERT AUGUSTUS DUYCKINCK, 1841 -- 168 ANON., Gems of Sacred Poetry, 1841 -- 169 ANON., The Book of the Poets, 1842 -- 170 HARTLEY COLERIDGE, c. 1843 -- 171 HENRY DAVID THOREAU, 1843, 1849 -- 172 BARRON FIELD, c. 1844 -- 173 RICHARD CATTERMOLE, 1844 -- 174 ROBERT CHAMBERS/ROBERT CARRUTHERS, 1843, 1876 -- 175 GEORGE LILLIE CRAIK, 1845 -- 176 JAMES RUSSELL LOWELL, 1845-95 -- 177 ANON., Lowe's Edinburgh Magazine, 1846 -- 178 HENRY WADSWORTH LONGFELLOW, 1846 -- 179 ANON., Lectures on the English Poets, 1847 -- 180 EDWARD FARR, 1847 -- 181 AUGUSTUS JESSOPP, c. 1847, 1855 -- 182 CHARLES DEXTER CLEVELAND, 1850 -- 183 JOHN ALFRED LANGFORD, 1850 -- 184 GEORGE GILFILLAN, 1851,1857, 1860 -- 185 The Boston edition of Donne's poems, 1855 -- 186 ANON., Putnam's Monthly Magazine, 1856 -- 187 SIR JOHN SIMEON, 1856-7 -- 188 Notes and Queries, 1856-80 -- 189 ADOLPHUS WILLIAM WARD, 1858 -- 190 FRANCIS TURNER PALGRAVE, 1858-89 -- 191 SAMUEL AUSTIN ALLIBONE, 1859 -- 192 ANNE CHARLOTTE LYNCH BOTTA, 1860 -- 193 ALFRED, LORD TENNYSON, c. 1860 -- 194 EDWARD FITZGERALD, 1861 -- 195 WILLIAM FRANCIS COLLIER, 1861 -- 196 MRS KATHARINE THOMSON, 1861 -- 197 ANON., Temple Bar, 1861 -- 198 W. HARRY ROGERS, 1861 -- 199 THOMAS ARNOLD, 1862 -- 200 HENRI TAINE, 1863-4 -- 201 ANON., The Leisure Hour, 1864 -- 202 HENRY HART MILMAN, 1868203 RICHARD CHENEVIX TRENCH, 1868 -- 204 EDWARD FITZGERALD, 1868 -- 205 JOHN CHIPPENDALL MONTESQUIEU BELLEW, 1868 -- 206 GEORGE MACDONALD, 1868 -- 207 JOHN FORSTER, 1869 -- 208 EDWIN PERCY WHIPPLE, 1869 -- 209 GEORGE ELIOT, 1871-2 -- 210 FRANCIS CUNNINGHAM, 1872 -- 211 ALEXANDER BALLOCK GROSART, 1872-3 -- 212 A correspondence in The Athenaeum, 1873 -- 213 THOMAS CORSER, 1873 -- 214 ANON., Temple Bar, 1876 -- 215 ALGERNON CHARLES SWINBURNE, 1876, 1889, 1916 -- 216 HENRY MORLEY, ?1877 -- 217 JOSEPH BARBER LIGHTFOOT, 1877 -- 218 WILLIAM HENRY DAVENPORT ADAMS, 1878 -- 219 JOHN WESLEY HALES, 1880 -- 220 DANTE GABRIEL ROSSETTI, 1880 -- 221 SIR HENRY TAYLOR, 1885 -- 222 SARAH ORNE JEWETT, 1889 -- APPENDIX A: The publication of Donne's poems down to 1912 -- APPENDIX B: Poems by Donne which are known to have been set to music down to the nineteenth century -- BIBLIOGRAPHY -- INDEXThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses on a writer's work, enabling student and researcher to read the material themselves.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
On countably generated z-ideals of C(X) for first countable spaces
No full textIn paper [L], a question asked in [D] has been answered first by proving that: if
X
X
is normal and first countable, then every countably generated
z
z
-ideal of
C
(
X
)
C(X)
is pure; then, by giving an example of a nonpure countably generated
z
z
-ideal of
C
(
X
)
C(X)
in a
σ
\sigma
-compact (hence normal) but not first countable space
X
X
. In this paper a class
C
\mathcal {C}
of topological spaces
X
X
whose
C
(
X
)
C(X)
has a nonpure countably generated
z
z
-ideal is constructed; it is proved that
C
\mathcal {C}
contains a space
X
X
which is first countable. So it is proved that in the proposition above the hypotheses "normal" and "first countable" are both essential. Finally in
§
4
\S 4
I prove, as announced in [L], that if
X
X
is a locally compact normal space, then every countably generated
z
z
-ideal of
C
(
X
)
C(X)
is pure. For the terminology and notations see [GJ], [D], [L].</p
Chimica per le donne
No full textI percorsi di istruzione femminile nel XVIII secolo sono quanto mai
ambigui e variegati in quanto a modalità, mezzi e luoghi della
trasmissione del sapere. Il caso specifico della divulgazione
scientifica consente alcune riflessioni su un genere letterario, che
come tale si configura proprio a partire da quest’epoca. Il volume
oggetto della relazione è La chimica per le donne che l’”abate
giacobino” Giuseppe Compagnoni (1754-1833) pubblicò a Venezia
nel 1796, con l’intento di far comprendere a tutte le donne che
sapessero leggere una materia che pochi anni prima aveva subito
degli stravolgimenti di così vasta portata da rendere complessa
anche la redazione dei classici manuali per gli studenti.
Quali sono le caratteristiche della nuova chimica quando deve
esser presentata ad un pubblico di genere femminile? La sua
divulgazione in un testo concepito per le donne, le farà perdere
qualcosa del suo aspetto prettamente scientifico per trasformarla, in
definitiva, in uno dei topoi della conversazione dei salotti
Dalle lettere cancelleresche ai dictamina. Processi di finzionalizzazione e tradizione testuale
No full text- …
