182,469 research outputs found
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesParigi, Robert S., “Reading the Entrails: Splatter Cinema and the Postmodern Body.”
Morgan, Robert C., “The Icon Without the Image.”
High, Stephen S., “Young German Painting: Towards the Hyperreal.”
Nechvatel, Joseph, “High Style.”
Dietrich, Linnea S., “Gauguin: The Eve of My Choice.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesBaigell, Matthew, “A Ramble Around Early Earth Works.”
Alford, C. Fred, “Art and Reparation or, Poetry After Auschwitz?”
Kultermann, Udo, “Pino Pascali and the Reconstruction of Nature.”
Platt, Susan Noyes, “Clement Greenberg,in the 1930’s: A New Perspective on His Criticism.”
Long, Timothy, “Art and Moral Resistance to Simulation.”
Nechvatal, Joseph, “Artistic Cynicism.
Risk assessment of Record Brook interbasin water transfer scheme to the aquatic fauna of the Donnelly and Warren Rivers
No full textThis report describes the fishes and freshwater crayfishes of the Donnelly and Warren River catchments and provides a risk assessment to these fauna of the proposed extraction of water from Record Brook (tributary of the Donnelly River) and subsequent transfer to Scabby Gully Dam (Warren River catchment). The proposed location of the structure in Record Brook is at the gauging station ~1 km upstream from the confluence with the Donnelly River. The project aims to divert peak flows in the winter and spring flow period, transferring around 500 ML each year. The size and shape of the interception structure is yet to be determined, but are likely to incorporate a concrete weir < 5m high and a reservoir.
A total of six sites in Record Brook, Donnelly River and Scabby Gully Dam were sampled and these data were collated with additional historical information on the aquatic fauna of both catchments. An overview of fishes and freshwater crayfishes in the Donnelly River is summarised in Morgan & Beatty (2006), the authors recorded a high diversity of native freshwater species [Salamanderfish, Western Minnow, Black-stripe Minnow, Western Mud Minnow, Nightfish, Western Pygmy Perch, Balston’s Pygmy Perch, Freshwater Cobbler, (metamorphosed) ammocoetes of the Pouched Lamprey, Marron, (Restricted) Gilgie, Koonac, Freshwater Shrimp] as well as several estuarine [Western Hardyhead, Blue-spot Goby, South-west Goby] and non-native species [Mosquitofish, Redfin Perch, Rainbow Trout and Brown Trout]. The Donnelly River system is one of only two in south-western Australia that houses all of the endemic fishes of the region. The fauna of Record Brook contrasted that within the main channel sites of the Donnelly River. Within Record Brook, the fauna was dominated by the Pouched Lamprey, Koonac and Rainbow Trout, with the occasional Marron, Western Minnow and Western Pygmy Perch recorded. Within the Donnelly River main channel sites, the captures included Nightfish, Blue-spot Gobies, the Restricted Gilgie, Freshwater Shrimp and introduced Eastern Mosquitofish.The ichthyofauna of the Warren River consists of 14 fish species and is similar to the Donnelly River with the notable absence of Balston’s Pygmy Perch and Salamanderfish. However, in Scabby Gully dam only Marron and Redfin Perch were observed.
The risks of transfer of parasites and disease, feral/native fish or crayfish from Record Brook to Scabby Gully Dam are low. Threats to fish and freshwater crayfish in Record Brook include changes to water quality (altered flow, altered habitat and/or changes in temperature, oxygen, salinity) and requires ongoing monitoring should the project be implemented. The highest threat to fish and freshwater fish would be the barrier to fish movement by construction of the proposed dam. The construction of a fishway at the proposed dam would reduce some of the negative impacts to fish migration but would also require ongoing monitoring. No specially protected fish and/or crayfish species have been recorded in Record Brook. However, Record Brook acts as an important nursery area for the Pouched Lamprey and this species is listed as a Priority Species (Priority 1) by the Department of Environment and Conservation. The contents of this report are intended to inform of future management options and do not constitute, or replace any assessment or approval processes that may be required in accordance with the Environmental Protection Act 1986 and/or Environmental Protection and Biodiversity Conservation Act 1999
I T S & G L O B A L I MP A C T
No full textArchived web contentThis record was edited by Preservation Staff members in September of 2013.The works contained within this collection are records and documents that have been mined from student groups and organizations campus web presence, including but not limited to social media and static and dynamic web content generated by the identified participants. The preservation of these works enable the University Libraries to document the daily activities and work of our campus community members, providing a historical record from which students, faculty and staff may draw and learn from in the future.
The initiative is managed and maintained through a joint collaboration between the University Libraries' Special Collections and University Archives, the Preservation Department in consultation with the Undergraduate Student Government and Graduate Student Organization
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesPeglau, Michael, “Against Benjamin, H. D. Buchloh’s Attack on Painting.”
Matthews, Patricia, “A Dialogue of Silence: May Stevens’ Ordinary/Extraordinary 1977-86.”
Kuspit, Donald B., “Dorothea Tanning’s Occult Drawings.”
Greenberg, Allan, “Architecture of Democracy.”
Davis, Douglas, “On Architecture.”
Welish, Marjorie, “Frame of Mind: Interpreting Jasper Johns.”
Morgan, Robert C., “Review: Corinne Robbins, The Pluralist Era: American Art, 1968-1981.
Art Criticism
No full textAnalog Original: v. ; 22 cm.If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)Archived web contentThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland CoffeyDepartment of Art, Stony Brook University; Stony Brook University LibrariesBaskind, Samantha, “Imaging the Book: Jewish Artists and the Bible in Twentieth-Century America.”
Bravo, Monica, “Aesthetic of Reception? A Jaussian Reading of The Family of Man.”
Clarke, David, “Paths to Dissolution: Water and Abstract Art.”
Grove, Jaleen, “Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?”
Howell, Whitney, “From Destructive Infant to Restorative Mother: Tracing the Vulnerable Body in the Work of Louise Bourgeois.”
Parker, Rachel C., “Understanding The End of Art as a Critique of Arthur Danto.”
Soykan, Ömer N., “Arts and Languages: A Comparative Study.
Thermal resistance characteristics of early life history stages of finfish from Long Island waters
No full text64 p. : ill. ; 28 cm. Bibliography.from the abstract, "Eggs and larvae of finfish from Long Island (New York) waters were
subjected to elevated temperature shocks in a square wave exposure experimental
design to determine their thermal resistance characteristics. Ten, fifty, and ninety percent mortality thermal resistance curves were drawn for egg and larval stages of weakfish (Cynoscion regalis), striped searobin (Prionotus evolans), and scup (Stenotomus chrysops), and egg stages of summer flounder (Paralichthys dentatus ) and blackfish (Tautoga onitis). In general, thermal resistance was found to be related to
acclimation (base) temperature prior to experimentation and age of the life history stage used. For each species, resistance to thermal stress increased with age and with increasing acclimation temperature. As the thermal stress increased, the variation of response of similarly acclimated organisms decreased."Archived web contentThe works contained within this collection are the final products of a joint collaboration between the School of Marine and Atmospheric Sciences (SOMAS); the MASIC Library and the Preservation Department. The project was conducted during the winter through summer 2013 academic semesters, and its focus was to convert older, archival records generated by SOMAS and maintained within the University Libraries to accessible, electronic resources in support of research and learning. All works are based on the original, analog (paper) records as released by SOMAS, except where born digital only records have been loaded to the system. All works have been preserved for historic purposes, please see the Marine and Atmospheric Sciences Library for assistance in viewing the analog originals upon which this project is based
1.06.014: Western Brook Pond, c.4000 ft.
No full textWestern Brook Pond, c.4000 ft.Mounted. Photograph no. 1-18 from the collection of Dr. Richard U. Light
Christiane Amanpour Wins the David Kaplan Award 2011
No full textChristiane Amanpour Wins the David Kaplan Award 2011A video clip of Christiane Amanpour accepting the David Kaplan Award in 2011 for her work ; Arab Spring- Cairo to Tripoli. She covered the revolts by obtaining two timely and revealing interviews: in Egypt with President Hosni Mubarak and in Libya with Colonel Moammar Gadhafi. She was the only journalist to talk to these doomed leaders as their regimes were being torn apart. Both as a witness and especially as an interviewer. Ms. Amanpour mentions Marie Colvin and how they shared an interview with Colonel Moammar Gadhafi. She donated the cash award to the Marie Colvin Center at Stony Brook University.News-Lit-Original-Videos/Marie-Colvin-Lectures/20120205-C-Amanpout-Full-&-ClipsThe work(s) contained within this record have been analyzed and cataloged by members of the University Libraries' Resource Management Division.Center for News Literacy
1.06.016: Western Brook Pond, c.4000 ft.
No full textWestern Brook Pond, c.4000 ft.Mounted. Photograph no. 1-20 from the collection of Dr. Richard U. Light
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