12,913 research outputs found
Rose Hogan scrapbook
No full textThis collection contains a scrapbook of newspaper articles and special event programs collected by Margaret Rose Hogan
Trip account
No full textTrip account - AMs, 15 pp.
“I am attempting to give you some account of a recent vacation trip which we were privileged to enjoy - Rose, Mother and I…” As the account of the trip to view the eclipse is unsigned, we can’t say for sure but as the author states “Rose, Mother and I” one could logically assume that the author is a sibling of T. Rose Curtis
ROSE POLY and ME A Memoir
No full textAuthor discusses his time as an engineering student and football player (1955-59), and then football coach, track coach, athletic director, instructor and then assistant professor of civil engineering at Rose Polytechnic Institute (now Rose-Hulman Institute of Technology) (1962-64). As a football player in 1958, he led the nation in scoring with 168 points in 8 games. Sixty-two years later, the 168 points continues to be the record for points in a season by an Indiana college football player. His 21.0 points per game were the national record for thirty years (1958-88) until broken by Barry Sanders of Oklahoma State. In 1957 and 1958, the Rose Poly football team won fifteen games in a row over two seasons while the defense held opponents to 5.4 points per game. In 1958, the team led the NCAA Division II in defense holding opponents to 95.8 yards per game and a total of 31 points (3.9 points per game). As the football coach, he rescued the team from a disastrous previous year in which the team lost all of its games and scored only six points. The author concludes with his afterthoughts on his alma mater after a career of more than 60 years in engineering education.https://scholar.rose-hulman.edu/alum_pub/1003/thumbnail.jp
Michel Foucault and Judith Butler: troubling Butler's appropriation of Foucault's work
No full textOne of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking
Indiana Football Clippings Scrapbook, 1910
No full textMSS 110: Indiana Football Clippings Scrapbook is from 1910 and includes news and yearbook clippings covering Butler University (Butler College), Wabash College, Indiana University, Rose-Hulman Institute of Technology (Rose-Poly), University of Evansville, (Moores Hill College), DePauw University, University of Notre Dame, Franklin College, Earlham College, Hanover College, Purdue University and various Indiana high schools. The high school clippings segment includes Brownsburg, Brazil, Culver Military Academy, Huntington, Sullivan, Washington, Greenfield, Logansport, Franklin, Winamac, Rensselaer, Linton, Worthington, Princeton, Lafayette, East Chicago, Evansville, Jeffersonville, New Albany, Lebanon, Martinsville and others
Rose Macaulay: Satirist
No full textDame Rose Macaulay possessed two qualities, a comic spirit and an intellectual pessimism, which made her one of England\u27s finest modern satirists. Her satire has limitations. First, because of rapid and rather prolific productivity, some of the satire is repetitious. Second, the reader who enjoys satire is already aware of many of the flaws and incongruities of society. He has probably ridiculed them himself, so he may not find the satire as fresh and original as the author hoped it would be. Much of Miss Macaulay\u27s satire is delightful and keen but occasionally she stoops to the trivial. In spite of these shortcomings and the fact that sometimes the humor seems so broad as to be almost forced, the presence of the comic spirit and the intellectual pessimism--her insight into both the comedy and the tragedy of life--gives much of her satire great appeal and universality
Butler (D.E.), Rose (Richard) - The British general election of 1959
No full textCharlot Monica, Charlot Jean. Butler (D.E.), Rose (Richard) - The British general election of 1959. In: Revue française de science politique, 11ᵉ année, n°3, 1961. pp. 731-733
Applique-Rose quilt, by Annie Augusta Bier Pannier
No full textImage of Applique-Rose quilt created in 1930s by Annie Augusta Bier Pannier. Also includes questionnaires describing the quilt completed by Anne Pannier Butler as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Anne inherited the quilt from her grandmother in 195
Come & Go
No full textCome & Go was exhibited at The Lowry Jan 2016 as a prototype dual-screen, interactive video installation. It was installed in the Studio Theatre and ran alongside the first digital exhibition in The Lowry Galleries: Right here Right Now (Thompson and Craighead, Timo Arnall and Eva and Franco Mattes).
This installation was the first stage of production, technical development and interactive testing. It was curated for exhibition as part of Everything Flows, Museums of Sheffield (June - August 2017) by Jeanine Griffin.
The work references Edison’s early films of The Serpentine Dance made in the 1920s. Its subject matter and execution alludes to analogue technique, now reworked for new media. Filmed from above in high resolution slow motion, the image presents a contemporary image and point of view.
The audience is detected by surveillance on gaming cameras, and through their movement, alter the speed of image playback from slow motion to real time. This creates a play of move and counter-move, enabling the audience to switch between that of viewer to viewed. The technique and aesthetics of the artwork considers the shift between physical and digital media and the edges of spaces. It presents imagery which references drones, flight, entrapment, states of limbo and prompts questions surrounding location, dialogue or combat.
A collaborative artists print publication with artist-writer Emma Cocker (NTU) accompanies this work.
The catalogue publication is available with review by Oliver Basciano (Art Review). The work was reviewed in Art Monthly (July 2017).
The work received an honorary award as part of the Surveilllance Studies inaugural arts prize and was presented at the Surveillance Studies Biennale (2018)
Special Operations
No full textSpecial Operations is an exhibition of a body of work bought together and worked through as part of doctoral research: 'Special Operations: Deploying artists' methods to investigate surveillance'. The photography, sound and video works comprise of photographic work captured in the UK Houses of Parliament with video footage and imagery selected from the Stasi Records Agency, Berlin, film and video archive.
The exhibition presented an opportunity to work through footage, files and photographs from the Stasi Records agency, to unpack work previously exhibited in Berlin, to try and test audio and images captured at the Houses of Parliament, to rework, review and reflect
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