5,208 research outputs found
Stories about Aaron Antonovsky - the original author of Salutogenesis (Plenary)
No full textPlenary session dedicated to the original author of the salutogenesis, Aaron AntonovskySessió plenària dedicada a l'autor original de la salutogènesis, Aaron Antonovsky6354.mp4
6354.mp
Evidence-Based Approaches to School-University Partnerships
No full textThis is the handout for the breakout session conducted by Nick Abel, Brandie Oliver, Tom Keller, and Aaron Munson at the annual Evidence-Based School Counseling Conference (EBSCC) in March of 2021. Due to the COVID-19 pandemic, this conference was held virtually
Thompson, Aaron
No full textSee entry in Butler County, volume 1, page 25: https://digital.archives.alabama.gov/digital/collection/voter1867/id/108
Presley, Aaron
No full textSee entry in Butler County, volume 1, page 74: https://digital.archives.alabama.gov/digital/collection/voter1867/id/113
Patten, Aaron
No full textSee entry in Butler County, volume 1, page 37: https://digital.archives.alabama.gov/digital/collection/voter1867/id/109
Todd, Aaron
No full textSee entry in Butler County, volume 1, page 13: https://digital.archives.alabama.gov/digital/collection/voter1867/id/107
Uncommon Sense (The Sociological Review Podcast) Season 4, Episode 4: Free Speech, with Aaron Winter
No full textThe Sociological Review Podcast: Uncommon Sense Free Speech, with Aaron Winter Aaron Winter, Rosie Hancock and Alexis Hieu Truong 27th June 2025 About How is the notion of “free speech” abused and misunderstood? What’s wrong with “debate me” culture – and with the value placed on appearing to be “controversial”? And what happens when people who are actually pretty powerful claim they “can’t say anything anymore”? Sociologist Aaron Winter, an expert on racism and the far right, joins Uncommon Sense to discuss all this and more. Showing what sociology has to offer to discussions of “freedom” often found in politics, Aaron describes how “free speech” has been invoked through the decades in North America and Europe, including in the victimisation narratives found in far-right discourse today. Plus, we reflect on the importance of no-platforming, and the need for critical thought when we hear that certain ideas are simply the “voice of the people”. Featuring discussion of Aaron’s work with Aurelien Mondon on “Reactionary Democracy”. Also: celebration of influential American sociologist Eduardo Bonilla-Silva, author of “Racism without Racists”, and the UK band The Specials
Crenshaw, Aaron
No full textSee entry in Butler County, volume 1, page 34: https://digital.archives.alabama.gov/digital/collection/voter1867/id/109
Aaron Copland collection,
No full textThe Aaron Copland collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers, including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extend over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomson. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.Open to research.Access Advisory: Not all materials in this collection may be readily accessible; please request accessibility information well in advance of your visit http://hdl.loc.gov/loc.music/perform.contactCite as: Aaron Copland Collection, Music Division, Library of Congress.Composer Aaron Copland was born on Nov. 14, 1900, in Brooklyn, N.Y. From 1921-1924 he studied composition and orchestration with Nadia Boulanger in Paris. Copland was the recipient of the 1925-1926 Guggenheim Memorial Fellowship, the first in music. Many awards followed throughout his life. Copland performed his own music as pianist and conductor and also conducted music of other composers. He was the author of articles and books and of oral presentations on music. He was also active as an administrator, founding festivals and concert series and in publishing contemporary music. Copland died on Dec. 2, 1990, in North Tarrytown, N.Y.Some mss. Gifts Aaron Copland ca. 1940-1970.Bulk of the collection Gift Aaron Copland 1989.Some mss. Gifts Nadia Boulanger estate July 18, 1980, and Mar. 6, 1981.Libretto material for The tender land Gift Erik Johns.Some mss. Gift Bennett Lerner.Sound recordings and moving images transferred to Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.Books from Copland's library transferred to Library of Congress Rare Book and Special Collections Division.1154 published scores by North and South American composers (not including Copland) located in Performing Arts Library in the New York Public Library a microfilm is available in the Library of Congress Performing Arts Reading Room: Microfilm 93/20010.Finding aid available in the Library of Congress Performing Arts Reading Room and at http://hdl.loc.gov/loc.music/eadmus.mu00200
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