1,721,268 research outputs found
Book Review of <em>A Dream Deferred: How Social Work Education Lost Its Way and What Can Be Done</em>
No full textBrij Mohan, Dean Emeritus at Louisiana State University and a member of <em>Poverty and Public Policy's </em>editorial board, reviews this book that is centered around the state of education in the social work field.Social Work Today, education, social work
brijmohan/ConvTasNet_Libri1Mix_enhsingle
No full textDescription: This model was trained by Brij Mohan Lal Srivastava using the librimix/ConvTasNet
recipe in Asteroid. It was trained on the enh_single task of the Libri1Mix dataset. Training config:data: n_src: 1sample_rate: 8000segment: 3task: enh_singletrain_dir: data/wav8k/min/train-360valid_dir: data/wav8k/min/devfilterbank: kernel_size: 16n_filters: 512stride: 8main_args: exp_dir: exp/train_convtasnet_vpchelp: Nonemasknet: bn_chan: 128hid_chan: 512mask_act: relun_blocks: 8n_repeats: 3n_src: 1skip_chan: 128optim: lr: 0.001optimizer: adamweight_decay: 0.0positional arguments: training: batch_size: 24early_stop: Trueepochs: 200half_lr: Truenum_workers: 4 Results:si_sdr: 14.783675142685572 si_sdr_imp: 11.464625198953202 sdr: 15.497505907983102 sdr_imp: 12.07230150154914 sir: inf sir_imp: nan sar: 15.497505907983102 sar_imp: 12.07230150154914 stoi: 0.9270030254700518 stoi_imp: 0.1320547197597893 License notice:This work "ConvTasNet_Libri1Mix_enhsingle" is a derivative of LibriSpeech ASR corpus by Vassil Panayotov, used under CC BY 4.0; of The WSJ0 Hipster Ambient Mixtures dataset by Whisper.ai, used under CC BY-NC 4.0 (Research only). "ConvTasNet_Libri1Mix_enhsingle" is licensed under Attribution-ShareAlike 3.0 Unported by Brij Mohan Lal Srivastava
Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand
No full textA trenchant critic of both British imperialism and Indian militarism, Brij Mohan Anand’s highly politicised aesthetic tracked India’s emergence from Partition, Independence and its journey through the technological challenges of the Cold War and the complex modernity of the later twentieth century. B.M. Anand (1928-1986), an accomplished and principally self-taught artist, fashioned an exceptional range of work from scratchboards, sketches, genre scenes, pastoral images and starkly modernist figure compositions to a series of late, apocalyptic landscapes. His expansive creativity and sharp eye for visual innovation extended into graphics-based design, educational and illustration work which was routinely commissioned and supported by some of India’s leading cultural and news organisations. Anand’s life and aesthetic intersected with some of the foundational events which defined and shaped modern Indian consciousness. From the bitter, family legacy of the Amritsar massacre, through to the trauma of Partition and the post-Independence realpolitik of Congress and Communist Party mandates, he recognised the self-deception and vanity of power and the complicity of the elites through which it was exercised. Anand’s legacy registers a singular consciousness; a profoundly human belief in a socially redemptive aesthetic and the agency of ordinary men and women to realise and to fashion their own futures within a contested modernity. Narratives for Indian Modernity follows the rediscovery and painstaking restoration of much of Anand’s oeuvre, the location of previously overlooked archival and family records and interviews with surviving peers and friends. In doing so, it offers a critical perspective on an outsider artist and maverick who eschewed the attractions and blandishments of a commercial or overseas career, but who nevertheless kept witness to India’s rebirth as a sovereign nation and ultimately, its emergence as a regional superpower
Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand
No full textA trenchant critic of both British imperialism and Indian militarism, Brij Mohan Anand?s highly politicised aesthetic tracked India?s emergence from Partition, Independence and its journey through the technological challenges of the Cold War and the complex modernity of the later twentieth century. B.M. Anand (1928-1986), an accomplished and principally self-taught artist, fashioned an exceptional range of work from scratchboards, sketches, genre scenes, pastoral images and starkly modernist figure compositions to a series of late, apocalyptic landscapes. His expansive creativity and sharp eye for visual innovation extended into graphics-based design, educational and illustration work which was routinely commissioned and supported by some of India?s leading cultural and news organisations. Anand?s life and aesthetic intersected with some of the foundational events which defined and shaped modern Indian consciousness. From the bitter, family legacy of the Amritsar massacre, through to the trauma of Partition and the post-Independence realpolitik of Congress and Communist Party mandates, he recognised the self-deception and vanity of power and the complicity of the elites through which it was exercised. Anand?s legacy registers a singular consciousness; a profoundly human belief in a socially redemptive aesthetic and the agency of ordinary men and women to realise and to fashion their own futures within a contested modernity. Narratives for Indian Modernity follows the rediscovery and painstaking restoration of much of Anand?s oeuvre, the location of previously overlooked archival and family records and interviews with surviving peers and friends. In doing so, it offers a critical perspective on an outsider artist and maverick who eschewed the attractions and blandishments of a commercial or overseas career, but who nevertheless kept witness to India?s rebirth as a sovereign nation and ultimately, its emergence as a regional superpower
Climate, economy and justice — the interdependent aspects of global well-being: An analysis of develop-mental economy, climate and justice in light of its global politics
No full textIn his book Climate, Economy, and Justice: Global Frontiers of Social Development in Theory and Practice, Brij Mohan assembled the works of a team of experts on topics such as climate change, economics and social justice. According to the author, this book explodes myths about social welfare and development and offers a critical interface between “comparative social welfare” and “new social development”.</jats:p
<i>Nuclear Technology Growth</i>: P.B. Sinha and R.R. Subramaniam: Nuclear Pakistan: Atomic Threat to South Asia. Vision Books, New Delhi, 1980, vii, 164p., Rs. 55
No full text Brij Mohan Kaushik and O.N. Mehrotra: Pakistan's Nuclear Bomb. Sopan Publishing House, New Delhi, 1980, xii, 228p., Rs. 75. </jats:p
A cancer protocol writer's assistant
No full textThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1982.MICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERINGBibliography: leaves 90-91.by Brij Mohan Masand.M.S
Book Review : Society and Social Justice: A Nexus in Review
Full text linkSociety and Social Justice: A Nexus in Review. Brij Mohan, 2012, Bloomington, iUniverse.ISBN:978-1-4759—0796-4(sc)pp.xx+102, Price.$13.9
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