1,721,313 research outputs found
Giovanni Gabrieli
No full textBibliografia commentata, articolata nelle seguenti sezioni: Introduction; General Overviews; Biography; Thematic Catalogues and Work-Lists; Modern Editions; Source Studies; The Context for Gabrieli (Overviews; Contemporary Commentaries; Music, State Ceremonial and its Settings, and the "Myth of Venice"; Music in St Mark's; Music in Parish and Monastic Churches, Confraternities; Music at the Ospedali; Music, Church Architecture, and Acoustics; Organs and Organists; Music-Making in Private Palaces; Dancing and "Feste da Ballo"; Professional Organization of Musicians; Music Publishing; Instrument Making); The Music (Sacred and Secular Vocal Polyphony; Music for Instrumental Ensemble; Keyboard Music; "Cori spezzati" in Composition and Performance; Other Aspects of Performance Practice); Place in Tradition, Influence, and Posthumous Reputation (Place in Venetian Tradition and Influence on Younger Venetian and North Italian Composers; Influence Outside Italy; Later Revival
Venetian Music Online
No full textVenetian Music Online is a scientific platform dedicated to research on music in Venice and its historical territories, and the history of Venetian musical culture in its European dimension.\ud
Conceived both as a collection of open-access studies, critical editions, databases and other digital materials (audio, video etc.), and as a receptacle for online contents in connection with the new Venetian Music Studies series published by Brepols (Turnhout), it aims to provide scholars with a useful and versatile tool for the dissemination of the results of their scientific activities.\ud
Proposals are peer-reviewed by members of the international editorial board
Schütz's Venice: 1609-1613 and 1628-1629
No full textIl riconoscimento da parte di Schütz del proprio debito personale e artistico nei confronti di Giovanni Gabrieli, attestato dal compositore tedesco nella lettera di dedica delle "Symphoniae sacrae" stampate nel 1629, è uno solo dei tanti tributi indirizzati al maestro veneziano dai suoi allievi e ammiratori d'oltralpe. Questo studio vuole caratterizzare ciò che doveva essere l'esperienza artistica del giovane (e del meno giovane) Schütz come osservatore, ascoltatore e musicista pratico durante i suoi soggiorni veneziani
Per una bibliografia sistematica della musica sacra dei secoli XVI e XVII. Rapporto su due incontri di studio
No full textIl mondo delle farse / The World of One-act Comic Opera
No full textnote di programma per il Rossini Opera Festival, 2001 (materiali riutilizzati nell'ambito dei Festivals 2002 e 2003
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