2,632 research outputs found

    And So The Judge Returns: Blood Meridian Workshop at the University of Warwick

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    Pulitzer Prize winning author Cormac McCarthy’s work has become required reading in literary criticism, and yet no syllabus appears to provision for the in-depth discussion his texts, particularly the 1985 novel, Blood Meridian: Or, the Evening Redness in the West, require. The ‘And So the Judge Returns: Blood Meridian Workshop’ at the University of Warwick emerged from the idea to provide a space that facilitates such a discussion. Designed to bring academics and non-academics of all ages together in one space, the workshop quickly developed from a small, Warwick-based event into a live-streamed and recorded international conference with a significant audience based in the United States. The workshop reaffirmed the interest in the novel’s enigmatic antagonist Judge Holden and motifs such as the landscape and violence. Less traditional ideas of the judge were also discussed, such as reading the judge as fraud or as weary of chaos and perpetual violence. The workshop succeeded in creating a space to share thoughts and ideas and continue the academic discourse on the novel. Speakers included Dr Nicholas Monk and Dr David Holloway, both established McCarthy critics; Peter Josyph whose artistic engagement with McCarthy’s work and career his highly respected among critics; and Dr Dan O’Hara, expert in American Studies. Ronan Hatfull and Katja Laug represented the younger generation of McCarthy critics. Live-streaming also afforded insights into the academic discourse to the mostly non-academic online audience. The article provides a summary of the day’s events and the links to the edited recordings

    Social distinction and the written word : two provincial case studies, Warwick and Draguignan, 1780-1820

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    This is a comparative study of two countries, England and France, two county towns, Warwick and Draguignan, and two families of the trading-manufacturing sort. It argues that, during the period around 1780-1820, the acquisition of a certain form of education, which included an emphasis on fluent reading, writing, and grammar. preferably Latin grammar, became as important as the acquisition of capital. This cultural capital gave its new owners a self-perceived distinction which allowed them to consider themselves and to be considered by others as different. Even if local, regional, and national differences are taken into account, this comparative study shows that this new perception developed as a transnational phenomenon, a form of culture sallS jrolltieres, even during the times of enmity and almost uninterrupted wars between Britain and France which characterise this period. This process had begun earlier in the eighteenth century, when the idea of a public opinion and its premise of equal interaction amongst its proponents was 'invented'; but it was facilitated by the French Revolution with its legacy of the notion of equality, and therefore of the importance of communication in forging democracy. The written word was the chosen means to achieve this. It is argued that this distinctive culture, in the production and consumption of which women played a considerable part, gave voice and a social and political consciousness to those who began to see themselves as the 'middle class'

    Assessing outcomes in paediatric trauma populations

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    Cameron D. Willis, Belinda J. Gabbe, Warwick Butt, Peter A. Camero

    Macroecology and meiobenthos: Reply to Warwick (2014)

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    Warwick (2014; Mar Ecol Prog Ser 505:295-298) suggests that my claim that the biology of marine metazoan benthos may scale continuously with body mass (Bett 2013; Mar Ecol Prog Ser 487:1-6) is an overstatement. His alternative hypothesis is that there is a ‘step-change’ in allometric relationships between the meio- and macrobenthos. I continue to propose that simple null hypotheses for standing stock size spectra and species size spectra of the metazoan benthos, consistent with metabolic theory and macroecology, offer parsimonious solutions. For standing stock and species size spectra I present field data that conform to these null hypotheses. Data from other studies, such as those suggested by Warwick (2014), may be difficult to place in the macroecological context, as those studies are constructed or presented in a different manner (e.g. they lack data on the number of individuals identified). I suggest that it may be useful to consider ‘evolutionary species size spectra’ separately from ‘macroecological species size spectra’. Both are valid testable hypotheses, and are not necessarily contradictory

    The causal manipulation and Bayesian estimation of chain event graphs

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    Discrete Bayesian Networks (BNs) have been very successful as a framework both for inference and for expressing certain causal hypotheses. In this paper we present a class of graphical models called the chain event graph (CEG) models, that generalises the class of discrete BN models. This class is suited for representing conditional independence and sample space structures of asymmetric models. It retains many useful properties of discrete BNs, in particular admitting conjugate estimation. It provides a flexible and expressive framework for representing and analysing the implications of causal hypotheses, expressed in terms of the effects of a manipulation of the generating underlying system.We prove that, as for a BN, identifiability analyses of causal effects can be performed through examining the topology of the CEG graph, leading to theorems analogous to the Backdoor theorem for the BN

    Luce Irigaray

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    Luce Irigaray is the Director of Research in Philosophy at the Centre National de la Recherche Scientifique de Paris. A doctor in linguistics and philosophy, a leading cultural theorist, an experienced therapist and author of more than 30 books on a range of subjects, Luce Irigaray truly is an interdisciplinary thinker. Thanks to support from the French Embassy in London, the Institute of Advanced Study, the Centre for the Study of Women and Gender, the Society for Women in Philosophy (SWIP), and the Departments of English and History, she visited the University of Warwick on 7 June 2013. A lecture and roundtable discussion was attended by students and academics from many different departments, forming questions and ideas across and beyond disciplines. The day concluded with a reception and animated conversations that carried on until late in the evening.  Before leaving Warwick, Luce Irigaray kindly agreed to give an exclusive interview to ‘Exchanges’, some of which is included in this discussion of her ideas

    And So The Judge Returns: Blood Meridian Workshop at the University of Warwick

    No full text
    Pulitzer Prize winning author Cormac McCarthy’s work has become required reading in literary criticism, and yet no syllabus appears to provision for the in-depth discussion his texts, particularly the 1985 novel, Blood Meridian: Or, the Evening Redness in the West, require. The ‘And So the Judge Returns: Blood Meridian Workshop’ at the University of Warwick emerged from the idea to provide a space that facilitates such a discussion. Designed to bring academics and non-academics of all ages together in one space, the workshop quickly developed from a small, Warwick-based event into a live-streamed and recorded international conference with a significant audience based in the United States. The workshop reaffirmed the interest in the novel’s enigmatic antagonist Judge Holden and motifs such as the landscape and violence. Less traditional ideas of the judge were also discussed, such as reading the judge as fraud or as weary of chaos and perpetual violence. The workshop succeeded in creating a space to share thoughts and ideas and continue the academic discourse on the novel. Speakers included Dr Nicholas Monk and Dr David Holloway, both established McCarthy critics; Peter Josyph whose artistic engagement with McCarthy’s work and career his highly respected among critics; and Dr Dan O’Hara, expert in American Studies. Ronan Hatfull and Katja Laug represented the younger generation of McCarthy critics. Live-streaming also afforded insights into the academic discourse to the mostly non-academic online audience. The article provides a summary of the day’s events and the links to the edited recordings

    Oliver Sacks

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    Renowned neurologist and author Dr Oliver Sacks is a visiting professor at the University of Warwick as part of the Institute of Advanced Study. Dr Sacks was born in London. He earned his medical degree at the University of Oxford (Queen’s College) and the Middlesex Hospital (now UCL), followed by residencies and fellowships at Mt. Zion Hospital in San Francisco and at University of California Los Angeles (UCLA). As well as authoring best-selling books such as Awakenings and The Man Who Mistook His Wife for a Hat, he is clinical professor of neurology at NYU Langone Medical Center in New York. Warwick is part of a consortium led by New York University which is building an applied science research institute, the Center for Urban Science and Progress (CUSP). Dr Sacks recently completed a five-year residency at Columbia University in New York, where he was professor of neurology and psychiatry. He also held the title of Columbia University Artist, in recognition of his contributions to the arts as well as to medicine. He is a fellow of the Royal College of Physicians and the Association of British Neurologists, the American Academy of Arts and Sciences, and the American Academy of Arts and Letters, and has been a fellow of the New York Institute for the Humanities at NYU for more than 25 years. In 2008, he was appointed CBE

    Cadence and the empirical modelling conceptual framework : a new perspective on modelling state-as-experienced

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    The aspiration in Empirical Modelling (EM) is to build artefacts for sense-making ("construals") that exhibit interactive characteristics similar to those observed in the situation to which they refer. The relation between an artefact and its referent is established through constructing a close correspondence between dependencies, observables and instances of agent action. Specifically, different kinds of agent interaction with the referent have counterparts in the model that are recognisably congruent in that they disclose similar dependencies between observables. The full elaboration of this notion lies beyond the scope of this paper - it has been a central theme of the EM project as documented at www.dcs.warwick.ac.uk/modelling. A crucial aspect of the approach is the emphasis that is placed upon the experiential nature of the correspondence between an artefact and its referent. This represents a radical departure from the conventional functional and operational manner in which a computer program is interpreted. It means that the interpretation of an artefact is open and fluid. For instance, it is subject to evolve over time (e.g. "facility in recognising dependencies can be learned"), can be dependent on the observer (e.g. "relationships can only be discerned if the observer isn't colour-blind"), and on the specific situation within which interaction and observation is being conducted (e.g. "whether changes to observables can be identified may depend on the level of lighting"). To date, the typical approach to EM has been to exploit modelling with definitive scripts (MWDS) as supported by the EDEN interpreter. This approach has limitations with practical and conceptual consequences. The Cadence environment, as developed by the second author, offers an alternative framework - as yet less thoroughly explored - for supporting EM. This report discusses the impact that Cadence has had in exposing problematic ways in which MWDS has biased the conception and practice of EM, and the extent to which developing Cadence can help to redress this bias

    Article, Author and Keyword Index for Exchanges: Volumes 7.1-9.2

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    This article provides a practical guide to the scope and disposition of scholarly work contributed and published within the Exchanges journal over its last three volumes. This article forms a companion piece to one published in Volume 6, Part 2 of the journal, which offered a guide to all works published up until that point through an author and article index. This new article expands on the information provided within the more recent editions in that it offers three forms of index. Firstly, a volume-by-volume listing of articles, authors, subjects and DOI links. Secondly, an author index, providing information on the issues to which each has contributed. Finally, it incorporates a keyword index, drawn from the author-controlled taxonomy deployed and associated with each published article
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