1,720,981 research outputs found
From Jew to Puritan: The Emblematic Owl in Early English Culture
Full text linkBrett D. Hirsch, “From Jew to Puritan: The Emblematic Owl in Early English Culture.” ‘This Earthly Stage’: World and Stage in Late Medieval and Early Modern England. Ed. Brett D. Hirsch and Christopher Wortham. Turnhout: Brepols, 2010. 131-72. Cursor Mundi 13
Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi
Full text linkBrett D. Hirsch, “Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi.” Diseases of the Imagination and Imaginary Disease in the Early Modern Period. Ed. Yasmin Haskell. Turnhout: Brepols, 2011. 297-337
"Mingled Yarn": The State of Computing in Shakespeare 2.0
Full text linkBrett D. Hirsch and Hugh Craig, “ ‘Mingled Yarn’: The State of Computing in Shakespeare 2.0.” Digital Shakespeares: Innovations, Interventions, Mediations, ed. Brett D. Hirsch and Hugh Craig. Special issue of The Shakespearean International Yearbook 14 (2014): 3-35
Bringing Richard Brome Online
Full text linkBrett D. Hirsch, “Bringing Richard Brome Online.” Early Theatre 13.1 (2010): 137-53
Beyond the Text: Digital Editions and Performance
Full text linkBrett D. Hirsch and Janelle Jenstad, “Beyond the Text: Digital Editions and Performance.” Shakespeare Bulletin 34.1 (2016): 107–27
‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice
Full text linkBrett D. Hirsch, “ ‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice.” The Ben Jonson Journal, 12 (2005): 119-40
The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print
Full text linkBrett D. Hirsch, “The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print.” Literature Compass 8.9 (2011): 568-91
‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama
Full text linkBrett D. Hirsch, “ ‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama.” Early Theatre 16.2 (2013): 211-49
‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice
Full text linkBrett D. Hirsch, “ ‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice.” Parergon, 23.1 (2006): 119–29
Of Emblems, Funerals, Adaptation, Song, Antisemitism and Scenology ...
No full textBrett D. Hirsch and Christopher Wortham (eds). ‘This Earthly Stage’: World and Stage in Late Medieval and Early Modern England. Turnhout: Brepols, 2010
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