233 research outputs found

    Australia as a Southern Hemisphere power

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    Australia’s key economic, foreign and security relations are overwhelmingly focused to our north—in Asia, North America and Europe. But our ‘soft’ power in the realms of aid, trade, science, sport and education is increasingly manifested in the Southern Hemisphere regions of Africa, South America, the Indonesian archipelago and the Southwest Pacific, as well as Antarctica. Our developmental, scientific, business and people-to-people linkages with the emerging states of sub-Saharan Africa and Latin America are growing rapidly. At the same time, new forms of peacemaking have distinguished Australia’s cooperative interventions in our fragile island neighbourhood. This paper looks at these different ways Australian power is being projected across the Southern Hemisphere, particularly in relation to new links with Africa and South America. Rapid growth in our southern engagement has implications for the future, but also harks back to Australia’s past as ‘Mistress of the Southern Seas'

    Animating archaeology: local theories and conceptually open-ended methodologies

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    Animists’ theories of matter must be given equivalence at the level of theory if we are to understand adequately the nature of ontological difference in the past. The current model is of a natural ontological continuum that connects all cultures, grounding our culturally relativist worldviews in a common world. Indigenous peoples’ worlds are thought of as fascinating but ultimately mistaken ways of knowing the world. We demonstrate how ontologically oriented theorists Eduardo Viveiros de Castro, Karen Barad and Tim Ingold in conjuncture with an anti-representationalist methodology can provide the necessary conditions for alternative ontologies to emerge in archaeology. Anthropo-zoomorphic ‘body-pots’ from first-millennium ad northwest Argentina anticipate the possibility that matter was conceptualized as chronically unstable, inherently undifferentiated, and ultimately practice dependent

    The modernist angel: Art at the Limits of the Human in D. H. Lawrence, H. D. and Mina Loy

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    PhDThe subject of this thesis is a figure that might provisionally be called the *modemist angel'. Focusing on modernist literature, and more particularly on the work of D. H. Lawrence, H. D. and Mina Loy, it aims to isolate from the many angels found in all periods and all types of art a historically specific and intellectually coherent paradigm: an angel of and for its modernist times. A figure of precisely this type could be said to exist in the form of Walter Benjamin's 'angel of history'. Critics who address the question of the modern angel in texts by Franz Kafka and Rainer Maria Rilke often do so in conjunction with the problem posed by the angel of history. Beginning with a chapter on Benjamin, this thesis nevertheless follows a different trajectory. Over five chapters, it explores a modernist landscape formed not only by Lawrence, H. D. and Loy, but also by European and American writers such as A. R. Orage, Allen Upward, Ezra Pound, Wallace Stevens, Havelock Ellis, Edward Carpenter, Sigmund Freud and Friedrich Nietzsche. Although the angel that emerges from this investigation might, in some respects, be said to anticipate Benjamin's later version, this figure is also very different, standing for a project that is distinctively, and recognisably, modernist in nature. He/she (the sex of the modernist angel is often open to question) represents an attempt to reconcile the divine responsibilities of the artist with the material and gendered conditions of being, specifically of being human, in the modem world. This thesis looks again at the clash of intellectual paradigms in the early-twentieth century - notably, the confrontation of the Romantic view of art as a superhuman or sacred undertaking with the psychoanalytical or evolutionary idea that all human endeavour is underpinned by sub-human motives - and suggests the angel as a new and instructive figure through which to think the perilous limits between the human and the divine in modernist literature

    Cult: A Composite Novel

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    Cult (redacted) The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence. Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults. The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic. Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts

    Reading Through Displacement: Functionality of the Underlying Theme in Tim O'Brien's Fiction

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    Tim O'Brien, a contemporary author writing mostly about his combat experience in Vietnam, has written eight books to date. All involve Vietnam in some way—overtly, for the most part. He and his stories are well known stylistically for several traits including the blurred distinctions between what actually happened and "story truth," something that did not really happen, but is true nonetheless. Within the story, he also blurs the line between what actually happens and what is imagined by the narrator or one of the characters; and, although he sometimes makes the distinction, he often does not. To help shed some light on this, there are a number of published interviews and articles wherein he discusses the themes, forms, and methods of his writing as well as his experiences. Research and analysis of O'Brien and his works show that, although his stories overtly deal with a myriad of other issues and themes, the complex and specific theme of displacement caused by trauma is present in all of his work, and can even be considered the engine that drives his stories and how they work with the reader. Additionally, O'Brien's well-known method of writing is actually a subtle yet intensely effective performance and enactment of this underlying theme of displacement. When used as a reading strategy, the theme itself clarifies and unlocks several points of contention about his texts such as O'Brien's generally negative treatment of women.Master of Art

    The Relationship of the Signatures of 18th Century American Men to Their Names

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    This article is about multi-letter abbreviations of men’s first names, for example, Benj: for Benjamin and Jn° for John, used in 18th century American signatures. Their formal characteristics are described and they are examined in the context of the general abbreviation practices of the period. The author rejects the suggestion, made recently by Wilson, that nicknames used in oral discourse may explain these abbreviations, and stresses instead their visual nature. Signature elements such as G:° and And:w, the author maintains, cannot be fully understood without reference to written means of identification used in earlier centuries, including the mark, the monogram, the cipher, and the rubric.Cet article traite des abréviations à plusieurs lettres de prénoms d’hommes, par example, Benj: pour Benjamin et Jn° pour John, qui figurent dans les signatures d’Américains du 18e siècle. L’auteur examine leurs caractéristiques formelles et les situe dans le contexte des pratiques d’abréviation générales de l’époque. Il rejette la suggestion récemment formulée par Wilson selon laquelle l’utilisation de formes hypocoristiques de la langue parlée pourrait expliquer ces abréviations, et il souligne plutôt l’importance de leur aspect visuel. Selon l’auteur, on ne peut pas bien comprendre les éléments de signature comme G:0 et And:w, par exemple, sans considérer certain moyens d’identification de la langue écrite utilisées au cours des siècles antérieurs, tels la marque, le monogramme, le chiffre, et la rubrique

    Ahead by a Century: Tim Edgar, Machine-Learning, and the Future of Anti-Avoidance

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    This is an article published in the Canadian Tax Journal.Tim Edgar’s contributions to our understanding of tax avoidance and anti-avoidance remain ahead of their time. In this paper, the author argues that Edgar’s work on building better general anti-avoidance rules (GAARs) was particularly prescient—correct in its claim that tax avoidance can and should be eliminated through effective anti-avoidance measures. The author maintains that although Edgar’s position and vision will eventually be realized, Edgar himself did not anticipate the manner in which this would occur. The author’s first claim is that the law is incomplete, and this incompleteness problematizes any insistence on the immediate adoption of strict anti-avoidance measures. The author explains how and why the current stage of legal development falls significantly short of completely specifying the law, including the tax law. The author’s second claim is that the next decades will bring considerably more sophisticated and effective approaches to legal development. Described, in broad terms, are some of the mechanisms through which our tax systems are moving toward a legal singularity (a state of the law that is functionally complete and well specified). The author proceeds to outline the implications of his two main claims for the future of GAARs and anti-avoidance— specifically, how the realization of a much more complete system of law will leave effectively no further scope for tax avoidance. Tax law, in the asymptotic realization of Edgar’s work and vision, will become well targeted and well equipped to address tax avoidance. Tax avoidance as we know it will cease to exist
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