19,050 research outputs found
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
Adam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
How Might Adam Smith Pay Professors Today?
Adam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
The conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
Reading Matters of the Poet. Adam Mickiewicz on Walter Scott and George Gordon Byron
The article is an excerpt from a study presenting the history of poetic
narrative in Poland and a part of a larger whole discussing the early-romantic
reception of Scott and Byron. The problem of influence of both poets on creation
of epyllion in Poland has been presented in the context of views expressed
by. Adam Mickiewicz, concerning the quest ion of mutual correspondence of
literatures of different nations and in particular the literary production of
Scott and Byron; in case of the latter also his private life and political
activity. The position of Mickiewicz as a co-author of the romantic turn has
been appreciated. His role in the process of establishing of a new style in
the Polish romantic literature, as the author of Konrad Wallenrod and translator
of The Giaour, has been considered. Mickiewicz was also a significant
person as a lecturer on Slavonic literatures, an author of studies on poetry
and poets, a keen observer, critic and historian of literature.
The investigated materials allow to state that in the raind of Mickiewicz
the names of Scott and Byron refer to different trends of art. From the beginning
Mickiewicz puts the two poets into opposition to each other, but giving
priority to Byron. According to Mickiewicz the revival of versified epic was an exclusive contribution of Byron, who modifying the pattern deprived of
problems, helped to continue and develop epics. The classicistic epoa was for
Byron and the Polish romantics a negative reference system. Eventually the
alternative poetic narrative exploiting historic themes became th- phase of
collecting experience, leading Mickiewicz and Słowacki to creation of romantic
epos. Mickiewicz's contacts with the English poets ore expressly illustrated
by the direction of development of his romantic epics, during the years when
he was writing his narrative about the Teutonic Knights and his epic about the
year 1812. It also proved that not only in Mickiewicz’s opinion but in his
own production Scott and Byron remained symbols of different ideas and literary
values.Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej nauk
Adam Mickiewicz
Die vorliegende Ausgabe der „Potsdamer Beiträge zur Sorabistik – Podstupimske pśinoski k Sorabistice“ Adam Mickiewicz, Gedichte in sorbischer Übersetzung, zusammengestellt von Alfred Měškank stellt den Jubiläumsband Nr. 10 unserer Serie dar. Wir sind sehr stolz darauf, die Serie herausgeben zu dürfen und vor allem darauf, das Jubiläum mit so einem würdigen Inhalt zu begehen. Adam Mickiewicz (1798-1855) gilt als der größte polnische Dichter, vergleichbar mit J. W. v. Goethe in Deutschland oder John Byron in England. Seine Werke sind in viele Sprachen übersetzt und dadurch in der ganzen Welt bekannt geworden. Bedeutende sorbische Dichter und Übersetzer, wie z.B. Jakub Bart-Ćišinski und Otto Lehmann-Wićaz haben seine Gedichte auch ins Sorbische übersetzt, doch diese Übersetzungen sind verstreut und dem heutigen Interessenten kaum zugänglich. Einige seiner bedeutsamsten Werke, besonders sein Versepos „Pan Tadeusz”, sowie Teile seines dramatischen Werkes „Dziady” fanden erst in neuerer Zeit einen Übersetzer. Die vorliegende Edition, die eine Zusammenstellung aller bisher ins Sorbische/Wendische übersetzten Werke des großen polnischen Dichters der Romantik darstellt, schließt diese Lücke nun.This edition of Adam Mickiewicz’s poems in Sorbian translation, compiled by Alfred Měškank, represents the anniversary edition # 10 of our series "Potsdam Contributions to Sorabistics - Podstupimske pśinoski k Sorabistice” . We are very proud to release the series and especially flattered to celebrate the anniversary with such a worthy content. Adam Mickiewicz (1798-1855) is considered the greatest Polish poet, comparable to JW Goethe in Germany or to John Byron in England. His work has been translated into many languages, and thereby become known throughout the world. Significant Sorbian poets and translators, such as Jakub Bart-Ćišinski and Otto Lehmann-Wićaz have also translated his poems into Sorbian language, but these translations are scattered and difficult to access from today's prospective. Some of his major works, particularly his epic poem "Pan Tadeusz", as well as parts of his dramatic work "Dziady" found only recently a translator. The present edition, which is a compilation of all previously published works of the great Polish romantic poet in Sorbian/Wendish language, fills this gap now
Byron as others
This article argues that sympathy is the radical heart of Byron’s poetry. For sympathy, possible via the imagination for David Hume and Adam Smith, allows Byron to be someone else as far as that is possible, withal Smith’s caveats. This article posits that Byron’s potential doubles are not poor caricatures that see the Romantic poet throwing his voice. Instead, Byron creates performances that explore and exploit the limits of sympathy. Such limits co-exist with potential. And for Byron, sympathy is not an unmitigated good. Through sympathy, we might ignore our professed values or extend our sympathy to those for whom we should not feel. Byron’s sympathy opens him up to becoming other people to some degree, to living other lives, and inhabiting other selves. Byron shows us that sympathy, like selfhood, is slippery. This article argues that Byron makes us rethink sympathy and its value
Adam Smith and Roman Servitudes
This essay is a preprint of an article that appeared at: Tijdschrift voor Rechstsgeschiedenis, 72 (2004), 327–57.This essay discusses Adam Smith historical jurisprudence and his use of Roman law materials in his Lectures on Jurisprudence. It argues that Smith found it difficult to maintain his theory of legal development in the face of a highly developed body of Roman law literature
THE THEOLOGICAL FOUNDATION OF ADAM SMITH'S WORK
The paper will discuss the theological foundation to Smith's writings. Teleology, final causes and divine design were initially seen as central to understanding Smith's writings. Over time, this view fell out of fashion. In the period after World War II, with the rise of positivism, commentators tended to overlook or downplay this interpretation. In the last decade, or so, teleology has started to be restored to its former position as an essential element in understanding Smith. After spelling out Smith's teleology and his view of final causes, divine design and the ends of nature, we try to explain the Panglossian nature of the 'new theistic view' of Smith. While our view differs somewhat, we agree with the essence of the 'new view' claim: a theological view exists in Smith which underpins his moral and economic theories.Political Economy,
Interview. Matthew Joseph with Adam Gussow, musician and author
Interview in which Adam Gussow discusses hill country blues musi
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