18,174 research outputs found
Nicholas de Grandmaison outdoors.
No full textColour photograph of Nicholas de Grandmaison standing with a cane outside beside a burgundy car. Nicholas is wearing a peach coloured shirt, red tie, brown vest and beige overcoat with a dark hat. His glasses and a camera hang around his neck. The front passenger door of the car is open. Beyond the car are grasses and trees. Written in pen on the back of the photograph is a woman's name and phone number that has been scribbled out. Title supplied by cataloguer
Nicholas de Grandmaison on the street.
No full textColour photograph of Nicholas de Grandmaison standing outside on the street on a summer day in Banff. He is standing in profile to the camera and is wearing a brown sport coat over a light colored shirt. There are cars parked along the sidewalk and people are walking on the sidewalk behind Nicholas. An Esso gasoline sign is partially visible down the street. A mountain with snowy peaks and a blue sky is visible in the far background. Title supplied by cataloguer
Nicholas de Grandmaison with young child.
No full textColour photograph of Nicholas de Grandmaison sitting at a table with a young dark-haired child on his lap. Nicholas is wearing a brown checked jacket over a blue shirt and red tie and his glasses hang around his neck. He is hugging the child with his head bent down, pressing his face on the side of the child's head. The child is smiling. There is a box of sweets, a mug and table linens visible on the table. A chair and drapes are partially visible in the background. A picture up on the wall behind Nicholas is partially visible. There is minor fold damage to the photograph. Title supplied by cataloguer
Nicholas de Grandmaison with pipe.
No full textColour photograph of Nicholas de Grandmaison in a brown suit jacket, shirt and bolo tie. He is wearing his reading glasses and holding his pipe in his mouth. Stamped in blue ink on the back of the photograph is the notation; "Week of Mar 16 1959 Munshaw Colour Print". Title supplied by cataloguer
Nicholas de Grandmaison with two companions in a kitchen.
No full textColour photograph of Nicholas de Grandmaison sitting in a kitchen with another older man and a First Nations woman. Nicholas de Grandmaison is wearing a brown suit with a plad shirt. His male companion is wearing his glasses, a white shirt with a brown patterned tie and dark pants. He is seated on a high chair between Nicholas and the First Nations woman, with his arm on the back of her chair. She is wearing a patterned dress with dark cardigan and a dark patterned scarf over her hair and tied under her chin. There is a stove behind the two men with two kettles and a camera on it. Jars of spices are arranged on a small shelf above the stove. A refrigerator stands beside the stove and just beyond the stove, in the background is another chair. Title supplied by cataloguer
Nicholas de Grandmaison with George McMahon in Calgary.
No full textColour photograph of Nicholas de Grandmaison standing beside George McMahon. Nicholas is wearing a brown sport jacket with a light colored shirt and bolo tie. His glasses hang around his neck and he holds a pipe in one hand. George is wearing a suit with a white shirt and dark tie. There are two copies of this photograph. Stamped in blue ink on the back of both photographs is the notation: "Week of Mar 16, 1959 Munshaw Colour Print". Handwritten in pencil on the back of one of the photographs is the notation: "Dad with George McMahon Calgary". Title supplied by cataloguer
Nicholas de Grandmaison sitting with Kay McKinnon.
No full textColour photograph of Nicholas de Grandmaison sitting on a patterned couch beside Kay McKinnon. He is wearing a brown suit with a light colored shirt ad red tie. His glasses hang around his neck. She is wearing a purple top. On the wall behind them hangs a de Grandmaison portrait of a man dressed in outdoor wear. Handwritten in pen on the back of the photograph is the notation: "L.B.R., Nicky & Kay McKinnon, Maplelawn, 12.4.1973." Title supplied by cataloguer
Nicholas de Grandmaison with Archdeacon Sim.
No full textColour photograph of Nicholas de Grandmaison sitting at a table in a kitchen with Archdeacon Sim. Nicholas is wearing a brown suit and is seated on a kitchen chair in three-quarter profile to the camera. He has one hand on his knee and his opposite elbow on the kitchen table with his chin resting in his hand. Archdeacon Sim is sitting on a kitchen chair with his back to the camera. There is a plaid tablecloth on the table. A white refrigerator is beside the table and there are small framed pictures up on the walls. Handwritten in pencil on the back of the photograph is the notation: "with Archdeacon Simm in Victoria". Title supplied by cataloguer
Open access self-archiving: An author study
No full textThis, our second author international, cross-disciplinary study on open access had 1296 respondents. Its focus was on self-archiving. Almost half (49%) of the respondent population have self-archived at least one article during the last three years. Use of institutional repositories for this purpose has doubled and usage has increased by almost 60% for subject-based repositories. Self-archiving activity is greatest amongst those who publish the largest number of papers. There is still a substantial proportion of authors unaware of the possibility of providing open access to their work by self-archiving. Of the authors who have not yet self-archived any articles, 71% remain unaware of the option. With 49% of the author population having self-archived in some way, this means that 36% of the total author population (71% of the remaining 51%), has not yet been appraised of this way of providing open access. Authors have frequently expressed reluctance to self-archive because of the perceived time required and possible technical difficulties in carrying out this activity, yet findings here show that only 20% of authors found some degree of difficulty with the first act of depositing an article in a repository, and that this dropped to 9% for subsequent deposits. Another author worry is about infringing agreed copyright agreements with publishers, yet only 10% of authors currently know of the SHERPA/RoMEO list of publisher permissions policies with respect to self-archiving, where clear guidance as to what a publisher permits is provided. Where it is not known if permission is required, however, authors are not seeking it and are self-archiving without it. Communicating their results to peers remains the primary reason for scholars publishing their work; in other words,
researchers publish to have an impact on their field. The vast majority of authors (81%) would willingly comply with a mandate from their employer or research funder to deposit copies of their articles in an institutional or subject-based repository. A further 13% would comply reluctantly; 5% would not comply with such a mandate
Nicholas de Grandmaison painting.
No full textBlack-and-white photograph of Nicholas de Grandmaison sitting and painting at his easel. He is wearing a suit with a patterned tie and his glasses. There is a wooden chair partially visible between Nicholas and the easel. Drapes are hanging behind the chair. Title supplied by cataloguer
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